The Flying Inn(原文阅读)

     著书立意乃赠花于人之举,然万卷书亦由人力而为,非尽善尽美处还盼见谅 !

                     —— 华辀远岑

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Chapter I

The sea was a pale elfin green and the afternoon had already felt the fairy touch of evening as a young woman with dark hair, dressed in a crinkly copper-coloured sort of dress of the artistic order, was walking rather listlessly along the parade of Pebblewick-on-Sea, trailing a parasol and looking out upon the sea’s horizon. She had a reason for looking instinctively out at the sea-line; a reason that many young women have had in the history of the world. But there was no sail in sight.

On the beach below the parade were a succession of small crowds, surrounding the usual orators of the seaside; whether niggers or socialists, whether clowns or clergymen. Here would stand a man doing something or other with paper boxes; and the holiday makers would watch him for hours in the hope of some time knowing what it was that he was doing with them. Next to him would be a man in a top hat with a very big Bible and a very small wife, who stood silently beside him, while he fought with his clenched fist against the heresy of Milnian Sublapsarianism so wide-spread in fashionable watering-places. It was not easy to follow him, he was so very much excited; but every now and then the words “our Sublapsarian friends” would recur with a kind of wailing sneer. Next was a young man talking of nobody knew what (least of all himself), but apparently relying for public favour mainly on having a ring of carrots round his hat. He had more money lying in front of him than the others. Next were niggers. Next was a children’s service conducted by a man with a long neck who beat time with a little wooden spade. Farther along there was an atheist, in a towering rage, who pointed every now and then at the children’s service and spoke of Nature’s fairest things being corrupted with the secrets of the Spanish Inquisition—by the man with the little spade, of course. The atheist (who wore a red rosette) was very withering to his own audience as well. “Hypocrites!” he would say; and then they would throw him money. “Dupes and dastards!” and then they would throw him more money. But between the atheist and the children’s service was a little owlish man in a red fez, weakly waving a green gamp umbrella. His face was brown and wrinkled like a walnut, his nose was of the sort we associate with Judæa, his beard was the sort of black wedge we associate rather with Persia. The young woman had never seen him before; he was a new exhibit in the now familiar museum of cranks and quacks. The young woman was one of those people in whom a real sense of humour is always at issue with a certain temperamental tendency to boredom or melancholia; and she lingered a moment, and leaned on the rail to listen.

It was fully four minutes before she could understand a word the man was saying; he spoke English with so extraordinary an accent that she supposed at first that he was talking in his own oriental tongue. All the noises of that articulation were odd; the most marked was an extreme prolongation of the short “u” into “oo”; as in “poo-oot” for “put.” Gradually the girl got used to the dialect, and began to understand the words; though some time elapsed even then before she could form any conjecture of their subject matter. Eventually it appeared to her that he had some fad about English civilisation having been founded by the Turks; or, perhaps by the Saracens after their victory in the Crusades. He also seemed to think that Englishmen would soon return to this way of thinking; and seemed to be urging the spread of teetotalism as an evidence of it. The girl was the only person listening to him.

“Loo-ook,” he said, wagging a curled brown finger, “loo-ook at your own inns” (which he pronounced as “ince”). “Your inns of which you write in your boo-ooks! Those inns were not poo-oot up in the beginning to sell ze alcoholic Christian drink. They were put up to sell ze non-alcoholic Islamic drinks. You can see this in the names of your inns. They are eastern names, Asiatic names. You have a famous public house to which your omnibuses go on the pilgrimage. It is called the Elephant and Castle. That is not an English name. It is an Asiatic name. You will say there are castles in England, and I will agree with you. There is the Windsor Castle. But where,” he cried sternly, shaking his green umbrella at the girl in an angry oratorical triumph, “where is the Windsor Elephant? I have searched all Windsor Park. No elephants.”

The girl with the dark hair smiled, and began to think that this man was better than any of the others. In accordance with the strange system of concurrent religious endowment which prevails at watering-places, she dropped a two shilling piece into the round copper tray beside him. With honourable and disinterested eagerness, the old gentleman in the red fez took no notice of this, but went on warmly, if obscurely, with his argument.

“Then you have a place of drink in this town which you call The Bool!”

“We generally call it The Bull,” said the interested young lady, with a very melodious voice.

“You have a place of drink, which you call The Bool,” he reiterated in a sort of abstract fury, “and surely you see that this is all vary ridiculous!”

“No, no!” said the girl, softly, and in deprecation.

“Why should there be a Bull?” he cried, prolonging the word in his own way. “Why should there be a Bull in connection with a festive locality? Who thinks about a Bull in gardens of delight? What need is there of a Bull when we watch the tulip-tinted maidens dance or pour the sparkling sherbert? You yourselves, my friends?” And he looked around radiantly, as if addressing an enormous mob. “You yourselves have a proverb, ‘It is not calculated to promote prosperity to have a Bull in a china shop.’ Equally, my friends, it would not be calculated to promote prosperity to have a Bull in a wine shop. All this is clear.”

He stuck his umbrella upright in the sand and struck one finger against another, like a man getting to business at last.

“It iss as clear as the sun at noon,” he said solemnly. “It iss as clear as the sun at noon that this word Bull, which is devoid of restful and pleasurable associations, is but the corruption of another word, which possesses restful and pleasurable associations. The word is not Bull; it is the Bul-Bul!” His voice rose suddenly like a trumpet and he spread abroad his hands like the fans of a tropic palm-tree.

After this great effect he was a little more subdued and leaned gravely on his umbrella. “You will find the same trace of Asiatic nomenclature in the names of all your English inns,” he went on. “Nay, you will find it, I am almost certain, in all your terms in any way connected with your revelries and your reposes. Why, my good friends, the very name of that insidious spirit by which you make strong your drinks is an Arabic word: alcohol. It is obvious, is it not, that this is the Arabic article ‘Al,’ as in Alhambra, as in Algebra; and we need not pause here to pursue its many appearances in connection with your festive institutions, as in your Alsop’s beer, your Ally Sloper, and your partly joyous institution of the Albert Memorial. Above all, in your greatest feasting day—your Christmas day—which you so erroneously suppose to be connected with your religion, what do you say then? Do you say the names of the Christian Nations? Do you say, ‘I will have a little France. I will have a little Ireland. I will have a little Scotland. I will have a little Spain?’ No—o.” And the noise of the negative seemed to waggle as does the bleating of a sheep. “You say, ‘I will have a little Turkey,’ which is your name for the Country of the Servant of the Prophet!”

And once more he stretched out his arms sublimely to the east and west and appealed to earth and heaven. The young lady, looking at the sea-green horizon with a smile, clapped her grey gloved hands softly together as if at a peroration. But the little old man with the fez was far from exhausted yet.

“In reply to this you will object—” he began.

“O no, no,” breathed the young lady in a sort of dreamy rapture. “I don’t object. I don’t object the littlest bit!”

“In reply to this you will object—” proceeded her preceptor, “that some inns are actually named after the symbols of your national superstitions. You will hasten to point out to me that the Golden Cross is situated opposite Charing Cross, and you will expatiate at length on King’s Cross, Gerrard’s Cross and the many crosses that are to be found in or near London. But you must not forget,” and here he wagged his green umbrella roguishly at the girl, as if he was going to poke her with it, “none of you, my friends, must forget what a large number of Crescents there are in London! Denmark Crescent; Mornington Crescent! St. Mark’s Crescent! St. George’s Crescent! Grosvenor Crescent! Regent’s Park Crescent! Nay, Royal Crescent! And why should we forget Pelham Crescent? Why, indeed? Everywhere, I say, homage paid to the holy symbol of the religion of the Prophet! Compare with this network and pattern of crescents, this city almost consisting of crescents, the meagre array of crosses, which remain to attest the ephemeral superstition to which you were, for one weak moment, inclined.”

The crowds on the beach were rapidly thinning as tea-time drew nearer. The west grew clearer and clearer with the evening, till the sunshine seemed to have got behind the pale green sea and be shining through, as through a wall of thin green glass. The very transparency of sky and sea might have to this girl, for whom the sea was the romance and the tragedy, the hint of a sort of radiant hopelessness. The flood made of a million emeralds was ebbing as slowly as the sun was sinking: but the river of human nonsense flowed on for ever.

“I will not for one moment maintain,” said the old gentleman, “that there are no difficulties in my case; or that all the examples are as obviously true as those that I have just demonstrated. No-o. It is obvious, let us say, that the ‘Saracen’s Head’ is a corruption of the historic truth ‘The Saracen is Ahead’—I am far from saying it is equally obvious that the ‘Green Dragon’ was originally ‘the Agreeing Dragoman’; though I hope to prove in my book that it is so. I will only say here that it is su-urely more probable that one poo-ooting himself forward to attract the wayfarer in the desert, would compare himself to a friendly and persuadable guide or courier, rather than to a voracious monster. Sometimes the true origin is very hard to trace; as in the inn that commemorates our great Moslem Warrior, Amir Ali Ben Bhoze, whom you have so quaintly abbreviated into Admiral Benbow. Sometimes it is even more difficult for the seeker after truth. There is a place of drink near to here called ‘The Old Ship’—”

The eyes of the girl remained on the ring of the horizon as rigid as the ring itself; but her whole face had coloured and altered. The sands were almost emptied by now: the atheist was as non-existent as his God; and those who had hoped to know what was being done to the paper boxes had gone away to their tea without knowing it. But the young woman still leaned on the railing. Her face was suddenly alive; and it looked as if her body could not move.

“It shood be admitted—” bleated the old man with the green umbrella, “that there is no literally self-evident trace of the Asiatic nomenclature in the words ‘the old ship.’ But even here the see-eeker after Truth can poot himself in touch with facts. I questioned the proprietor of ‘The Old Ship’ who is, according to such notes as I have kept, a Mr. Pumph.”

The girl’s lip trembled.

“Poor old Hump!” she said. “Why, I’d forgotten about him. He must be very nearly as worried as I am! I hope this man won’t be too silly about this! I’d rather it weren’t about this!”

“And Mr. Pumph to-old me the inn was named by a vary intimate friend of his, an Irishman who had been a Captain in the Britannic Royal Navy, but had resigned his po-ost in anger at the treatment of Ireland. Though quitting the service, he retained joost enough of the superstition of your western sailors, to wish his friend’s inn to be named after his old ship. But as the name of the ship was ‘The United Kingdom—’”

His female pupil, if she could not exactly be said to be sitting at his feet, was undoubtedly leaning out very eagerly above his head. Amid the solitude of the sands she called out in a loud and clear voice, “Can you tell me the Captain’s name?”

The old gentleman jumped, blinked and stared like a startled owl. Having been talking for hours as if he had an audience of thousands, he seemed suddenly very much embarrassed to find that he had even an audience of one. By this time they seemed to be almost the only human creatures along the shore; almost the only living creatures, except the seagulls. The sun, in dropping finally, seemed to have broken as a blood orange might break; and lines of blood-red light were spilt along the split, low, level skies. This abrupt and belated brilliance took all the colour out of the man’s red cap and green umbrella; but his dark figure, distinct against the sea and the sunset, remained the same, save that it was more agitated than before.

“The name,” he said, “the Captain’s name. I—I understood it was Dalroy. But what I wish to indicate, what I wish to expound, is that here again the seeker after truth can find the connection of his ideas. It was explained to me by Mr. Pumph that he was rearranging the place of festivity, in no inconsiderable proportion because of the anticipated return of the Captain in question, who had, as it appeared, taken service in some not very large Navy, but had left it and was coming home. Now, mark all of you, my friends,” he said to the seagulls “that even here the chain of logic holds.”

He said it to the seagulls because the young lady, after staring at him with starry eyes for a moment and leaning heavily on the railing, had turned her back and disappeared rapidly into the twilight. After her hasty steps had fallen silent there was no other noise than the faint but powerful purring of the now distant sea, the occasional shriek of a sea-bird, and the continuous sound of a soliloquy.

“Mark, all of you,” continued the man flourishing his green umbrella so furiously that it almost flew open like a green flag unfurled, and then striking it deep in the sand, in the sand in which his fighting fathers had so often struck their tents, “mark all of you this marvellous fact! That when, being for a time, for a time, astonished—embarrassed—brought up as you would say short—by the absence of any absolute evidence of Eastern influence in the phrase ‘the old ship,’ I inquired from what country the Captain was returning, Mr. Pumph said to me in solemnity, ‘From Turkey.’ From Turkey! From the nearest country of the Religion! I know men say it is not our country; that no man knows where we come from, of what is our country. What does it matter where we come from if we carry a message from Paradise? With a great galloping of horses we carry it, and have no time to stop in places. But what we bring is the only creed that has regarded what you will call in your great words the virginity of a man’s reason, that has put no man higher than a prophet, and has respected the solitude of God.”

And again he spread his arms out, as if addressing a mass meeting of millions, all alone on the dark seashore.

Chapter II

The great sea-dragon of the changing colours that wriggles round the world like a chameleon, was pale green as it washed on Pebblewick, but strong blue where it broke on the Ionian Isles. One of the innumerable islets, hardly more than a flat white rock in the azure expanse, was celebrated as the Isle of Olives; not because it was rich in such vegetation, but because, by some freak of soil or climate, two or three little olives grew there to an unparalleled height. Even in the full heat of the South it is very unusual for an olive tree to grow any taller than a small pear tree; but the three olives that stood up as signals on this sterile place might well be mistaken, except for the shape, for moderate sized pines or larches of the north. It was also connected with some ancient Greek legend about Pallas the patroness of the olive; for all that sea was alive with the first fairyland of Hellas; and from the platform of marble under the olive trees could be seen the grey outline of Ithaca.

On the island and under the trees was a table set in the open air and covered with papers and inkstands. At the table were sitting four men, two in uniform and two in plain black clothes. Aides-de-camps, equerries and such persons stood in a group in the background; and behind them a string of two or three silent battle-ships lay along the sea. For peace was being given to Europe.

There had just come to an end the long agony of one of the many unsuccessful efforts to break the strength of Turkey and save the small Christian tribes. There had been many other such meetings in the later phases of the matter as, one after another, the smaller nations gave up the struggle, or the greater nations came in to coerce them. But the interested parties had now dwindled to these four. For the Powers of Europe being entirely agreed on the necessity for peace on a Turkish basis, were content to leave the last negotiations to England and Germany, who could be trusted to enforce it; there was a representative of the Sultan, of course; and there was a representative of the only enemy of the Sultan who had not hitherto come to terms.

For one tiny power had alone carried on the war month after month, and with a tenacity and temporary success that was a new nine-days marvel every morning. An obscure and scarcely recognized prince calling himself the King of Ithaca had filled the Eastern Mediterranean with exploits that were not unworthy of the audacious parallel that the name of his island suggested. Poets could not help asking if it were Odysseus come again; patriotic Greeks, even if they themselves had been forced to lay down their arms, could not help feeling curious as to what Greek race or name was boasted by the new and heroic royal house. It was, therefore, with some amusement that the world at last discovered that the descendant of Ulysses was a cheeky Irish adventurer named Patrick Dalroy; who had once been in the English Navy, had got into a quarrel through his Fenian sympathies and resigned his commission. Since then he had seen many adventures in many uniforms; and always got himself or some one else into hot water with an extraordinary mixture of cynicism and quixotry. In his fantastic little kingdom, of course, he had been his own General, his own Admiral, his own Foreign Secretary and his own Ambassador; but he was always careful to follow the wishes of his people in the essentials of peace and war; and it was at their direction that he had come to lay down his sword at last. Besides his professional skill, he was chiefly famous for his enormous bodily strength and stature. It is the custom in newspapers nowadays to say that mere barbaric muscular power is valueless in modern military actions, but this view may be as much exaggerated as its opposite. In such wars as these of the Near East, where whole populations are slightly armed and personal assault is common, a leader who can defend his head often has a real advantage; and it is not true, even in a general way, that strength is of no use. This was admitted by Lord Ivywood, the English Minister, who was pointing out in detail to King Patrick the hopeless superiority of the light pattern of Turkish field gun; and the King of Ithaca, remarking that he was quite convinced, said he would take it with him, and ran away with it under his arm. It would be conceded by the greatest of the Turkish warriors, the terrifying Oman Pasha, equally famous for his courage in war and his cruelty in peace; but who carried on his brow a scar from Patrick’s sword, taken after three hours’ mortal combat—and taken without spite or shame, be it said, for the Turk is always at his best in that game. Nor would the quality be doubted by Mr. Hart, a financial friend of the German Minister, whom Patrick Dalroy, after asking him which of his front windows he would prefer to be thrown into, threw into his bedroom window on the first floor with so considerate an exactitude that he alighted on the bed, where he was in a position to receive any medical attention. But, when all is said, one muscular Irish gentleman on an island cannot fight all Europe for ever, and he came, with a kind of gloomy good humour, to offer the terms now dictated to him by his adopted country. He could not even knock all the diplomatists down (for which he possessed both the power and the inclination), for he realised, with the juster part of his mind, that they were only obeying orders, as he was. So he sat heavily and sleepily at the little table, in the green and white uniform of the Navy of Ithaca (invented by himself); a big bull of a man, monstrously young for his size, with a bull neck and two blue bull’s eyes for eyes, and red hair rising so steadily off his scalp that it looked as if his head had caught fire: as some said it had.

The most dominant person present was the great Oman Pasha himself, with his strong face starved by the asceticism of war, his hair and mustache seeming rather blasted with lightning than blanched with age; a red fez on his head, and between the red fez and mustache, a scar at which the King of Ithaca did not look. His eyes had an awful lack of expression.

Lord Ivywood, the English Minister, was probably the handsomest man in England, save that he was almost colourless both in hair and complexion. Against that blue marble sea he might almost have been one of its old marble statues that are faultless in line but show nothing but shades of grey or white. It seemed a mere matter of the luck of lighting whether his hair looked dull silver or pale brown; and his splendid mask never changed in colour or expression. He was one of the last of the old Parliamentary orators; and yet he was probably a comparatively young man; he could make anything he had to mention blossom into verbal beauty; yet his face remained dead while his lips were alive. He had little old-fashioned ways, as out of old Parliaments; for instance, he would always stand up, as in a senate, to speak to those three other men, alone on a rock in the ocean.

In all this he perhaps appeared more personal in contrast to the man sitting next to him, who never spoke at all but whose face seemed to speak for him. He was Dr. Gluck, the German Minister, whose face had nothing German about it; neither the German vision nor the German sleep. His face was as vivid as a highly coloured photograph and altered like a cinema: but his scarlet lips never moved in speech. His almond eyes seemed to shine with all the shifting fires of the opal; his small, curled black mustache seemed sometimes almost to hoist itself afresh, like a live, black snake; but there came from him no sound. He put a paper in front of Lord Ivywood. Lord Ivywood took a pair of eyeglasses to read it, and looked ten years older by the act.

It was merely a statement of agenda; of the few last things to be settled at this last conference. The first item ran:

“The Ithacan Ambassador asks that the girls taken to harems after the capture of Pylos be restored to their families. This cannot be granted.” Lord Ivywood rose. The mere beauty of his voice startled everyone who had not heard it before.

“Your Excellencies and gentlemen,” he said, “a statement to whose policy I by no means assent, but to whose historic status I could not conceivably aspire, has familiarised you with a phrase about peace with honour. But when we have to celebrate a peace between such historic soldiers as Oman Pasha and His Majesty the King of Ithaca, I think we may say that it is peace with glory.”

He paused for half an instant; yet even the silence of sea and rock seemed full of multitudinous applause, so perfectly had the words been spoken.

“I think there is but one thought among us, whatever our many just objections through these long and harassing months of negotiations—I think there is but one thought now. That the peace may be as full as the war—that the peace may be as fearless as the war.”

Once more he paused an instant; and felt a phantom clapping, as it were, not from the hands but the heads of the men. He went on.

“If we are to leave off fighting, we may surely leave off haggling. A statute of limitations or, if you will, an amnesty, is surely proper when so sublime a peace seals so sublime a struggle. And if there be anything in which an old diplomatist may advise you, I would most strongly say this: that there should be no new disturbance of whatever amicable or domestic ties have been formed during this disturbed time. I will admit I am sufficiently old-fashioned to think any interference with the interior life of the family a precedent of no little peril. Nor will I be so illiberal as not to extend to the ancient customs of Islam what I would extend to the ancient customs of Christianity. A suggestion has been brought before us that we should enter into a renewed war of recrimination as to whether certain women have left their homes with or without their own consent. I can conceive no controversy more perilous to begin or more impossible to conclude. I will venture to say that I express all your thoughts, when I say that, whatever wrongs may have been wrought on either side, the homes, the marriages, the family arrangements of this great Ottoman Empire, shall remain as they are today.”

No one moved except Patrick Dalroy, who put his hand on his sword-hilt for a moment and looked at them all with bursting eyes; then his hand fell and he laughed out loud and sudden.

Lord Ivywood took no notice, but picked up the agenda paper again, and again fitted on the glasses that made him look older. He read the second item—needless to say, not aloud. The German Minister with the far from German face, had written this note for him:

“Both Coote and the Bernsteins insist there must be Chinese for the marble. Greeks cannot be trusted in the quarries just now.”

“But while,” continued Lord Ivywood, “we desire these fundamental institutions, such as the Moslem family, to remain as they are even at this moment, we do not assent to social stagnation. Nor do we say for one moment that the great tradition of Islam is capable alone of sustaining the necessities of the Near East. But I would seriously ask your Excellencies, why should we be so vain as to suppose that the only cure for the Near East is of necessity the Near West? If new ideas are needed, if new blood is needed, would it not be more natural to appeal to those most living, those most laborious civilisations which form the vast reserve of the Orient? Asia in Europe, if my friend Oman Pasha will allow me the criticism, has hitherto been Asia in arms. May we not yet see Asia in Europe and yet Asia in peace? These at least are the reasons which lead me to consent to a scheme of colonisation.”

Patrick Dalroy sprang erect, pulling himself out of his seat by clutching at an olive-branch above his head. He steadied himself by putting one hand on the trunk of the tree, and simply stared at them all. There fell on him the huge helplessness of mere physical power. He could throw them into the sea; but what good would that do? More men on the wrong side would be accredited to the diplomatic campaign; and the only man on the right side would be discredited for anything. He shook the branching olive tree above him in his fury. But he did not for one moment disturb Lord Ivywood, who had just read the third item on his private agenda (“Oman Pasha insists on the destruction of the vineyards”) and was by this time engaged in a peroration which afterwards became famous and may be found in many rhetorical text books and primers. He was well into the middle of it before Dalroy’s rage and wonder allowed him to follow the words.

“... do we indeed owe nothing,” the diplomatist was saying “to that gesture of high refusal in which so many centuries ago the great Arabian mystic put the wine-cup from his lips? Do we owe nothing to the long vigil of a valiant race, the long fast by which they have testified against the venomous beauty of the Vine? Ours is an age when men come more and more to see that the creeds hold treasures for each other, that each religion has a secret for its neighbour, that faith unto faith uttereth speech, and church unto church showeth knowledge. If it be true, and I claim again the indulgence of Oman Pasha when I say I think it is true, that we of the West have brought some light to Islam in the matter of the preciousness of peace and of civil order, may we not say that Islam in answer shall give us peace in a thousand homes, and encourage us to cut down that curse that has done so much to thwart and madden the virtues of Western Christendom. Already in my own country the orgies that made horrible the nights of the noblest families are no more. Already the legislature takes more and more sweeping action to deliver the populace from the bondage of the all-destroying drug. Surely the prophet of Mecca is reaping his harvest; the cession of the disputed vineyards to the greatest of his champions is of all acts the most appropriate to this day; to this happy day that may yet deliver the East from the curse of war and the West from the curse of wine. The gallant prince who meets us here at last, to offer an olive branch even more glorious than his sword, may well have our sympathy if he himself views the cession with some sentimental regret; but I have little doubt that he also will live to rejoice in it at last. And I would remind you that it is not the vine alone that has been the sign of the glory of the South. There is another sacred tree unstained by loose and violent memories, guiltless of the blood of Pentheus or of Orpheus and the broken lyre. We shall pass from this place in a little while as all things pass and perish:

Far called, our navies melt away.

On dune and headland sinks the fire,

And all our pomp of yesterday

Is one with Nineveh and Tyre.

But so long as sun can shine and soil can nourish, happier men and women after us shall look on this lovely islet and it shall tell its own story; for they shall see these three holy olive trees lifted in everlasting benediction, over the humble spot out of which came the peace of the world.”

The other two men were staring at Patrick Dalroy; his hand had tightened on the tree, and a giant billow of effort went over his broad breast. A small stone jerked itself out of the ground at the foot of the tree as if it were a grasshopper jumping; and then the coiled roots of the olive tree rose very slowly out of the earth like the limbs of a dragon lifting itself from sleep.

“I offer an olive branch,” said the King of Ithaca, totteringly leaning the loose tree so that its vast shadow, much larger than itself, fell across the whole council. “An olive branch,” he gasped, “more glorious than my sword. Also heavier.”

Then he made another effort and tossed it into the sea below.

The German, who was no German, had put up his arm in apprehension when the shadow fell across him. Now he got up and edged away from the table; seeing that the wild Irishman was tearing up the second tree. This one came out more easily; and before he flung it after the first, he stood with it a moment; looking like a man juggling with a tower.

Lord Ivywood showed more firmness; but he rose in tremendous remonstrance. Only the Turkish Pasha still sat with blank eyes, immovable. Dalroy rent out the last tree and hurled it, leaving the island bare.

“There!” said Dalroy, when the third and last olive had splashed in the tide. “Now I will go. I have seen something today that is worse than death: and the name of it is Peace.”

Oman Pasha rose and held out his hand.

“You are right,” he said in French, “and I hope we meet again in the only life that is a good life. Where are you going now?”

“I am going,” said Dalroy, dreamily, “to ‘The Old Ship.’”

“Do you mean?” asked the Turk, “that you are going back to the warships of the English King?”

“No,” answered the other, “I am going back to ‘The Old Ship’ that is behind the apple trees by Pebblewick; where the Ule flows among the trees. I fear I shall never see you there.”

After an instant’s hesitation he wrung the red hand of the great tyrant and walked to his boat without a glance at the diplomatists.

Chapter III

Upon few of the children of men has the surname of Pump fallen, and of these few have been maddened into naming a child Humphrey in addition to it. To such extremity, however, had the parents of the innkeeper at “The Old Ship” proceeded, that their son might come at last to be called “Hump” by his dearest friends, and “Pumph” by an aged Turk with a green umbrella. All this, or all he knew of it, he endured with a sour smile; for he was of a stoical temper.

Mr. Humphrey Pump stood outside his inn, which stood almost on the seashore, screened only by one line of apple trees, dwarfed, twisted and salted by the sea air; but in front of it was a highly banked bowling green, and behind it the land sank abruptly; so that one very steep sweeping road vanished into the depth and mystery of taller trees. Mr. Pump was standing immediately under his trim sign, which stood erect in the turf; a wooden pole painted white and suspending a square white board, also painted white but further decorated with a highly grotesque blue ship, such as a child might draw, but into which Mr. Pump’s patriotism had insinuated a disproportionately large red St. George’s cross.

Mr. Humphrey Pump was a man of middle size, with very broad shoulders, wearing a sort of shooting suit with gaiters. Indeed, he was engaged at the moment in cleaning and reloading a double-barrelled gun, a short but powerful weapon which he had invented, or at least improved, himself; and which, though eccentric enough as compared with latest scientific arms, was neither clumsy nor necessarily out of date. For Pump was one of those handy men who seem to have a hundred hands like Briareus; he made nearly everything for himself and everything in his house was slightly different from the same thing in anyone else’s house. He was also as cunning as Pan or a poacher in everything affecting every bird or dish, every leaf or berry in the woods. His mind was a rich soil of subconscious memories and traditions; and he had a curious kind of gossip so allusive as to almost amount to reticence; for he always took it for granted that everyone knew his county and its tales as intimately as he did; so he would mention the most mysterious and amazing things without relaxing a muscle on his face, which seemed to be made of knotted wood. His dark brown hair ended in two rudimentary side whiskers, giving him a slightly horsey look, but in the old-fashioned sportsman’s style. His smile was rather wry and crabbed; but his brown eyes were kindly and soft. He was very English.

As a rule his movements, though quick, were cool; but on this occasion he put down the gun on the table outside the inn in a rather hurried manner and came forward dusting his hands in an unusual degree of animation and even defiance. Beyond the goblin green apple trees and against the sea had appeared the tall, slight figure of a girl, in a dress about the colour of copper and a large shady hat. Under the hat her face was grave and beautiful though rather swarthy. She shook hands with Mr. Pump; then he very ceremoniously put a chair for her and called her “Lady Joan.”

“I thought I would like a look at the old place,” she said. “We have had some happy times here when we were boys and girls. I suppose you hardly see any of your old friends now.”

“Very little,” answered Pump, rubbing his short whisker reflectively. “Lord Ivywood’s become quite a Methody parson, you know, since he took the place; he’s pulling down beer-shops right and left. And Mr. Charles was sent to Australia for lying down flat at the funeral. Pretty stiff I call it; but the old lady was a terror.”

“Do you ever hear,” asked Lady Joan Brett, carelessly, “of that Irishman, Captain Dalroy?”

“Yes, more often than from the rest,” answered the innkeeper. “He seems to have done wonders in this Greek business. Ah! He was a sad loss to the Navy!”

“They insulted his country,” said the girl, looking at the sea with a heightened colour. “After all, Ireland was his country; and he had a right to resent it being spoken of like that.”

“And when they found he’d painted him green,” went on Mr. Pump.

“Painted him what?” asked Lady Joan.

“Painted Captain Dawson green,” continued Mr. Pump in colourless tones. “Captain Dawson said green was the colour of Irish traitors, so Dalroy painted him green. It was a great temptation, no doubt, with this fence being painted at the time and the pail of stuff there; but, of course, it had a very prejudicial effect on his professional career.”

“What an extraordinary story!” said the staring Lady Joan, breaking into a rather joyless laugh. “It must go down among your county legends. I never heard that version before. Why, it might be the origin of the ‘Green Man’ over there by the town.”

“Oh, no,” said Pump, simply, “that’s been there since before Waterloo times. Poor old Noyle had it until they put him away. You remember old Noyle, Lady Joan. Still alive, I hear, and still writing love-letters to Queen Victoria. Only of course they aren’t posted now.”

“Have you heard from your Irish friend lately?” asked the girl, keeping a steady eye on the sky-line.

“Yes, I had a letter last week,” answered the innkeeper. “It seems not impossible that he may return to England. He’s been acting for one of these Greek places, and the negotiations seem to be concluded. It’s a queer thing that his lordship himself was the English minister in charge of them.”

“You mean Lord Ivywood,” said Lady Joan, rather coldly. “Yes, he has a great career before him, evidently.”

“I wish he hadn’t got his knife into us so much,” chuckled Pump. “I don’t believe there’ll be an inn left in England. But the Ivywoods were always cranky. It’s only fair to him to remember his grandfather.”

“I think it’s very ungallant on your part,” said Lady Joan, with a mournful smile, “to ask a lady to remember his grandfather.”

“You know what I mean, Lady Joan,” said her host, good humouredly. “And I never was hard on the case myself; we all have our little ways. I shouldn’t like it done to my pig; but I don’t see why a man shouldn’t have his own pig in his own pew with him if he likes it. It wasn’t a free seat. It was the family pew.”

Lady Joan broke out laughing again. “What horrible things you do seem to have heard of,” she said. “Well, I must be going, Mr. Hump—I mean Mr. Pump—I used to call you Hump ... oh, Hump, do you think any of us will ever be happy again?”

“I suppose it rests with Providence,” he said, looking at the sea.

“Oh, do say Providence again!” cried the girl. “It’s as good as ‘Masterman Ready.’”

With which inconsequent words she betook herself again to the path by the apple trees and walked back by the sea front to Pebblewick.

The inn of “The Old Ship” lay a little beyond the old fishing village of Pebblewick; and that again was separated by an empty half-mile or so from the new watering-place of Pebblewick-on-Sea. But the dark-haired lady walked steadily along the sea-front, on a sort of parade which had been stretched out to east and west in the insane optimism of watering-places, and, as she approached the more crowded part, looked more and more carefully at the groups on the beach. Most of them were much the same as she had seen them more than a month before. The seekers after truth (as the man in the fez would say) who assembled daily to find out what the man was doing with the paper-boxes, had not found out yet; neither had they wearied of their intellectual pilgrimage. Pennies were still thrown to the thundering atheist in acknowledgment of his incessant abuse; and this was all the more mysterious because the crowd was obviously indifferent, and the atheist was obviously sincere. The man with the long neck who led Low Church hymns with a little wooden spade had indeed disappeared; for children’s services of this kind are generally a moving feast; but the man whose only claim consisted of carrots round his hat was still there; and seemed to have even more money than before. But Lady Joan could see no sign of the little old man in the fez. She could only suppose that he had failed entirely; and, being in a bitter mood, she told herself bitterly that he had sunk out of sight precisely because there was in his rubbish a touch of unearthly and insane clear-headedness of which all these vulgar idiots were incapable. She did not confess to herself consciously that what had made both the man in the fez and the man at the inn interesting was the subject of which they had spoken.

As she walked on rather wearily along the parade she caught sight of a girl in black with faint fair hair and a tremulous, intelligent face which she was sure she had seen before. Pulling together all her aristocratic training for the remembering of middle class people, she managed to remember that this was a Miss Browning who had done typewriting work for her a year or two before; and immediately went forward to greet her, partly out of genuine good nature and partly as a relief from her own rather dreary thoughts. Her tone was so seriously frank and friendly that the lady in black summoned the social courage to say:

“I’ve so often wanted to introduce you to my sister who’s much cleverer than I am, though she does live at home; which I suppose is very old-fashioned. She knows all sorts of intellectual people. She is talking to one of them now; this Prophet of the Moon that everyone’s talking about. Do let me introduce you.”

Lady Joan Brett had met many prophets of the moon and of other things. But she had the spontaneous courtesy which redeems the vices of her class, and she followed Miss Browning to a seat on the parade. She greeted Miss Browning’s sister with glowing politeness; and this may really be counted to her credit; for she had great difficulty in looking at Miss Browning’s sister at all. For on the seat beside her, still in a red fez but in a brilliantly new black frock coat and every appearance of prosperity, sat the old gentleman who had lectured on the sands about the inns of England.

“He lectured at our Ethical Society,” whispered Miss Browning, “on the word Alcohol. Just on the word Alcohol. He was perfectly thrilling. All about Arabia and Algebra, you know, and how everything comes from the East. You really would be interested.”

“I am interested,” said Lady Joan.

“Poot it to yourselfs,” the man in the fez was saying to Miss Browning’s sister, “joost what sort of meaning the names of your ince can have if they do not commemorate the unlimitable influence of Islam. There is a vary populous Inn in London, one of the most distinguished, one of the most of the Centre, and it is called the Horseshoe? Now, my friendss, why should anyone commemorate a horse-shoe? It iss but an appendage to a creature more interesting than itself. I have already demonstrated to you that the very fact that you have in your town a place of drink called the Bool—”

“I should like to ask—” began Lady Joan, suddenly.

“A place of drink called the Bool,” went on the man in the fez, deaf to all distractions, “and I have urged that the Bool is a disturbing thought, while the BulBul is a reassuring thought. But even you my friends, would not name a place after a ring in a Bool’s nose and not after the Bool? Why then name an equivalent place after the shoo, the mere shoo, upon a horse’s hoof, and not after the noble horse? Surely it is clear, surely it is evident that the term ‘horse-shoe’ is a cryptic term, an esoteric term, a term made during the days when the ancient Moslem faith of this English country was oppressed by the passing superstition of the Galileans. That bent shape, that duplex curving shape, which you call horse-shoe, is it not clearly the Crescent?” and he cast his arms wide as he had done on the sands, “the Crescent of the Prophet of the only God?”

“I should like to ask,” began Lady Joan, again, “how you would explain the name of the inn called ‘The Green Man,’ just behind that row of houses.”

“Exactly! exactly!” cried the Prophet of the Moon, in almost insane excitement. “The seeker after truth could not at all probably find a more perfect example of these principles. My friendss, how could there be a green man? You are acquainted with green grass, with green leaves, with green cheese, with green chartreuse. I ask if any one of you, however wide her social circle, has ever been acquainted with a green man. Surely, surely, it is evident, my friendss, that this is an imperfect version, an abbreviated version, of the original words. What can be clearer than that the original expression, was ‘the green-turban’d man,’ in allusion to the well-known uniform of the descendants of the Prophet? ‘Turban’d’ surely is just the sort of word, exactly the sort of foreign and unfamiliar word, that might easily be slurred over and ultimately suppressed.”

“There is a legend in these parts,” said Lady Joan, steadily, “that a great hero, hearing the colour that was sacred to his holy island insulted, really poured it over his enemy for a reply.”

“A legend! a fable!” cried the man in the fez, with another radiant and rational expansion of the hands. “Is it not evident that no such thing can have really happened?”

“Oh, yes—it really happened,” said the young lady, softly. “There is not much to comfort one in this world; but there are some things. Oh, it really happened.”

And taking a graceful farewell of the group, she resumed her rather listless walk along the parade.

Chapter IV

Mr. Humphrey Pump stood in front of his inn once more, the cleaned and loaded gun still lay on the table, and the white sign of The Ship still swung in the slight sea breeze over his head; but his leatherish features were knotted over a new problem. He held two letters in his hand, letters of a very different sort, but letters that pointed to the same difficult problem. The first ran:

“Dear Hump—

“I’m so bothered that I simply must call you by the old name again. You understand I’ve got to keep in with my people. Lord Ivywood is a sort of cousin of mine, and for that and some other reasons, my poor old mother would just die if I offended him. You know her heart is weak; you know everything there is to know in this county. Well, I only write to warn you that something is going to be done against your dear old inn. I don’t know what this Country’s coming to. Only a month or two ago I saw a shabby old pantaloon on the beach with a green gamp, talking the craziest stuff you ever heard in your life. Three weeks ago I heard he was lecturing at Ethical Societies—whatever they are—for a handsome salary. Well, when I was last at Ivywood—I must go because Mamma likes it—there was the living lunatic again, in evening dress, and talked about by people who really know. I mean who know better.

“Lord Ivywood is entirely under his influence and thinks him the greatest prophet the world has ever seen. And Lord Ivywood is not a fool; one can’t help admiring him. Mamma, I think, wants me to do more than admire him. I am telling you everything, Hump, because I think perhaps this is the last honest letter I shall ever write in the world. And I warn you seriously that Lord Ivywood is sincere, which is perfectly terrible. He will be the biggest English statesman, and he does really mean to ruin—the old ships. If ever you see me here again taking part in such work, I hope you may forgive me.

“Somebody we mentioned, whom I shall never see again, I leave to your friendship. It is the second best thing I can give, and I am not sure it may not be better than the first would have been. Goodbye.

J. B.”

This letter seemed to distress Mr. Pump rather than puzzle him. It ran as follows:

“Sir—

“The Committee of the Imperial Commission of Liquor Control is directed to draw your attention to the fact that you have disregarded the Committee’s communications under section 5A of the Act for the Regulation of Places of Public Entertainment; and that you are now under Section 47C of the Act amending the Act for the Regulation of Places of Public Entertainment aforesaid. The charges on which prosecution will be founded are as follows:

(1) Violation of sub-section 23f of the Act, which enacts that no pictorial signs shall be exhibited before premises of less than the ratable value of £2000 per annum.

(2) Violation of sub-section 113d of the Act, which enacts that no liquor containing alcohol shall be sold in any inn, hotel, tavern or public-house, except when demanded under a medical certificate from one of the doctors licensed by the State Medical Council, or in the specially excepted cases of Claridge’s Hotel and the Criterion Bar, where urgency has already been proved.

“As you have failed to acknowledge previous communications on this subject, this is to warn you that legal steps will be taken immediately,

“We are yours truly,

Ivywood, President.

J. Leveson, Secretary.”

Mr. Humphrey Pump sat down at the table outside his inn and whistled in a way which, combined with his little whiskers made him for the moment seem literally like an ostler. Then, the very real wit and learning he had returned slowly into his face and with his warm, brown eyes he considered the cold, grey sea. There was not much to be got out of the sea. Humphrey Pump might drown himself in the sea; which would be better for Humphrey Pump than being finally separated from “The Old Ship.” England might be sunk under the sea; which would be better for England than never again having such places as “The Old Ship.” But these were not serious remedies nor rationally attainable; and Pump could only feel that the sea had simply warped him as it had warped his apple trees. The sea was a dreary business altogether. There was only one figure walking on the sands. It was only when the figure drew nearer and nearer and grew to more than human size, that he sprang to his feet with a cry. Also the level light of morning lit the man’s hair, and it was red.

The late King of Ithaca came casually and slowly up the slope of the beach that led to “The Old Ship.” He had landed in a boat from a battleship that could still be seen near the horizon, and he still wore the astounding uniform of apple-green and silver which he had himself invented as that of a navy that had never existed very much, and which now did not exist at all. He had a straight naval sword at his side; for the terms of his capitulation had never required him to surrender it; and inside the uniform and beside the sword there was what there always had been, a big and rather bewildered man with rough red hair, whose misfortune was that he had good brains, but that his bodily strength and bodily passions were a little too strong for his brains.

He had flung his crashing weight on the chair outside the inn before the innkeeper could find words to express his astounded pleasure in seeing him. His first words were “have you got any rum?”

Then, as if feeling that his attitude needed explanation, he added, “I suppose I shall never be a sailor again after tonight. So I must have rum.”

Humphrey Pump had a talent for friendship, and understood his old friend. He went into the inn without a word; and came back idly pushing or rolling with an alternate foot (as if he were playing football with two footballs at once) two objects that rolled very easily. One was a big keg or barrel of rum and the other a great solid drum of a cheese. Among his thousand other technical tricks he had a way of tapping a cask without a tap, or anything that could impair its revolutionary or revolving qualities. He was feeling in his pocket for the instrument with which he solved such questions, when his Irish friend suddenly sat bolt upright, as one startled out of sleep, and spoke with his strongest and most unusual brogue.

“Oh thank ye, Hump, a thousand times; and I don’t think I really want something to drink at arl. Now I know I can have it, I don’t seem to want it at arl. But hwhat I do want—” and he suddenly dashed his big fist on the little table so that one of its legs leapt and nearly snapped—“hwhat I do want is some sort of account of what’s happening in this England of yours that shan’t be just obviously rubbish.”

“Ah,” said Pump, fingering the two letters thoughtfully. “And what do you mean by rubbish?”

“I carl it rubbish” cried Patrick Dalroy, “when ye put the Koran into the Bible and not the Apocrypha; and I carl it rubbish when a mad parson’s allowed to propose to put a crescent on St. Paul’s Cathedral. I know the Turks are our allies now, but they often were before, and I never heard that Palmerston or Colin Campbell had any truck with such trash.”

“Lord Ivywood is very enthusiastic, I know,” said Pump, with a restrained amusement. “He was saying only the other day at the Flower Show here that the time had come for a full unity between Christianity and Islam.”

“Something called Chrislam perhaps,” said the Irishman, with a moody eye. He was gazing across the grey and purple woodlands that stretched below them at the back of the inn; and into which the steep, white road swept downwards and disappeared. The steep road looked like the beginning of an adventure; and he was an adventurer.

“But you exaggerate, you know,” went on Pump, polishing his gun, “about the crescent on St. Paul’s. It wasn’t exactly that. What Dr. Moole suggested, I think, was some sort of double emblem, you know, combining cross and crescent.”

“And called the Crescent,” muttered Dalroy.

“And you can’t call Dr. Moole a parson either,” went on Mr. Humphrey Pump, polishing industriously. “Why, they say he’s a sort of atheist, or what they call an agnostic, like Squire Brunton who used to bite elm trees by Marley. The grand folks have these fashions, Captain, but they’ve never lasted long that I know of.”

“I think it’s serious this time,” said his friend, shaking his big red head. “This is the last inn on this coast, and will soon be the last inn in England. Do you remember the ‘Saracen’s Head’ in Plumsea, along the shore there?”

“I know,” assented the innkeeper. “My aunt was there when he hanged his mother; but it’s a charming place.”

“I passed there just now; and it has been destroyed,” said Dalroy.

“Destroyed by fire?” asked Pump, pausing in his gun-scrubbing.

“No,” said Dalroy, “destroyed by lemonade. They’ve taken away its license or whatever you call it. I made a song about it, which I’ll sing to you now!” And with an astounding air of suddenly revived spirits, he roared in a voice like thunder the following verses, to a simple but spirited tune of his own invention:

“The Saracen’s Head looks down the lane,

Where we shall never drink wine again;

For the wicked old Women who feel well-bred

Have turned to a tea-shop the Saracen’s Head.

“The Saracen’s Head out of Araby came,

King Richard riding in arms like flame,

And where he established his folk to be fed

He set up his spear—and the Saracen’s Head.

“But the Saracen’s Head outlived the Kings,

It thought and it thought of most horrible things;

Of Health and of Soap and of Standard Bread,

And of Saracen drinks at the Saracen’s Head.”

“Hullo!” cried Pump, with another low whistle. “Why here comes his lordship. And I suppose that young man in the goggles is a Committee or something.”

“Let him come,” said Dalroy, and continued in a yet more earthquake bellow:

“So the Saracen’s Head fulfils its name,

They drink no wine—a ridiculous game—

And I shall wonder until I’m dead,

How it ever came into the Saracen’s Head.”

As the last echo of this lyrical roar rolled away among the apple-trees, and down the steep, white road into the woods, Captain Dalroy leaned back in his chair and nodded good humouredly to Lord Ivywood, who was standing on the lawn with his usual cold air, but with slightly compressed lips. Behind him was a dark young man with double eyeglasses and a number of printed papers in his hand; presumably J. Leveson, Secretary. In the road outside stood a group of three which struck Pump as strangely incongruous, like a group in a three act farce. The first was a police inspector in uniform; the second was a workman in a leather apron, more or less like a carpenter, and the third was an old man in a scarlet Turkish fez, but otherwise dressed in very fashionable English clothes in which he did not seem very comfortable. He was explaining something about the inn to the policeman and the carpenter, who appeared to be restraining their amusement.

“Fine song that, my lord,” said Dalroy, with cheerful egotism. “I’ll sing you another,” and he cleared his throat.

“Mr. Pump,” said Lord Ivywood, in his bell-like and beautiful voice, “I thought I would come in person, if only to make it clear that every indulgence has been shown you. The mere date of this inn brings it within the statute of 1909; it was erected when my great grandfather was Lord of the Manor here, though I believe it then bore a different name, and——”

“Ah, my lord,” broke in Pump with a sigh, “I’d rather deal with your great grandfather, I would, though he married a hundred negresses instead of one, than see a gentleman of your family taking away a poor man’s livelihood.”

“The act is specially designed in the interests of the relief of poverty,” proceeded Lord Ivywood, in an unruffled manner, “and its final advantages will accrue to all citizens alike.” He turned for an instant to the dark secretary, saying, “You have that second report?” and received a folded paper in answer.

“It is here fully explained,” said Lord Ivywood, putting on his elderly eyeglasses, “that the purpose of the Act is largely to protect the savings of the more humble and necessitous classes. I find in paragraph three, ‘we strongly advise that the deleterious element of alcohol be made illegal save in such few places as the Government may specially exempt for Parliamentary or other public reasons, and that the provocative and demoralising display on inn signs be strictly forbidden except in the cases thus specially exempted: the absence of such temptations will, in our opinion, do much to improve the precarious financial conditions of the working class.’ That disposes, I think, of any such suggestion as Mr. Pump’s, that our inevitable acts of social reform are in any sense oppressive. To Mr. Pump’s prejudice it may appear for the moment to bear hardly upon him; but” (and here Lord Ivywood’s voice took one of its moving oratorical turns), “what better proof could we desire of the insidiousness of the sleepy poison we denounce, what better evidence could we offer of the civic corruption that we seek to cure, than the very fact that good and worthy men of established repute in the county can, by living in such places as these, become so stagnant and sodden and unsocial, whether through the fumes of wine or through meditations as maudlin about the past, that they consider the case solely as their own case, and laugh at the long agony of the poor.”

Captain Dalroy had been studying Ivywood with a very bright blue eye; and he spoke now much more quietly than he generally did.

“Excuse me one moment, my lord,” he said. “But there was one point in your important explanation which I am not sure I have got right. Do I understand you to say that, though sign-boards are to be generally abolished, yet where, if anywhere, they are retained, the right to sell fermented liquor will be retained also? In other words, though an Englishman may at last find only one inn-sign left in England, yet if the place has an inn-sign, it will also have your gracious permission to be really an inn?”

Lord Ivywood had an admirable command of temper, which had helped him much in his career as a statesman. He did not waste time in wrangling about the Captain’s locus standi in the matter. He replied quite simply,

“Yes, Your statement of the facts is correct.”

“Whenever I find an inn-sign permitted by the police, I may go in and ask for a glass of beer—also permitted by the police.”

“If you find any such, yes,” answered Ivywood, quite temperately. “But we hope soon to have removed them altogether.”

Captain Patrick Dalroy rose enormously from his seat with a sort of stretch and yawn.

“Well, Hump,” he said to his friend, “the best thing, it seems to me, is to take the important things with us.”

With two sight-staggering kicks he sent the keg of rum and the round cheese flying over the fence, in such a direction that they bounded on the descending road and rolled more and more rapidly down toward the dark woods into which the path disappeared. Then he gripped the pole of the inn-sign, shook it twice and plucked it out of the turf like a tuft of grass.

It had all happened before anyone could move, but as he strode out into the road the policeman ran forward. Dalroy smote him flat across face and chest with the wooden sign-board, so as to send him flying into the ditch on the other side of the road. Then turning on the man in the fez he poked him with the end of the pole so sharply in his new white waistcoat and watch-chain as to cause him to sit down suddenly in the road, looking very serious and thoughtful.

The dark secretary made a movement of rescue, but Humphrey Pump, with a cry, caught up his gun from the table and pointed it at him, which so alarmed J. Leveson, Secretary, as to cause him almost to double up with his emotions. The next moment Pump, with his gun under his arm, was scampering down the hill after the Captain, who was scampering after the barrel and the cheese.

Before the policeman had struggled out of the ditch, they had all disappeared into the darkness of the forest. Lord Ivywood who had remained firm through the scene, without a sign of fear or impatience (or, I will add, amusement), held up his hand and stopped the policeman in his pursuit.

“We should only make ourselves and the law ridiculous,” he said, “by pursuing those ludicrous rowdies now. They can’t escape or do any real harm in the state of modern communications. What is far more important, gentlemen, is to destroy their stores and their base. Under the Act of 1911 we have a right to confiscate and destroy any property in an inn where the law has been violated.”

And he stood for hours on the lawn, watching the smashing of bottles and the breaking up of casks and feeding on fanatical pleasure: the pleasure his strange, cold, courageous nature could not get from food or wine or woman.

Chapter V

Lord Ivywood shared the mental weakness of most men who have fed on books; he ignored, not the value but the very existence of other forms of information. Thus Humphrey Pump was perfectly aware that Lord Ivywood considered him an ignorant man who carried a volume of Pickwick and could not be got to read any other book. But Lord Ivywood was quite unaware that Humphrey never looked at him without thinking that he could be most successfully hidden in a wood of small beeches, as his grey-brown hair and sallow, ashen face exactly reproduced the three predominant tints of such a sylvan twilight. Mr. Pump, I fear, had sometimes partaken of partridge or pheasant, in his early youth, under circumstances in which Lord Ivywood was not only unconscious of the hospitality he was dispensing, but would have sworn that it was physically impossible for anyone to elude the vigilance of his efficient system of game-keeping. But it is very unwise in one who counts himself superior to physical things to talk about physical impossibility.

Lord Ivywood was in error, therefore, when he said that the fugitives could not possibly escape in modern England. You can do a great many things in modern England if you have noticed; some things, in fact, which others know by pictures or current speech; if you know, for instance, that most roadside hedges are taller and denser than they look, and that even the largest man lying just behind them, takes up far less room than you would suppose; if you know that many natural sounds are much more like each other than the enlightened ear can believe, as in the case of wind in leaves and of the sea; if you know that it is easier to walk in socks than in boots, if you know how to take hold of the ground; if you know that the proportion of dogs who will bite a man under any circumstances is rather less than the proportion of men who will murder you in a railway carriage; if you know that you need not be drowned even in a river, unless the tide is very strong, and unless you practise putting yourself into the special attitudes of a suicide; if you know that country stations have objectless, extra waiting rooms that nobody ever goes into; and if you know that county folk will forget you if you speak to them, but talk about you all day if you don’t.

By the exercise of these and other arts and sciences Humphrey Pump was able to guide his friend across country, mostly in the character of trespasser and occasionally in that of something like housebreaker, and eventually, with sign, keg, cheese and all to step out of a black pinewood onto a white road in a part of the county where they would not be sought for the present.

Opposite them was a cornfield and on their right, in the shades of the pine trees, a cottage, a very tumbledown cottage that seemed to have collapsed under its own thatch. The red-haired Irishman’s face wore a curious smile. He stuck the inn-sign erect in the road and went and hammered on the door.

It was opened tremulously by an old man with a face so wrinkled that the wrinkles seemed more distinctly graven than the features themselves, which seemed lost in the labyrinth of them. He might have crawled out of the hole in a gnarled tree and he might have been a thousand years old.

He did not seem to notice the sign-board, which stood rather to the left of the door; and what life remained in his eyes seemed to awake in wonder at Dalroy’s stature and strange uniform and the sword at his side. “I beg your pardon,” said the Captain, courteously. “I fear my uniform startles you. It is Lord Ivywood’s livery. All his servants are to dress like this. In fact, I understand the tenants also and even yourself, perhaps ... excuse my sword. Lord Ivywood is very particular that every man should have a sword. You know his beautiful, eloquent way of putting his views. ‘How can we profess,’ he was saying to me yesterday, while I was brushing his trousers. ‘How can we profess that all men are brothers while we refuse to them the symbol of manhood; or with what assurance can we claim it as a movement of modern emancipation to deny the citizen that which has in all ages marked the difference between the free man and the slave. Nor need we anticipate any such barbaric abuses as my honourable friend who is cleaning the knives has prophesied, for this gift is a sublime act of confidence in your universal passion for the severe splendours of Peace; and he that has the right to strike is he who has learnt to spare.’”

Talking all this nonsense with extreme rapidity and vast oratorical flourishes of the hand, Captain Dalroy proceeded to trundle both the big cheese and the cask of rum into the house of the astonished cottager: Mr. Pump following with a grim placidity and his gun under his arm.

“Lord Ivywood,” said Dalroy, setting the rum cask with a bump on the plain deal table, “wishes to take wine with you. Or, more strictly speaking, rum. Don’t you run away, my friend, with any of these stories about Lord Ivywood being opposed to drink. Three-bottle Ivywood, we call him in the kitchen. But it must be rum; nothing but rum for the Ivywoods. ‘Wine may be a mocker,’ he was saying the other day (and I particularly noted the phrasing, which seemed to be very happy even for his lordship; he was standing at the top of the steps, and I stopped cleaning them to make a note of it), ‘wine may be a mocker; strong drink may be raging, but nowhere in the sacred pages will you find one word of censure of the sweeter spirit sacred to them that go down to the sea in ships; no tongue of priest and prophet was ever lifted to break the sacred silence of Holy Writ about Rum.’ He then explained to me,” went on Dalroy, signing to Pump to tap the cask according to his own technical secret, “that the great tip for avoiding any bad results that a bottle or two of rum might have on young and inexperienced people was to eat cheese with it, particularly this kind of cheese that I have here. I’ve forgotten its name.”

“Cheddar,” said Pump, quite gravely.

“But mind you!” continued the Captain almost ferociously, shaking his big finger in warning at the aged man. “Mind you ‘no bread with the cheese. All the devastating ruin wrought by cheese and the once happy homes of this country, has been due to the reckless and insane experiment of eating bread with it.’ You’ll get no bread from me, my friend. Indeed, Lord Ivywood has given directions that the allusion to this ignorant and depraved habit shall be eliminated from the Lord’s Prayer. Have a drink.”

He had already poured out a little of the spirit into two thick tumblers and a broken teacup, which he had induced the aged man to produce; and now solemnly pledged him.

“Thank ye kindly, sir,” said the old man, using his cracked voice for the first time. Then he drank; and his old face changed as if it were an old horn lantern in which the flame began to rise.

“Ar,” he said. “My son he be a sailor.”

“I wish him a happy voyage,” said the Captain. “And I’ll sing you a song about the first sailor there ever was in the world; and who (as Lord Ivywood acutely observes) lived before the time of rum.”

He sat down on a wooden chair and lifted his loud voice once more, beating on the table with the broken tea-cup.

“Old Noah, he had an ostrich farm, and fowls on the greatest scale;

He ate his egg with a ladle in an egg-cup big as a pail,

And the soup he took was Elephant Soup and the fish he took was Whale;

But they all were small to the cellar he took when he set out to sail;

And Noah, he often said to his wife when he sat down to dine,

‘I don’t care where the water goes if it doesn’t get into the wine.’

“The cataract of the cliff of heaven fell blinding off the brink,

As if it would wash the stars away as suds go down a sink,

The seven heavens came roaring down for the throats of hell to drink,

And Noah, he cocked his eye and said, ‘It looks like rain, I think,

The water has drowned the Matterhorn as deep as a Mendip mine,

But I don’t care where the water goes if it doesn’t get into the wine.’

“But Noah he sinned, and we have sinned; on tipsy feet we trod,

Till a great big black teetotaller was sent to us for a rod,

And you can’t get wine at a P.S.A. or chapel or Eisteddfod;

For the Curse of Water has come again because of the wrath of God,

And water is on the Bishop’s board and the Higher Thinker’s shrine,

But I don’t care where the water goes if it doesn’t get into the wine.”

“Lord Ivywood’s favorite song,” concluded Mr. Patrick Dalroy, drinking. “Sing us a song yourself.”

Rather to the surprise of the two humourists, the old gentleman actually began in a quavering voice to chant,

“King George that lives in London Town,

I hope they will defend his crown,

And Bonyparte be quite put down

On Christmas Day in the morning.

“Old Squire is gone to the Meet today

All in his——”

It is perhaps fortunate for the rapidity of this narrative that the old gentleman’s favourite song, which consists of forty-seven verses, was interrupted by a curious incident. The door of the cottage opened and a sheepish-looking man in corduroys stood silently in the room for a few seconds and then said, without preface or further explanation,

“Four ale.”

“I beg your pardon?” inquired the polite Captain.

“Four ale,” said the man with solidity; then catching sight of Humphrey seemed to find a few more words in his vocabulary.

“Morning, Mr. Pump. Didn’t know as how you’d moved ‘The Old Ship.’”

Mr. Pump, with a twist of a smile, pointed to the old man whose song had been interrupted.

“Mr. Marne’s seeing after it now, Mr. Gowl,” said Pump with the strict etiquette of the country side. “But he’s got nothing but this rum in stock as yet.”

“Better’nowt,” said the laconic Mr. Gowl; and put down some money in front of the aged Marne, who eyed it wonderingly. As he was turning with a farewell and wiping his mouth with the back of his hand, the door once more moved, letting in white sunlight and a man in a red neckerchief.

“Morning, Mr. Marne; Morning, Mr. Pump; Morning, Mr. Gowl,” said the man in the red neckerchief.

“Morning, Mr. Coote,” said the other three, one after another.

“Have some rum, Mr. Coote?” asked Humphrey Pump, genially. “That’s all Mr. Marne’s got just now.”

Mr. Coote also had a little rum; and also laid a little money under the rather vague gaze of the venerable cottager. Mr. Coote was just proceeding to explain that these were bad times, but if you saw a sign you were all right still; a lawyer up at Grunton Abbot had told him so; when the company was increased and greatly excited by the arrival of a boisterous and popular tinker, who ordered glasses all round and said he had his donkey and cart outside. A prolonged, rich and confused conversation about the donkey and cart then ensued, in which the most varied views were taken of their merits; and it gradually began to dawn on Dalroy that the tinker was trying to sell them.

An idea, suited to the romantic opportunism of his present absurd career, suddenly swept over his mind, and he rushed out to look at the cart and donkey. The next moment he was back again, asking the tinker what his price was, and almost in the same breath offering a much bigger price than the tinker would have dreamed of asking. This was considered, however, as a lunacy specially allowed to gentlemen; the tinker had some more rum on the strength of the payment, and then Dalroy, offering his excuses, sealed up the cask and took it and the cheese to be stowed in the bottom of the cart. The money, however, he still left lying in shining silver and copper before the silver beard of old Marne.

No one acquainted with the quaint and often wordless camaraderie of the English poor will require to be told that they all went out and stared at him as he loaded the cart and saw to the harness of the donkey—all except the old cottager, who sat as if hypnotised by the sight of the money. While they were standing there they saw coming down the white, hot road, where it curled over the hill, a figure that gave them no pleasure, even when it was a mere marching black spot in the distance. It was a Mr. Bullrose, the agent of Lord Ivywood’s estates.

Mr. Bullrose was a short, square man with a broad, square head with ridges of close, black curls on it, with a heavy, froglike face and starting, suspicious eyes; a man with a good silk hat but a square business jacket. Mr. Bullrose was not a nice man. The agent on that sort of estate hardly ever is a nice man. The landlord often is; and even Lord Ivywood had an arctic magnanimity of his own, which made most people want, if possible, to see him personally. But Mr. Bullrose was petty. Every really practical tyrant must be petty.

He evidently failed to understand the commotion in front of Mr. Marne’s partly collapsed cottage, but he felt there must be something wrong about it. He wanted to get rid of the cottage altogether, and had not, of course, the faintest intention of giving the cottager any compensation for it. He hoped the old man would die; but in any case he could easily clear him out if it became suddenly necessary, for he could not possibly pay the rent for this week. The rent was not very much; but it was immeasurably too much for the old man who had no conceivable way of borrowing or earning it. That is where the chivalry of our aristocratic land system comes in.

“Good-bye, my friends,” the enormous man in the fantastic uniform was saying, “all roads lead to rum, as Lord Ivywood said in one of his gayer moments, and we hope to be back soon, establishing a first class hotel here, of which prospectuses will soon be sent out.”

The heavy froglike face of Mr. Bullrose, the agent, grew uglier with astonishment; and the eyes stood out more like a snail’s than a frog’s. The indefensible allusion to Lord Ivywood would in any case have caused a choleric intervention, if it had not been swallowed up in the earthquake suggestion of an unlicensed hotel on the estate. This again would have effected the explosion, if that and everything else had not been struck still and rigid by the sight of a solid, wooden sign-post already erected outside old Marne’s miserable cottage.

“I’ve got him now,” muttered Mr. Bullrose. “He can’t possibly pay; and out he shall go.” And he walked swiftly towards the door of the cottage, almost at the same moment that Dalroy went to the donkey’s head, as if to lead it off along the road.

“Look here, my man,” burst out Bullrose, the instant he was inside the cottage. “You’ve cooked yourself this time. His lordship has been a great deal too indulgent with you; but this is going to be the end of it. The insolence of what you’ve done outside, especially when you know his lordship’s wishes in such things, has just put the lid on.” He stopped a moment and sneered. “So unless you happen to have the exact rent down to a farthing or two about you, out you go. We’re sick of your sort.”

In a very awkward and fumbling manner, the old man pushed a heap of coins across the table. Mr. Bullrose sat down suddenly on the wooden chair with his silk hat on, and began counting them furiously. He counted them once; he counted them twice; and he counted them again. Then he stared at them more steadily than the cottager had done.

“Where did you get this money?” he asked in a thick, gross voice. “Did you steal it?”

“I ain’t very spry for stealin’,” said the old man in quavering comedy.

Bullrose looked at him and then at the money; and remembered with fury that Ivywood was a just though cold magistrate on the bench.

“Well, anyhow,” he cried, in a hot, heady way, “we’ve got enough against you to turn you out of this. Haven’t you broken the law, my man, to say nothing of the regulations for tenants, in sticking up that fancy sign of yours outside the cottage? Eh?”

The tenant was silent.

“Eh?” reiterated the agent.

“Ar,” replied the tenant.

“Have you or have you not a sign-board outside this house?” shouted Bullrose, hammering the table.

The tenant looked at him for a long time with a patient and venerable face, and then said: “Mubbe, yes. Mubbe, no.”

“I’ll mubbe you,” cried Mr. Bullrose, springing up and sticking his silk hat on the back of his head. “I don’t know whether you people are too drunk to see anything, but I saw the thing with my own eyes out in the road. Come out, and deny it if you dare!”

“Ar,” said Mr. Marne, dubiously.

He tottered after the agent, who flung open the door with a businesslike fury and stood outside on the threshold. He stood there quite a long time, and he did not speak. Deep in the hardened mud of his materialistic mind there had stirred two things that were its ancient enemies; the old fairy tale in which every thing can be believed; the new scepticism in which nothing can be believed—not even one’s own eyes. There was no sign, nor sign of a sign, in the landscape.

On the withered face of the old man Marne there was a faint renewal of that laughter that has slept since the Middle Ages.

Chapter VI

That delicate ruby light which is one of the rarest but one of the most exquisite of evening effects warmed the land, sky and seas as if the whole world were washed in wine; and dyed almost scarlet the strong red head of Patrick Dalroy as he stood on the waste of furze and bracken, where he and his friends had halted. One of his friends was re-examining a short gun, rather like a double-barrelled carbine, the other was eating thistles.

Dalroy himself was idle and ruminant, with his hands in his pockets and his eye on the horizon. Landwards the hills, plains and woods lay bathed in the rose-red light; but it changed somewhat to purple, to cloud and something like storm over the distant violet strip of sea. It was towards the sea that he was staring.

Suddenly he woke up; and seemed almost to rub his eyes, or at any rate, to rub his red eyebrow.

“Why, we’re on the road back of Pebblewick,” he said. “That’s the damned little tin chapel by the beach.”

“I know,” answered his friend and guide. “We’ve done the old hare trick; doubled, you know. Nine times out of ten it’s the best. Parson Whitelady used to do it when they were after him for dog-stealing. I’ve pretty much followed his trail; you can’t do better than stick to the best examples. They tell you in London that Dick Turpin rode to York. Well, I know he didn’t; for my old grandfather up at Cobble’s End knew the Turpins intimately—threw one of them into the river on a Christmas day; but I think I can guess what he did do and how the tale got about. If Dick was wise, he went flying up the old North Road, shouting ‘York! York!’ or what not, before people recognised him; then if he did the thing properly, he might half an hour afterwards walk down the Strand with a pipe in his mouth. They say old Boney said, ‘Go where you aren’t expected,’ and I suppose as a soldier he was right. But for a gentleman dodging the police like yourself, it isn’t exactly the right way of putting it. I should say, ‘Go where you ought to be expected’—and you’ll generally find your fellow creatures don’t do what they ought about expecting any more than about anything else.”

“Well, this bit between here and the sea,” said the Captain, in a brown study, “I know it so well—so well that—that I rather wish I’d never seen it again. Do you know,” he asked, suddenly pointing to a patch and pit of sand that showed white in the dusky heath a hundred yards away, “do you know what makes that spot so famous in history?”

“Yes,” answered Mr. Pump, “that’s where old Mother Grouch shot the Methodist.”

“You are in error,” said the Captain. “Such an incident as you describe would in no case call for special comment or regret. No, that spot is famous because a very badly brought up girl once lost a ribbon off a plait of black hair and somebody helped her to find it.”

“Has the other person been well brought up?” asked Pump, with a faint smile.

“No,” said Dalroy, staring at the sea. “He has been brought down.” Then, rousing himself again, he made a gesture toward a further part of the heath. “Do you know the remarkable history of that old wall, the one beyond the last gorge over there?”

“No,” replied the other, “unless you mean Dead Man’s Circus, and that happened further along.”

“I do not mean Dead Man’s Circus,” said the Captain. “The remarkable history of that wall is that somebody’s shadow once fell on it; and that shadow was more desirable than the substance of all other living things. It is this,” he cried, almost violently, resuming his flippant tone, “it is this circumstance, Hump, and not the trivial and everyday incident of a dead man going to a circus to which you have presumed to compare it, it is this historical event which Lord Ivywood is about to commemorate by rebuilding the wall with solid gold and Greek marbles stolen by the Turks from the grave of Socrates, enclosing a column of solid gold four hundred feet high and surmounted by a colossal equestrian statue of a bankrupt Irishman riding backwards on a donkey.”

He lifted one of his long legs over the animal, as if about to pose for the group; then swung back on both feet again, and again looked at the purple limit of the sea.

“Do you know, Hump,” he said, “I think modern people have somehow got their minds all wrong about human life. They seem to expect what Nature has never promised; and then try to ruin all that Nature has really given. At all those atheist chapels of Ivywood’s they’re always talking of Peace, Perfect Peace, and Utter Peace, and Universal Joy and souls that beat as one. But they don’t look any more cheerful than anyone else; and the next thing they do is to start smashing a thousand good jokes and good stories and good songs and good friendships by pulling down ‘The Old Ship.’” He gave a glance at the loose signpost lying on the heath beside him, almost as if to reassure himself that it was not stolen. “Now it seems to me,” he went on, “that this is asking for too much and getting too little. I don’t know whether God means a man to have happiness in that All in All and Utterly Utter sense of happiness. But God does mean a man to have a little Fun; and I mean to go on having it. If I mustn’t satisfy my heart, I can gratify my humour. The cynical fellows who think themselves so damned clever have a sort of saying, ‘Be good and you will be happy; but you will not have a jolly time.’ The cynical fellows are quite wrong, as they generally are. They have got hold of the exact opposite of the truth. God knows I don’t set up to be good; but even a rascal sometimes has to fight the world in the same way as a saint. I think I have fought the world; et militavi non sine—what’s the Latin for having a lark? I can’t pretend to Peace and Joy, and all the rest of it, particularly in this original briar-patch. I haven’t been happy, Hump, but I have had a jolly time.”

The sunset stillness settled down again, save for the cropping of the donkey in the undergrowth; and Pump said nothing sympathetically; and it was Dalroy once more who took up his parable.

“So I think there’s too much of this playing on our emotions, Hump; as this place is certainly playing the cat and banjo with mine. Damn it all, there are other things to do with the rest of one’s life! I don’t like all this fuss about feeling things—it only makes people miserable. In my present frame of mind I’m in favour of doing things. All of which, Hump,” he said with a sudden lift of the voice that always went in him with a rushing, irrational return of merely animal spirits—“All of which I have put into a Song Against Songs, that I will now sing you.”

“I shouldn’t sing it here,” said Humphrey Pump, picking up his gun and putting it under his arm. “You look large in this open place; and you sound large. But I’ll take you to the Hole in Heaven you’ve been talking about so much, and hide you as I used to hide you from that tutor—I couldn’t catch his name—man who could only get drunk on Greek wine at Squire Wimpole’s.”

“Hump!” cried the Captain, “I abdicate the throne of Ithaca. You are far wiser than Ulysses. Here I have had my heart torn with temptations to ten thousand things between suicide and abduction, and all by the mere sight of that hole in the heath, where we used to have picnics. And all that time I’d forgotten we used to call it the Hole in Heaven. And, by God, what a good name—in both senses.”

“I thought you’d have remembered it, Captain,” said the innkeeper, “from the joke young Mr. Matthews made.”

“In the heat of some savage hand to hand struggle in Albania,” said Mr. Dalroy, sadly, passing his palm across his brow, “I must have forgotten for one fatal instant the joke young Mr. Matthews made.”

“It wasn’t very good,” said Mr. Pump, simply. “Ah, his aunt was the one for things like that. She went too far with old Gudgeon, though.”

With these words he jumped and seemed to be swallowed up by the earth. But they had merely strolled the few yards needed to bring them to the edge of the sand-pit on the heath of which they had been speaking. And it is one of the truths concealed by Heaven from Lord Ivywood, and revealed by Heaven to Mr. Pump, that a hiding-place can be covered when you are close to it; and yet be open and visible from some spot of vantage far off. From the side by which they approached it, the sudden hollow of sand, a kind of collapsed chamber in the heath, seemed covered with a natural curve of fern and furze, and flashed out of sight like a fairy.

“It’s all right,” he called out from under a floor or roof of leaves. “You’ll remember it all when you get here. This is the place to sing your song, Captain. Lord bless me, Captain, don’t I remember your singing that Irish song you made up at college—bellowing it like a bull of Bashan—all about hearts and sleeves or some such things—and her ladyship and the tutor never heard a breath, because that bank of sand breaks everything. It’s worth knowing all this, you know. It’s a pity it’s not part of a young gentleman’s education. Now you shall sing me the song in favour of having no feelings, or whatever you call it.”

Dalroy was staring about him at the cavern of his old picnics, so forgotten and so startlingly familiar. He seemed to have lost all thought of singing anything, and simply to be groping in the dark house of his own boyhood. There was a slight trickle from a natural spring in sandstone just under the ferns, and he remembered they used to try to boil the water in a kettle. He remembered a quarrel about who had upset the kettle which, in the morbidity of first love, had given him for days the tortures of the damned. When the energetic Pump broke once more through the rather thorny roof, on an impulse to accumulate their other eccentric possessions, Patrick remembered about a thorn in a finger, that made his heart stop with something that was pain and perfect music. When Pump returned with the rum-keg and the cheese and rolled them with a kick down the shelving sandy side of the hole, he remembered, with almost wrathful laughter, that in the old days he had rolled down that slope himself, and thought it a rather fine thing to do. He felt then as if he were rolling down a smooth side of the Matterhorn. He observed now that the height was rather less than that of the second storey of one of the stunted cottages he had noted on his return. He suddenly understood he had grown bigger; bigger in a bodily sense. He had doubts about any other.

“The Hole in Heaven!” he said. “What a good name! What a good poet I was in those days! The Hole in Heaven. But does it let one in, or let one out?”

In the last level shafts of the fallen sun the fantastic shadow of the long-eared quadruped, whom Pump had now tethered to a new and nearer pasture, fell across the last sunlit scrap of sand. Dalroy looked at the long exaggerated shadow of the ass; and laughed that short explosive laugh he had uttered when the doors of the harems had been closed after the Turkish war. He was normally a man much too loquacious; but he never explained those laughs.

Humphrey Pump plunged down again into the sunken nest, and began to broach the cask of rum in his own secret style, saying—

“We can get something else somehow tomorrow. For tonight we can eat cheese and drink rum, especially as there’s water on tap, so to speak. And now, Captain, sing us the Song Against Songs.”

Patrick Dalroy drank a little rum out of a small medicine glass which the generally unaccountable Mr. Pump unaccountably produced from his waistcoat pocket; but Patrick’s colour had risen, his brow was almost as red as his hair; and he was evidently reluctant.

“I don’t see why I should sing all the songs,” he said. “Why the divil don’t you sing a song yourself? And now I come to think of it,” he cried, with an accumulating brogue, not, perhaps, wholly unaffected by the rum, which he had not, in fact, drunk for years, “and now I come to think of it, what about that song of yours? All me youth’s coming back in this blest and cursed place; and I remember that song of yours, that never existed nor ever will. Don’t ye remember now, Humphrey Pump, that night when I sang ye no less than seventeen songs of me own composition?”

“I remember it very well,” answered the Englishman, with restraint.

“And don’t ye remember,” went on the exhilarated Irishman, with solemnity, “that unless ye could produce a poetic lyric of your own, written and sung by yourself, I threatened to....”

“To sing again,” said the impenetrable Pump. “Yes, I know.”

He calmly proceeded to take out of his pockets, which were, alas, more like those of a poacher than an innkeeper, a folded and faded piece of paper.

“I wrote it when you asked me,” he said simply. “I have never tried to sing it. But I’ll sing it myself, when you’ve sung your song, against anybody singing at all.”

“All right,” cried the somewhat excited Captain, “to hear a song from you—why, I’ll sing anything. This is the Song Against Songs, Hump.”

And again he let his voice out like a bellow against the evening silence.

“The song of the sorrow of Melisande is a weary song and a dreary song,

The glory of Mariana’s grange had got into great decay,

The song of the Raven Never More has never been called a cheery song,

And the brightest things in Baudelaire are anything else but gay.

But who will write us a riding song,

Or a hunting song or a drinking song,

Fit for them that arose and rode,

When day and the wine were red?

But bring me a quart of claret out,

And I will write you a clinking song,

A song of war and a song of wine,

And a song to wake the dead.

“The song of the fury of Fragolette is a florid song and a torrid song,

The song of the sorrow of Tara is sung to a harp unstrung,

The song of the cheerful Shropshire Kid I consider a perfectly horrid song,

And the song of the happy Futurist is a song that can’t be sung.

But who will write us a riding song,

Or a fighting song or a drinking song,

Fit for the fathers of you and me,

That knew how to think and thrive?

But the song of Beauty and Art and Love

Is simply an utterly stinking song,

To double you up and drag you down.

And damn your soul alive.”

“Take some more rum,” concluded the Irish officer, affably, “and let’s hear your song at last.”

With the gravity inseparable from the deep conventionality of country people, Mr. Pump unfolded the paper on which he had recorded the only antagonistic emotion that was strong enough in him to screw his infinite English tolerance to the pitch of song. He read out the title very carefully and in full.

“Song Against Grocers, by Humphrey Pump, sole proprietor of ‘The Old Ship,’ Pebblewick. Good Accommodation for Man and Beast. Celebrated as the House at which both Queen Charlotte and Jonathan Wilde put up on different occasions; and where the Ice-cream man was mistaken for Bonaparte. This song is written against Grocers.”

“God made the wicked Grocer,

For a mystery and a sign,

That men might shun the awful shops,

And go to inns to dine;

Where the bacon’s on the rafter

And the wine is in the wood,

And God that made good laughter

Has seen that they are good.

“The evil-hearted Grocer

Would call his mother ‘Ma’am,’

And bow at her and bob at her,

Her aged soul to damn;

And rub his horrid hands and ask,

What article was next;

Though mortis in articulo,

Should be her proper text.

“His props are not his children

But pert lads underpaid,

Who call out ‘Cash!’ and bang about,

To work his wicked trade;

He keeps a lady in a cage,

Most cruelly all day,

And makes her count and calls her ‘Miss,’

Until she fades away.

“The righteous minds of inn-keepers

Induce them now and then

To crack a bottle with a friend,

Or treat unmoneyed men;

But who hath seen the Grocer

Treat housemaids to his teas,

Or crack a bottle of fish-sauce,

Or stand a man a cheese?

“He sells us sands of Araby

As sugar for cash down,

He sweeps his shop and sells the dust,

The purest salt in town;

He crams with cans of poisoned meat

Poor subjects of the King,

And when they die by thousands

Why, he laughs like anything.

“The Wicked Grocer groces

In spirits and in wine,

Not frankly and in fellowship,

As men in inns do dine;

But packed with soap and sardines

And carried off by grooms,

For to be snatched by Duchesses,

And drunk in dressing-rooms.

“The hell-instructed Grocer

Has a temple made of tin,

And the ruin of good inn-keepers

Is loudly urged therein;

But now the sands are running out

From sugar of a sort,

The Grocer trembles; for his time

Just like his weight is short.”

Captain Dalroy was getting considerably heated with his nautical liquor, and his appreciation of Pump’s song was not merely noisy but active. He leapt to his feet and waved his glass. “Ye ought to be Poet Laureate, Hump—ye’re right, ye’re right; we’ll stand all this no longer!”

He dashed wildly up the sand slope and pointed with the sign-post towards the darkening shore, where the low shed of corrugated iron stood almost isolated.

“There’s your tin temple!” he said. “Let’s burn it!”

They were some way along the coast from the large watering-place of Pebblewick and between the gathering twilight and the rolling country it could not be clearly seen. Nothing was now in sight but the corrugated iron hall by the beach and three half-built red brick villas.

Dalroy appeared to regard the hall and the empty houses with great malevolence.

“Look at it!” he said. “Babylon!”

He brandished the inn-sign in the air like a banner, and began to stride towards the place, showering curses.

“In forty days,” he cried, “shall Pebblewick be destroyed. Dogs shall lap the blood of J. Leveson, Secretary, and Unicorns—”

“Come back Pat,” cried Humphrey, “you’ve had too much rum.”

“Lions shall howl in its high places,” vociferated the Captain.

“Donkeys will howl, anyhow,” said Pump. “But I suppose the other donkey must follow.”

And loading and untethering the quadruped, he began to lead him along.

Chapter VII

Under sunset, at once softer and more sombre, under which the leaden sea took on a Lenten purple, a tint appropriate to tragedy, Lady Joan Brett was once more drifting moodily along the sea-front. The evening had been rainy and lowering; the watering-place season was nearly over; and she was almost alone on the shore; but she had fallen into the habit of restlessly pacing the place, and it seemed to satisfy some subconscious hunger in her rather mixed psychology. Through all her brooding her animal senses always remained abnormally active: she could smell the sea when it had ebbed almost to the horizon, and in the same way she heard, through every whisper of waves or wind, the swish or flutter of another woman’s skirt behind her. There is, she felt, something unmistakable about the movements of a lady who is generally very dignified and rather slow, and who happens to be in a hurry.

She turned to look at the lady who was thus hastening to overtake her; lifted her eyebrows a little and held out her hand. The interruption was known to her as Lady Enid Wimpole, cousin of Lord Ivywood; a tall and graceful lady who unbalanced her own elegance by a fashionable costume that was at once funereal and fantastic; her fair hair was pale but plentiful; her face was not only handsome and fastidious in the aquiline style, but when considered seriously was sensitive, modest, and even pathetic, but her wan blue eyes seemed slightly prominent, with that expression of cold eagerness that is seen in the eyes of ladies who ask questions at public meetings.

Joan Brett was herself, as she had said, a connection of the Ivywood family; but Lady Enid was Ivywood’s first cousin, and for all practical purposes his sister. For she kept house for him and his mother, who was now so incredibly old that she only survived to satisfy conventional opinion in the character of a speechless and useless chaperon. And Ivywood was not the sort who would be likely to call out any activity in an old lady exercising that office. Nor, for that matter, was Lady Enid Wimpole; there seemed to shine on her face the same kind of inhuman, absent-minded common sense that shone on her cousin’s.

“Oh, I’m so glad I’ve caught you up,” she said to Joan. “Lady Ivywood wants you so much to come to us for the week-end or so, while Philip is still there. He always admired your sonnet on Cyprus so much, and he wants to talk to you about this policy of his in Turkey. Of course he’s awfully busy, but I shall be seeing him tonight after the meeting.”

“No living creature,” said Lady Joan, with a smile, “ever saw him except before or after a meeting.”

“Are you a Simple Soul?” asked Lady Enid, carelessly.

“Am I a simple soul?” asked Joan, drawing her black brows together. “Merciful Heavens, no! What can you mean?”

“Their meeting’s on tonight at the small Universal Hall, and Philip’s taking the chair,” explained the other lady. “He’s very annoyed that he has to leave early to get up to the House, but Mr. Leveson can take the chair for the last bit. They’ve got Misysra Ammon.”

“Got Mrs. Who?” asked Joan, in honest doubt.

“You make game of everything,” said Lady Enid, in cheerless amiability. “It’s the man everyone’s talking about—you know as well as I do. It’s really his influence that has made the Simple Souls.”

“Oh!” said Lady Joan Brett.

Then after a long silence, she added: “Who are the Simple Souls? I should be interested in them, if I could meet any.” And she turned her dark, brooding face on the darkening purple sea.

“Do you mean to say, my dear,” asked Lady Enid Wimpole, “that you haven’t met any of them yet?”

“No,” said Joan, looking at the last dark line of sea. “I never met but one simple soul in my life.”

“But you must come to the meeting!” cried Lady Enid, with frosty and sparkling gaity. “You must come at once! Philip is certain to be eloquent on a subject like this, and of course Misysra Ammon is always so wonderful.”

Without any very distinct idea of where she was going or why she was going there, Joan allowed herself to be piloted to a low lead or tin shed, beyond the last straggling hotels, out of the echoing shell of which she could prematurely hear a voice that she thought she recognised. When she came in Lord Ivywood was on his feet, in exquisite evening dress, but with a light overcoat thrown over the seat behind him. Beside him, in less tasteful but more obvious evening dress, was the little old man she had heard on the beach.

No one else was on the platform, but just under it, rather to Joan’s surprise, sat Miss Browning, her old typewriting friend in her old black dress, industriously taking down Lord Ivywood’s words in shorthand. A yard or two off, even more to her surprise, sat Miss Browning’s more domestic sister, also taking down the same words in shorthand.

“That is Misysra Ammon,” whispered Lady Enid, earnestly, pointing a delicate finger at the little old man beside the chairman.

“I know him,” said Joan. “Where’s the umbrella?”

“... at least evident,” Lord Ivywood was saying, “that one of those ancestral impossibilities is no longer impossible. The East and the West are one. The East is no longer East nor the West West; for a small isthmus has been broken, and the Atlantic and Pacific are a single sea. No man assuredly has done more of this mighty work of unity than the brilliant and distinguished philosopher to whom you will have the pleasure of listening tonight; and I profoundly wish that affairs more practical, for I will not call them more important, did not prevent my remaining to enjoy his eloquence, as I have so often enjoyed it before. Mr. Leveson has kindly consented to take my place, and I can do no more than express my deep sympathy with the aims and ideals which will be developed before you tonight. I have long been increasingly convinced that underneath a certain mask of stiffness which the Mahomedan religion has worn through certain centuries, as a somewhat similar mask has been worn by the religion of the Jews, Islam has in it the potentialities of being the most progressive of all religions; so that a century or two to come we may see the cause of peace, of science and of reform everywhere supported by Islam as it is everywhere supported by Israel. Not in vain, I think, is the symbol of that faith the Crescent, the growing thing. While other creeds carry emblems implying more or less of finality, for this great creed of hope its very imperfection is its pride, and men shall walk fearlessly in new and wonderful paths, following the increasing curve which contains and holds up before them the eternal promises of the orb.”

It was characteristic of Lord Ivywood that, though he was really in a hurry, he sat down slowly and gravely amid the outburst of applause. The quiet resumption of the speaker’s seat, like the applause itself, was an artistic part of the peroration. When the last clap or stamp had subsided, he sprang up alertly, his light great-coat over his arm, shook hands with the lecturer, bowed to the audience and slid quickly out of the hall. Mr. Leveson, the swarthy young man with the drooping double-eyeglass rather bashfully to the front, took the empty seat on the platform, and in a few words presented the eminent Turkish mystic Misysra Ammon, sometimes called the Prophet of the Moon.

Lady Joan found the Prophet’s English accent somewhat improved by good society, but he still elongated the letter “u” in the same bleating manner, and his remarks had exactly the same rabidly wrong-headed ingenuity as his lecture upon English inns. It appeared that he was speaking on the higher Polygamy; but he began with a sort of general defence of the Moslem civilisation, especially against the charge of sterility and worldly ineffectiveness.

“It iss joost in the practical tings,” he was saying, “it iss joost in the practical tings, if you could come to consider them in a manner quite equal, that our methods are better than your methods. My ancestors invented the curved swords, because one cuts better with a curved sword. Your ancestors possessed the straight swords out of some romantic fancy of being what you call straight; or, I will take a more plain example, of which I have myself experience. When I first had the honour of meeting Lord Ivywood, I was unused to your various ceremonies and had a little difficulty, joost a little difficulty, in entering Mr. Claridge’s hotel, where his lordship had invited me. A servant of the hotel was standing joost beside me on the doorstep. I stoo-ooped down to take off my boo-oots, and he asked me what I was dooing. I said to him: ‘My friend, I am taking off my boo-oots.’”

A smothered sound came from Lady Joan Brett, but the lecturer did not notice it and went on with a beautiful simplicity.

“I told him that in my country, when showing respect for any spot, we do not take off our hats; we take off our boo-oots. And because I would keep on my hat and take off my boo-oots, he suggested to me that I had been afflicted by Allah, in the head. Now was not that foony?”

“Very,” said Lady Joan, inside her handkerchief, for she was choking with laughter. Something like a faint smile passed over the earnest faces of the two or three most intelligent of the Simple Souls, but for the most part the Souls seemed very simple indeed, helpless looking people with limp hair and gowns like green curtains, and their dry faces were as dry as ever.

“But I explained to him. I explained to him for a long time, for a carefully occupied time, that it was more practical, more business-like, more altogether for utility, to take off the boo-oots than to remove the hat. ‘Let us,’ I said to him ‘consider what many complaints are made against the footwear, what few complaints against the headwear. You complain if in your drawing-rooms is the marching about of muddy boo-oots. Are any of your drawing-rooms marked thus with the marching about of muddy hats? How very many of your husbands kick you with the boo-oot! Yet how few of your husbands on any occasion butt you with the hat?’”

He looked round with a radiant seriousness, which made Lady Joan almost as speechless for sympathy as she was for amusement. With all that was most sound in his too complicated soul she realized the presence of a man really convinced.

“The man on the doorstep, he would not listen to me,” went on Misysra Ammon, pathetically. “He said there would be a crowd if I stood on the doorstep, holding in my hand my boo-oots. Well, I do not know why, in your country you always send the young males to be the first of your crowds. They certainly were making a number of noises, the young males.”

Lady Joan Brett stood up suddenly and displayed enormous interest in the rest of the audience in the back parts of the hall. She felt that if she looked for one moment more at the serious face with the Jewish nose and the Persian beard, she would publicly disgrace herself; or, what was quite as bad (for she was the generous sort of aristocrat) publicly insult the lecturer. She had a feeling that the sight of all the Simple Souls in bulk might have a soothing effect. It had. It had what might have been mistaken for a depressing effect. Lady Joan resumed her seat with a controlled countenance.

“Now, why,” asked the Eastern philosopher, “do I tell so simple a little story of your London streets—a thing happening any day? The little mistake had no preju-udicial effect. Lord Ivywood came out, at the end. He made no attempt to explain the true view of so important matters to Mr. Claridge’s servant, though Mr. Claridge’s servant remained on the doorstep. But he commanded Mr. Claridge’s servant to restore to me one of my boo-oots, which had fallen down the front steps, while I was explaining this harmlessness of the hat in the home. So all was, for me, very well. But why do I tell such little tales?”

He spread out his hands again, in his fanlike eastern style. Then he clapped them together, so suddenly that Joan jumped, and looked instinctively for the entrance of five hundred negro slaves, laden with jewels. But it was only his emphatic gesture of eloquence. He went on with an excited thickening of the accent.

“Because, my friends, this is the best example I could give of the wrong and slanderous character of the charge that we fail in our domesticities. That we fail especially in our treatment of the womenkind. I appeal to any lady, to any Christian lady. Is not the boo-oot more devastating, more dreaded in the home than the hat? The boot jumps, he bound, he run about, he break things, he leave on the carpet the earths of the garden. The hat, he remain quiet on his hat-peg. Look at him on his hat-peg; how quiet and good he remain! Why not let him remain quiet also on his head?”

Lady Joan applauded warmly, as did several other ladies, and the sage went on, encouraged.

“Can you not therefore trust, dear ladies, this great religion to understand you concerning other things, as it understands you regarding boo-oots? What is the common objection our worthy enemies make against our polygamy? That it is disdainful of the womanhood. But how can this be so, my friends, when it allows the womanhood to be present in so large numbers? When in your House of Commons you put a hundred English members and joost one little Welsh member, you do not say ‘The Welshman is on top; he is our Sultan; may he live for ever!’ If your jury contained eleven great large ladies and one leetle man you would not say ‘this is unfair to the great large ladies.’ Why should you shrink, then, ladies, from this great polygamical experiment which Lord Ivywood himself—”

Joan’s dark eyes were still fixed on the wrinkled, patient face of the lecturer, but every word of the rest of the lecture was lost to her. Under her glowing Spanish tint she had turned pale with extraordinary emotions, but she did not stir a hair.

The door of the hall stood open, and occasional sounds came even from that deserted end of the town. Two men seemed to be passing along the distant parade; one of them was singing. It was common enough for workmen to sing going home at night, and the voice, though a loud one, would have been too far off for Joan to hear the words. Only Joan happened to know the words. She could almost see them before her, written in a round swaggering hand on the pink page of an old school-girl album at home. She knew the words and the voice.

“I come from Castlepatrick and my heart is on my sleeve,

And any sword or pistol boy can hit ut with me leave,

It shines there for an epaulette, as golden as a flame,

As naked as me ancestors, as noble as me name.

For I come from Castlepatrick and my heart is on my sleeve,

But a lady stole it from me on St. Gallowglass’s Eve.”

Startlingly and with strong pain there sprang up before Joan’s eyes a patch of broken heath with a very deep hollow of white sand, blinding in the sun. No words, no name, only the place.

“The folks that live in Liverpool, their heart is in their boots;

They go to Hell like lambs, they do, because the hooter hoots.

Where men may not be dancin’, though the wheels may dance all day;

And men may not be smokin’, but only chimneys may.

But I come from Castlepatrick and my heart is on my sleeve,

But a lady stole it from me on St. Poleyander’s Eve.

“The folks that live in black Belfast, their heart is in their mouth;

They see us making murders in the meadows of the South;

They think a plough’s a rack they do, and cattle-calls are creeds,

And they think we’re burnin’ witches when we’re only burnin’ weeds.

But I come from Castlepatrick, and me heart is on me sleeve;

But a lady stole it from me on St. Barnabas’s Eve.”

The voice had stopped suddenly, but the last lines were so much more distinct that it was certain the singer had come nearer, and was not marching away.

It was only after all this, and through a sort of cloud, that Lady Joan heard the indomitable Oriental bringing his whole eloquent address to a conclusion.

“... And if you do not refu-use the sun that returns and rises in the East with every morning, you will not refu-use either this great social experiment, this great polygamical method which also arose out of the East, and always returns. For this is that Higher Polygamy which always comes, like the sun itself, out of the orient, but is only at its noontide splendour when the sun is high in heaven.”

She was but vaguely conscious of Mr. Leveson, the man with the dark face and the eyeglasses, acknowledging the entrancing lecture in suitable terms, and calling on any of the Simple Souls who might have questions to ask, to ask them. It was only when the Simple Souls had displayed their simplicity with the usual parade of well-bred reluctance and fussy self-effacement, that anyone addressed the chair. And it was only after somebody had been addressing the chair for some time that Joan gradually awoke to the fact that the address was somewhat unusual.

Chapter VIII

“I am sure,” Mr. Leveson, the Secretary, had said, with a somewhat constrained smile, “that after the eloquent and epoch-making speech to which we have listened there will be some questions asked, and we hope to have a debate afterwards. I am sure somebody will ask a question.” Then he looked interrogatively at one weary looking gentleman in the fourth row and said, “Mr. Hinch?”

Mr. Hinch shook his head with a pallid passion of refusal, wonderful to watch, and said, “I couldn’t! I really couldn’t!”

“We should be very pleased,” said Mr. Leveson, “if any lady would ask a question.”

In the silence that followed it was somehow psychologically borne in on the whole audience that one particular great large lady (as the lecturer would say) sitting at the end of the second row was expected to ask a question. Her own wax-work immobility was witness both to the expectation and its disappointment. “Are there any other questions?” asked Mr. Leveson—as if there had been any yet. He seemed to speak with a slight air of relief.

There was a sort of stir at the back of the hall and half way down one side of it. Choked whispers could be heard of “Now then, Garge!”—“Go it Garge! Is there any questions! Gor!”

Mr. Leveson looked up with an alertness somewhat akin to alarm. He realised for the first time that a few quite common men in coarse, unclean clothes, had somehow strolled in through the open door. They were not true rustics, but the semi-rustic labourers that linger about the limits of the large watering-places. There was no “Mr.” among them. There was a general tendency to call everybody George.

Mr. Leveson saw the situation and yielded to it. He modelled himself on Lord Ivywood and did much what he would have done in all cases, but with a timidity Lord Ivywood would not have shown. And the same social training that made him ashamed to be with such men, made him ashamed to own his shame. The same modern spirit that taught him to loathe such rags, also taught him to lie about his loathing.

“I am sure we should be very glad,” he said, nervously, “if any friends from outside care to join in our inquiry. Of course, we’re all Democrats,” and he looked round at the grand ladies with a ghastly smile, “and believe in the Voice of the People and so on. If our friend at the back of the hall will put his question briefly, we need not insist, I think, on his putting it in writing?”

There were renewed hoarse encouragements to George (that rightly christened champion) and he wavered forward on legs tied in the middle with string. He did not appear to have had any seat since his arrival, and made his remarks standing half way down what we may call the central aisle.

“Well, I want to ask the proprietor,” he began.

“Questions,” said Mr. Leveson, swiftly seizing a chance for that construction of debate which is the main business of a modern chairman, “must be asked of the chair, if they are points of order. If they concern the address, they should be asked of the lecturer.”

“Well, I ask the lecturer,” said the patient Garge, “whether it ain’t right that when you ’ave the thing outside you should ’ave the thing inside.” (Hoarse applause at the back.)

Mr. Leveson was evidently puzzled and already suspicious that something was quite wrong. But the enthusiasm of the Prophet of the Moon sprang up instantly at any sort of question and swept the Chairman along with it.

“But it iss the essence of our who-ole message,” he cried, spreading out his arms to embrace the world, “that the outer manifestation should be one with the inner manifestation. My friendss, it iss this very tru-uth our friend has stated, that iss responsible for our apparent lack of symbolism in Islam! We appear to neglect the symbol because we insist on the satisfactory symbol. My friend in the middle will walk round all our mosques and say loudly, ‘Where is the statue of Allah?’ But can my friend in the middle really execute a complete and generally approved statue of Allah?”

Misysra Ammon sat down greatly satisfied with his answer, but it was doubted by many whether he had conveyed the satisfaction to his friend in the middle. That seeker after truth wiped his mouth with the back of his hand with an unsatisfied air and said:

“No offence, sir. But ain’t it the Law, sir, that if you ’ave that outside we’re all right? I came in ’ere as natural as could be. But Gorlumme, I never see a place like this afore.” (Hoarse laughter behind.)

“No apology is needed, my friend,” cried the Eastern sage, eagerly, “I can conceive you are not perhaps du-uly conversant with such schools of truth. But the Law is All. The Law is Allah. The inmost u-unity of—”

“Well, ain’t it the Law?” repeated the dogged George, and every time he mentioned the Law the poor men who are its chief victims applauded loudly. “I’m not one to make a fuss. I never was one to make a fuss. I’m a law-abidin’ man, I am. (More applause.) Ain’t it the Law that if so be such is your sign and such is your profession, you ought to serve us?”

“I fear I not quite follow,” cried the eager Turk. “I ought?”

“To serve us,” shouted a throng of thick voices from the back of the hall, which was already much more crowded than before.

“Serve you!” cried Misysra, leaping up like a spring released, “The Holy Prophet came from Heaven to serve you! The virtue and valour of a thousand years, my friends, has had no hunger but to serve you! We are of all faiths, the most the faith of service. Our highest prophet is no more than the servant of God, as I am, as you all are. Even for our symbol we choose a satellite, and honour the Moon because it only serves the Earth, and does not pretend to be the Sun.”

“I’m sure,” cried Mr. Leveson, jumping up with a tactful grin, “that the lecturer has answered this last point in a most eloquent and effective way, and the motor cars are waiting for some of the ladies who have come from some distance, and I really think the proceedings—”

All the artistic ladies were already getting on their wraps, with faces varying from bewilderment to blank terror. Only Lady Joan lingered, trembling with unexplained excitement. The hitherto speechless Hinch had slid up to the Chairman’s seat and whispered to him:

“You must get all the ladies away. I can’t imagine what’s up, but something’s up.”

“Well?” repeated the patient George. “So be it’s the Law, where is it?”

“Ladies and Gentlemen,” said Mr. Leveson, in his most ingratiating manner, “I think we have had a most delightful evening, and—”

“No, we ain’t,” cried a new and nastier voice from a corner of the room. “Where is it?”

“That’s what we got a right to know,” said the law-abiding George. “Where is it?”

“Where is what?” cried the nearly demented secretary in the chair. “What do you want?”

The law-abiding Mr. George made a half turn and a gesture towards the man in the corner and said:

“What’s yours, Jim?”

“I’ll ’ave a drop of Scotch,” said the man in the corner.

Lady Enid Wimpole, who had lingered a little in loyalty to Joan, the only other lady still left, caught both her wrists and cried in a thrilling whisper,

“Oh, we must go to the car, dear! They’re using the most awful language!”

Away on the wettest edge of the sands by the sea the prints of two wheels and four hoofs were being slowly washed away by a slowly rising tide; which was, indeed, the only motive of the man Humphrey Pump, leading the donkey cart, in leading it almost ankle deep in water.

“I hope you’re sober again now,” he said with some seriousness to his companion, a huge man walking heavily and even humbly with a straight sword swinging to and fro at his hip—“for honestly it was a mug’s game to go and stick up the old sign before that tin place. I haven’t often spoken to you like this, Captain, but I don’t believe any other man in the county could get you out of the hole as I can. But to go down there and frighten the ladies—why there’s been nothing so silly here since Bishop’s Folly. You could hear the ladies screaming before we left.”

“I heard worse than that long before we left,” said the large man, without lifting his head. “I heard one of them laugh.... Christ, do you think I shouldn’t hear her laugh?”

There was a silence. “I didn’t mean to speak sharp,” said Humphrey Pump with that incorruptible kindliness which was the root of his Englishry, and may yet save the soul of the English. “But it’s the truth I was pretty well bothered about how to get out of this business. You’re braver than I am, you see, and I own I was frightened about both of us. If I hadn’t known my way to the lost tunnel, I should be fairly frightened still.”

“Known your way to what?” asked the Captain, lifting his red head for the first time.

“Oh, you know all about No More Ivywood’s lost tunnel,” said Pump, carelessly. “Why, we all used to look for it when we were boys. Only I happened to find it.”

“Have mercy on an exile,” said Dalroy, humbly. “I don’t know which hurt him most, the things he forgets or the things he remembers.”

Mr. Pump was silent for a little while and then said, more seriously than usual, “Well, the people from London say you must put up placards and statues and subscriptions and epitaphs and the Lord knows what, to the people who’ve found some new trick and made it come off. But only a man that knows his own land for forty miles round, knows what a lot of people, and clever people too, there were who found new tricks, and had to hide them because they didn’t come off. There was Dr. Boone, up by Gill-in-Hugby, who held out against Dr. Collison and the vaccination. His treatment saved sixty patients who had got small-pox; and Dr. Collison’s killed ninety-two patients who hadn’t got anything. But Boone had to keep it dark; naturally, because all his lady patients grew mustaches. It was a result of the treatment. But it wasn’t a result he wishes to dwell on. Then there was old Dean Arthur, who discovered balloons if ever a man did. He discovered them long before they were discovered. But people were suspicious about such things just then—there was a revival of the witch business in spite of all the parsons—and he had to sign a paper saying where he’d got the notion. Well, it stands to reason, you wouldn’t like to sign a paper saying you’d got it from the village idiot when you were both blowing soap-bubbles; and that’s all he could have signed, for he was an honest gentleman, the poor old Dean. Then there was Jack Arlingham and the diving bell—but you remember all about that. Well, it was just the same with the man that made this tunnel—one of the mad Ivywoods. There’s many a man, Captain, that has a statue in the great London squares for helping to make the railway-trains. There’s many a man has his name in Westminster Abbey for doing something in discovering steamboats. Poor old Ivywood discovered both at once; and had to be put under control. He had a notion that a railway train might be made to rush right into the sea and turn into a steamboat; and it seemed all right, according as he worked it out. But his family were so ashamed of the thing, that they didn’t like the tunnel even mentioned. I don’t think anybody knows where it is but me and Bunchy Robinson. We shall be there in a minute or two. They’ve thrown the rocks about at this end; and let the thick plantation grow at the other, but I’ve got a race horse through before now, to save it from Colonel Chepstow’s little games, and I think I can manage this donkey. Honestly, I think it’s the only place we’ll be safe in after what we’ve left behind us at Pebblewick. But it’s the best place in the world, there’s no doubt, for lying low and starting afresh. Here we are. You think you can’t get behind that rock, but you can. In fact, you have.”

Dalroy found himself, with some bewilderment, round the corner of a rock and in a long bore or barrel of blackness that ended in a very dim spot of green. Hearing the hoofs of the ass and the feet of his friend behind him, he turned his head, but could see nothing but the pitch darkness of a closed coal cellar. He turned again to the dim green speck, and marching forward was glad to see it grow larger and brighter, like a big emerald, till he came out on a throng of trees, mostly thin, but growing so thickly and so close to the cavernous entrance of the tunnel that it was quite clear the place was meant to be choked up by forests and forgotten. The light that came glimmering through the trees was so broken and tremulous that it was hard to tell whether it was daybreak or moonrise.

“I know there’s water here,” said Pump. “They couldn’t keep it out of the stone-work when they made the tunnel, and old Ivywood hit the hydraulic engineer with a spirit level. With the bit of covert here and the sea behind us we ought to be able to get food of one kind or another, when the cheese has given out, and donkeys can eat anything. By the way,” he added with some embarrassment, “you don’t mind my saying it, Captain, but I think we’d better keep that rum for rare occasions. It’s the best rum in England, and may be the last, if these mad games are going on. It’ll do us good to feel it’s there, so we can have it when we want it. The cask’s still nearly full.”

Dalroy put out his hand and shook the other’s. “Hump,” he said, seriously, “you’re right. It’s a sacred trust for Humanity; and we’ll only drink it ourselves to celebrate great victories. In token of which I will take a glass now, to celebrate our glorious victory over Leveson and his tin tabernacle.”

He drained one glass and then sat down on the cask, as if to put temptation behind him. His blue ruminant bull’s eye seemed to plunge deeper and deeper into the emerald twilight of the trees in front of him, and it was long before he spoke again.

At last he observed, “I think you said, Hump, that a friend of yours—a gentleman named Bunchy Robinson, I think—was also a habitué here.”

“Yes, he knew the way,” answered Pump, leading the donkey to the most suitable patch of pasturage.

“May we, do you think, have the pleasure of a visit from Mr. Robinson?” inquired the Captain.

“Not unless they’re jolly careless up in Blackstone Gaol,” replied Pump. And he moved the cheese well into the arch of the tunnel. Dalroy still sat with his square chin on his hand, staring at the mystery of the little wood.

“You seem absent-minded, Captain,” remarked Humphrey.

“The deepest thoughts are all commonplaces,” said Dalroy. “That is why I believe in Democracy, which is more than you do, you foul blood-stained old British Tory. And the deepest commonplace of all is that Vanitas Vanitatem, which is not pessimism but is really the opposite of pessimism. It is man’s futility that makes us feel he must be a god. And I think of this tunnel, and how the poor old lunatic walked about on this grass, watching it being built, the soul in him on fire with the future. And he saw the whole world changed and the seas thronged with his new shipping; and now,” and Dalroy’s voice changed and broke, “now there is good pasture for the donkey and it is very quiet here.”

“Yes,” said Pump, in some way that conveyed his knowledge that the Captain was thinking of other things also. The Captain went on dreamily:

“And I think about another Lord Ivywood recorded in history who also had a great vision. For it is a great vision after all, and though the man is a prig, he is brave. He also wants to drive a tunnel—between East and West—to make the Indian Empire more British; to effect what he calls the orientation of England, and I call the ruin of Christendom. And I am wondering just now whether the clear intellect and courageous will of a madman will be strong enough to burst and drive that tunnel, as everything seems to show at this moment that it will. Or whether there be indeed enough life and growth in your England to leave it at last as this is left, buried in English forests and wasted by an English sea.”

The silence fell between them again, and again there was only the slight sound the animal made in eating. As Dalroy had said, it was very quiet there.

But it was not quiet in Pebblewick that night; when the Riot Act was read, and all the people who had seen the sign-board outside fought all the people who hadn’t seen the sign-board outside; or when babies and scientists next morning, seeking for shells and other common objects of the sea-shore, found that their study included fragments of the outer clothing of Leveson and scraps of corrugated iron.

Chapter IX

Pebblewick boasted an enterprising evening paper of its own, called “The Pebblewick Globe,” and it was the great vaunt of the editor’s life that he had got out an edition announcing the mystery of the vanishing sign-board, almost simultaneously with its vanishing. In the rows that followed sandwich men found no little protection from the blows indiscriminately given them behind and before, in the large wooden boards they carried inscribed:

THE VANISHING PUB

PEBBLEWICK’S FAIRY TALE

SPECIAL

And the paper contained a categorical and mainly correct account of what had happened, or what seemed to have happened, to the eyes of the amazed Garge and his crowd of sympathisers. “George Burn, carpenter of this town, with Samuel Gripes, drayman in the service of Messrs. Jay and Gubbins, brewers, together with a number of other well-known residents, passed by the new building erected on the West Beach for various forms of entertainment and popularly called the small Universal Hall. Seeing outside it one of the old inn-signs now so rare, they drew the quite proper inference that the place retained the license to sell alcoholic liquors, which so many other places in this neighborhood have recently lost. The persons inside, however, appear to have denied all knowledge of the fact, and when the party (after some regrettable scenes in which no life was lost) came out on the beach again, it was found that the inn-sign had been destroyed or stolen. All parties were quite sober, and had indeed obtained no opportunity to be anything else. The mystery is underlying inquiry.”

But this comparatively realistic record was local and spontaneous, and owed not a little to the accidental honesty of the editor. Moreover, evening papers are often more honest than morning papers, because they are written by ill-paid and hardworked underlings in a great hurry, and there is no time for more timid people to correct them. By the time the morning papers came out next day a faint but perceptible change had passed over the story of the vanishing sign-board. In the daily paper which had the largest circulation and the most influence in that part of the world, the problem was committed to a gentleman known by what seemed to the non-journalistic world the singular name of Hibbs However. It had been affixed to him in jest in connection with the almost complicated caution with which all his public criticisms were qualified at every turn; so that everything came to depend upon the conjunctions; upon “but” and “yet” and “though” and similar words. As his salary grew larger (for editors and proprietors like that sort of thing) and his old friends fewer (for the most generous of friends cannot but feel faintly acid at a success which has in it nothing of the infectious flavour of glory) he grew more and more to value himself as a diplomatist; a man who always said the right thing. But he was not without his intellectual nemesis; for at last he became so very diplomatic as to be darkly and densely unintelligible. People who knew him had no difficulty in believing that what he had said was the right thing, the tactful thing, the thing that should save the situation; but they had great difficulty in discovering what it was. In his early days he had had a great talent for one of the worst tricks of modern journalism, the trick of dismissing the important part of a question as if it could wait, and appearing to get to business on the unimportant part of it. Thus, he would say, “Whatever we may think of the rights and wrongs of the vivisection of pauper children, we shall all agree that it should only be done, in any event, by fully qualified practitioners.” But in the later and darker days of his diplomacy, he seemed rather to dismiss the important part of a subject, and get to grips with some totally different subject, following some timid and elusive train of associations of his own. In his late bad manner, as they say of painters, he was just as likely to say, “Whatever we may think of the rights and wrongs of the vivisection of pauper children, no progressive mind can doubt that the influence of the Vatican is on the decline.” His nickname had stuck to him in honour of a paragraph he was alleged to have written when the American President was wounded by a bullet fired by a lunatic in New Orleans, and which was said to have run, “The President passed a good night and his condition is greatly improved. The assassin is not, however, a German, as was at first supposed.” Men stared at that mysterious conjunction till they wanted to go mad and to shoot somebody themselves.

Hibbs However was a long, lank man, with straight, yellowish hair and a manner that was externally soft and mild but secretly supercilious. He had been, when at Cambridge, a friend of Leveson, and they had both prided themselves on being moderate politicians. But if you have had your hat smashed over your nose by one who has very recently described himself as a “law-abidin’ man,” and if you have had to run for your life with one coat-tail, and encouraged to further bodily activity by having irregular pieces of a corrugated iron roof thrown after you by men more energetic than yourself, you will find you emerge with emotions which are not solely those of a moderate politician. Hibbs However had already composed a leaderette on the Pebblewick incident, which rather pointed to the truth of the story, so far as his articles ever pointed to anything. His motives for veering vaguely in this direction were, as usual, complex. He knew the millionaire who owned the paper had a hobby of Spiritualism, and something might always come out of not suppressing a marvellous story. He knew that two at least of the prosperous artisans or small tradesmen who had attested the tale were staunch supporters of The Party. He knew that Lord Ivywood must be mildly but not effectually checked; for Lord Ivywood was of The Other Party. And there could be no milder or less effectual way of checking him than by allowing the paper to lend at least a temporary credit to a well-supported story that came from outside, and certainly had not been (like so many stories) created in the office. Amid all these considerations had Hibbs However steered his way to a more or less confirmatory article, when the sudden apparition of J. Leveson, Secretary, in the sub-editor’s room with a burst collar and broken eye-glasses, led Mr. Hibbs into a long, private conversation with him and a comparative reversal of his plans. But of course he did not write a new article; he was not of that divine order who make all things new. He chopped and changed his original article in such a way that it was something quite beyond the most bewildering article he had written in the past; and is still prized by those highly cultured persons who collect the worst literature of the world.

It began, indeed, with the comparatively familiar formula, “Whether we take the more lax or the more advanced view of the old disputed problem of the morality or immorality of the wooden sign-board as such, we shall all agree that the scenes enacted at Pebblewick were very discreditable, to most, though not all, concerned.” After that, tact degenerated into a riot of irrelevance. It was a wonderful article. The reader could get from it a faint glimpse of Mr. Hibbs’s opinion on almost every other subject except the subject of the article. The first half of the next sentence made it quite clear that Mr. Hibbs (had he been present) would not have lent his active assistance to the Massacre of St. Bartholomew or the Massacres of September. But the second half of the sentence suggested with equal clearness that, since these two acts were no longer, as it were, in contemplation, and all attempts to prevent them would probably arrive a little late, he felt the warmest friendship for the French nation. He merely insisted that his friendship should never be mentioned except in the French language. It must be called an “entente” in the language taught to tourists by waiters. It must on no account be called an “understanding,” in a language understanded of the people. From the first half of the sentence following it might safely be inferred that Mr. Hibbs had read Milton, or at least the passage about sons of Belial; from the second half that he knew nothing about bad wine, let alone good. The next sentence began with the corruption of the Roman Empire and contrived to end with Dr. Clifford. Then there was a weak plea for Eugenics; and a warm plea against Conscription, which was not True Eugenics. That was all; and it was headed “The Riot at Pebblewick.”

Yet some injustice would be done to Hibbs However if we concealed the fact that this chaotic leader was followed by quite a considerable mass of public correspondence. The people who write to newspapers are, it may be supposed, a small, eccentric body, like most of those that sway a modern state. But at least, unlike the lawyers, or the financiers, or the members of Parliament, or the men of science, they are people of all kinds scattered all over the country, of all classes, counties, ages, sects, sexes, and stages of insanity. The letters that followed Hibbs’s article are still worth looking up in the dusty old files of his paper.

A dear old lady in the densest part of the Midlands wrote to suggest that there might really have been an old ship wrecked on the shore, during the proceedings. “Mr. Leveson may have omitted to notice it, or, at that late hour of the evening, it may have been mistaken for a sign-board, especially by a person of defective sight. My own sight has been failing for some time; but I am still a diligent reader of your paper.” If Mr. Hibbs’s diplomacy had left one nerve in his soul undrugged, he would have laughed, or burst into tears, or got drunk, or gone into a monastery over a letter like that. As it was, he measured it with a pencil, and decided that it was just too long to get into the column.

Then there was a letter from a theorist, and a theorist of the worst sort. There is no great harm in the theorist who makes up a new theory to fit a new event. But the theorist who starts with a false theory and then sees everything as making it come true is the most dangerous enemy of human reason. The letter began like a bullet let loose by the trigger. “Is not the whole question met by Ex. iv. 3? I enclose pamphlets in which I have proved the point quite plainly, and which none of the Bishops or the so-called Free Church Ministers have attempted to answer. The connection between the rod or pole and the snake so clearly indicated in Scripture is no less clear in this case. It is well known that those who follow after strong drink often announce themselves as having seen a snake. Is it not clear that those unhappy revellers beheld it in its transformed state as a pole; see also Deut. xviii. 2. If our so-called religious leaders,” etc. The letter went on for thirty-three pages and Hibbs was perhaps justified in this case in thinking the letter rather too long.

Then there was the scientific correspondent who said—Might it not be due to the acoustic qualities of the hall? He had never believed in the corrugated iron hall. The very word “hall” itself (he added playfully) was often so sharpened and shortened by the abrupt echoes of those repeated metallic curves, that it had every appearance of being the word “hell,” and had caused many theological entanglements, and some police prosecutions. In the light of these facts, he wished to draw the editor’s attention to some very curious details about this supposed presence or absence of an inn-sign. It would be noted that many of the witnesses, and especially the most respectable of them, constantly refer to something that is supposed to be outside. The word “outside” occurs at least five times in the depositions of the complaining persons. Surely by all scientific analogy we may infer that the unusual phrase “inn-sign” is an acoustic error for “inside.” The word “inside” would so naturally occur in any discussion either about the building or the individual, when the debate was of a hygienic character. This letter was signed “Medical Student,” and the less intelligent parts of it were selected for publication in the paper.

Then there was a really humorous man, who wrote and said there was nothing at all inexplicable or unusual about the case. He himself (he said) had often seen a sign-board outside a pub when he went into it, and been quite unable to see it when he came out. This letter (the only one that had any quality of literature) was sternly set aside by Mr. Hibbs.

Then came a cultured gentleman with a light touch, who merely made a suggestion. Had anyone read H. G. Wells’s story about the kink in space? He contrived, indescribably, to suggest that no one had even heard of it except himself; or, perhaps, of Mr. Wells either. The story indicated that men’s feet might be in one part of the world and their eyes in another. He offered the suggestion for what it was worth. The particular pile of letters on which Hibbs However threw it, showed only too clearly what it was worth.

Then there was a man, of course, who called it all a plot of frenzied foreigners against Britain’s shore. But as he did not make it quite clear whether the chief wickedness of these aliens had lain in sticking the sign up or in pulling it down, his remarks (the remainder of which referred exclusively to the conversational misconduct of an Italian ice-cream man, whose side of the case seemed insufficiently represented) carried the less weight.

And then, last but the reverse of least, there plunged in all the people who think they can solve a problem they cannot understand by abolishing everything that has contributed to it. We all know these people. If a barber has cut his customer’s throat because the girl has changed her partner for a dance or donkey ride on Hampstead Heath, there are always people to protest against the mere institutions that led up to it. This would not have happened if barbers were abolished, or if cutlery were abolished, or if the objection felt by girls to imperfectly grown beards were abolished, or if the girls were abolished, or if heaths and open spaces were abolished, or if dancing were abolished, or if donkeys were abolished. But donkeys, I fear, will never be abolished.

There were plenty of such donkeys in the common land of this particular controversy. Some made it an argument against democracy, because poor Garge was a carpenter. Some made it an argument against Alien Immigration, because Misysra Ammon was a Turk. Some proposed that ladies should no longer be admitted to any lectures anywhere, because they had constituted a slight and temporary difficulty at this one, without the faintest fault of their own. Some urged that all holiday resorts should be abolished; some urged that all holidays should be abolished. Some vaguely denounced the sea-side; some, still more vaguely, proposed to remove the sea. All said that if this or that, stones or sea-weed or strange visitors or bad weather or bathing machines were swept away with a strong hand, this which had happened would not have happened. They only had one slight weakness, all of them; that they did not seem to have the faintest notion of what had happened. And in this they were not inexcusable. Nobody did know what had happened; nobody knows it to this day, of course, or it would be unnecessary to write this story. No one can suppose this story is written from any motive save that of telling the plain, humdrum truth.

That queer confused cunning which was the only definable quality possessed by Hibbs However had certainly scored a victory so far, for the tone of the weekly papers followed him, with more intelligence and less trepidation; but they followed him. It seemed more and more clear that some kind of light and sceptical explanation was to be given of the whole business, and that the whole business was to be dropped.

The story of the sign-board and the ethical chapel of corrugated iron was discussed and somewhat disparaged in all the more serious and especially in the religious weeklies, though the Low Church papers seemed to reserve their distaste chiefly for the sign-board; and the High Church papers chiefly for the Chapel. All agreed that the combination was incongruous, and most treated it as fabulous. The only intellectual organs which seemed to think it might have happened were the Spiritualist papers, and their interpretation had not that solidity which would have satisfied Mr. George.

It was not until almost a year after that it was felt in philosophical circles that the last word had been said on the matter. An estimate of the incident and of its bearing on natural and supernatural history occurred in Professor Widge’s celebrated “Historicity of the Petro-Piscatorial Phenomena”; which so profoundly affected modern thought when it came out in parts in the Hibbert Journal. Everyone remembers Professor Widge’s main contention, that the modern critic must apply to the thaumaturgics of the Lake of Tiberias the same principle of criticism which Dr. Bunk and others have so successfully applied to the thaumaturgics of the Cana narrative: “Authorities as final as Pink and Toscher,” wrote the Professor, “have now shown with an emphasis that no emancipated mind is entitled to question, that the Aqua-Vinic thaumaturgy at Cana is wholly inconsistent with the psychology of the ‘master of the feast,’ as modern research has analysed it; and indeed with the whole Judæo-Aramaic psychology at that stage of its development, as well as being painfully incongruous with the elevated ideals of the ethical teacher in question. But as we rise to higher levels of moral achievement, it will probably be found necessary to apply the Canaic principle to other and later events in the narrative. This principle has, of course, been mainly expounded by Huscher in the sense that the whole episode is unhistorical, while the alternative theory, that the wine was non-alcoholic and was naturally infused into the water, can claim on its side the impressive name of Minns. It is clear that if we apply the same alternative to the so-called Miraculous Draught of Fishes we must either hold with Gilp, that the fishes were stuffed representations of fishes artificially placed in the lake (see the Rev. Y. Wyse’s “Christo-Vegetarianism as a World-System,” where this position is forcibly set forth), or we must, on the Huscherian hypothesis, deprive the Piscatorial narrative of all claim to historicity whatever.

“The difficulty felt by the most daring critics (even Pooke) in adopting this entirely destructive attitude, is the alleged improbability of so detailed a narrative being founded on so slight a phrase as the anti-historical critics refer it to. It is urged by Pooke, with characteristic relentless reasoning, that according to Huscher’s theory a metaphorical but at least noticeable remark, such as, ‘I will make you fishers of men,’ was expanded into a realistic chronicle of events which contains no mention, even in the passages evidently interpolated, of any men actually found in the nets when they were hauled up out of the sea; or, more properly, lagoon.

“It must appear presumptuous or even bad taste for anyone in the modern world to differ on any subject from Pooke; but I would venture to suggest that the very academic splendour and unique standing of the venerable professor (whose ninety-seventh birthday was so beautifully celebrated in Chicago last year), may have forbidden him all but intuitive knowledge of how errors arise among the vulgar. I crave pardon for mentioning a modern case known to myself (not indeed by personal presence, but by careful study of all the reports) which presents a curious parallel to such ancient expansions of a text into an incident, in accordance with Huscher’s law.

“It occurred at Pebblewick, in the south of England. The town had long been in a state of dangerous religious excitement. The great religious genius who has since so much altered our whole attitude to the religions of the world, Misysra Ammon, had been lecturing on the sands to thousands of enthusiastic hearers. Their meetings were often interrupted, both by children’s services run on the most ruthless lines of orthodoxy and by the League of the Red Rosette, the formidable atheist and anarchist organization. As if this were not enough to swell the whirlpool of fanaticism, the old popular controversy between the Milnian and the Complete Sublapsarians broke out again on the fated beach. It is natural to conjecture that in the thickening atmosphere of theology in Pebblewick, some controversialist quoted the text ‘An evil and adulterous generation seek for a sign. But no sign shall be given it save the sign of the prophet Jonas.’

“A mind like that of Pooke will find it hard to credit, but it seems certain that the effect of this text on the ignorant peasantry of southern England was actually to make them go about looking for a sign, in the sense of those old tavern signs now so happily disappearing. The ‘sign of the Prophet Jonas,’ they somehow translated in their stunted minds into a sign-board of the ship out of which Jonah was thrown. They went about literally looking for ‘The Sign of the Ship,’ and there are some cases of their suffering Smail’s Hallucination and actually seeing it. The whole incident is a curious parallel to the Gospel narrative and a triumphant vindication of Huscher’s law.”

Lord Ivywood paid a public compliment to Professor Widge, saying that he had rolled back from his country what might have been an ocean of superstitions. But, indeed, poor Hibbs had struck the first and stunning blow that scattered the brains of all men.

Chapter X

There lay about in Lord Ivywood’s numerous gardens, terraces, outhouses, stable yards and similar places, a dog that came to be called by the name of Quoodle. Lord Ivywood did not call him Quoodle. Lord Ivywood was almost physically incapable of articulating such sounds. Lord Ivywood did not care for dogs. He cared for the Cause of dogs, of course; and he cared still more for his own intellectual self-respect and consistency. He would never have permitted a dog in his house to be physically ill-treated; nor, for that matter, a rat; nor, for that matter, even a man. But if Quoodle was not physically ill-treated, he was at least socially neglected, and Quoodle did not like it. For dogs care for companionship more than for kindness itself.

Lord Ivywood would probably have sold the dog, but he consulted experts (as he did on everything he didn’t understand and many things that he did), and the impression he gathered from them was that the dog, technically considered, would fetch very little; mostly, it seemed, because of the mixture of qualities that it possessed. It was a sort of mongrel bull-terrier, but with rather too much of the bull-dog; and this fact seemed to weaken its price as much as it strengthened its jaw. His Lordship also gained a hazy impression that the dog might have been valuable as a watch-dog if it had not been able to follow game like a pointer; and that even in the latter walk of life it would always be discredited by an unfortunate talent for swimming as well as a retriever. But Lord Ivywood’s impressions may very well have been slightly confused, as he was probably thinking about the Black stone of Mecca, or some such subject at the moment. The victim of this entanglement of virtues, therefore, still lay about in the sunlight of Ivywood, exhibiting no general result of that entanglement except the most appalling ugliness.

Now Lady Joan Brett did appreciate dogs. It was the whole of her type and a great deal of her tragedy that all that was natural in her was still alive under all that was artificial; and she could smell hawthorn or the sea as far off as a dog can smell his dinner. Like most aristocrats she would carry cynicism almost to the suburbs of the city of Satan; she was quite as irreligious as Lord Ivywood, or rather more. She could be quite equally frigid or supercilious when she felt inclined. And in the great social talent of being tired, she could beat him any day of the week. But the difference remained in spite of her sophistries and ambitions; that her elemental communications were not cut, and his were. For her the sunrise was still the rising of a sun, and not the turning on of a light by a convenient cosmic servant. For her the Spring was really the Season in the country, and not merely the Season in town. For her cocks and hens were natural appendages to an English house; and not (as Lord Ivywood had proved to her from an encyclopædia) animals of Indian origin, recently imported by Alexander the Great. And so for her a dog was a dog, and not one of the higher animals, nor one of the lower animals, nor something that had the sacredness of life, nor something that ought to be muzzled, nor something that ought not to be vivisected. She knew that in every practical sense proper provision would be made for the dog; as, indeed, provision was made for the yellow dogs in Constantinople by Abdul Hamid, whose life Lord Ivywood was writing for the Progressive Potentates series. Nor was she in the least sentimental about the dog or anxious to turn him into a pet. It simply came natural to her in passing to rub all his hair the wrong way and call him something which she instantly forgot.

The man who was mowing the garden lawn looked up for a moment, for he had never seen the dog behave in exactly that way before. Quoodle arose, shook himself, and trotted on in front of the lady, leading her up an iron side staircase, of which, as it happened, she had never made use before. It was then, most probably, that she first took any special notice of him; and her pleasure, like that which she took in the sublime prophet from Turkey, was of a humorous character. For the complex quadruped had retained the bow legs of the bull-dog; and, seen from behind, reminded her ridiculously of a swaggering little Major waddling down to his Club.

The dog and the iron stairway between them led her into a series of long rooms, one opening into the other. They formed part of what she had known in earlier days as the disused Wing of Ivywood House, which had been neglected or shut up, probably because it bore some defacements from the fancies of the mad ancestor, the memory of whom the present Lord Ivywood did not think helpful to his own political career. But it seemed to Joan that there were indications of a recent attempt to rehabilitate the place. There was a pail of whitewash in one of the empty rooms, a step-ladder in another, here and there a curtain rod, and at last, in the fourth room a curtain. It hung all alone on the old woodwork, but it was a very gorgeous curtain, being a kind of orange-gold relieved with wavy bars of crimson, which somehow seemed to suggest the very spirit and presence of serpents, though they had neither eyes nor mouths among them.

In the next of the endless series of rooms she came upon a kind of ottoman, striped with green and silver standing alone on the bare floor. She sat down on it from a mixed motive of fatigue and of impudence, for she dimly remembered a story which she had always thought one of the funniest in the world, about a lady only partly initiated in Theosophy who had been in the habit of resting on a similar object, only to discover afterward that it was a Mahatma, covered with his eastern garment and prostrate and rigid in ecstasy. She had no hopes of sitting on a Mahatma herself, but the very thought of it made her laugh, because it would make Lord Ivywood look such a fool. She was not sure whether she liked or disliked Lord Ivywood, but she felt quite certain that it would gratify her to make him look a fool. The moment she had sat down on the ottoman, the dog, who had been trotting beside her, sat down also, and on the edge of her skirt.

After a minute or two she rose (and the dog rose), and she looked yet farther down that long perspective of large rooms, in which men like Phillip Ivywood forget that they are only men. The next was more ornate and the next yet more so; it was plain that the scheme of decoration that was in progress had been started at the other end. She could now see that the long lane ended in rooms that from afar off looked like the end of a kaleidoscope, rooms like nests made only from humming birds or palaces built of fixed fireworks. Out of this furnace of fragmentary colours she saw Ivywood advancing toward her, with his black suit and his white face accented by the contrast. His lips were moving, for he was talking to himself, as many orators do. He did not seem to see her, and she had to strangle a subconscious and utterly senseless cry, “He is blind!”

The next moment he was welcoming her intrusion with the well-bred surprise and rather worldly simplicity suitable to such a case, and Joan fancied she understood why his face had seemed a little bleaker and blinder than usual. It was by contrast. He was carrying clutched to his forefinger, as his ancestors might have carried a falcon clutched to the wrist, a small bright coloured semi-tropical bird, the expression of whose head, neck and eye was the very opposite of his own. Joan thought she had never seen a living creature with a head so lively and insulting. Its provocative eye and pointed crest seemed to be offering to fight fifty game-cocks. It was no wonder (she told herself) that by the side of this gaudy gutter-snipe with feathers Ivywood’s faint-coloured hair and frigid face looked like the hair and face of a corpse walking.

“You’ll never know what this is,” said Ivywood, in his most charming manner. “You’ve heard of him a hundred times and never had a notion of what he was. This is the Bulbul.”

“I never knew,” replied Joan. “I am afraid I never cared. I always thought it was something like a nightingale.”

“Ah, yes,” answered Ivywood, “but this is the real Bulbul peculiar to the East, Pycnonotus Hæmorrhous. You are thinking of Daulias Golzii.”

“I suppose I am,” replied Lady Joan with a faint smile. “It is an obsession. When shall I not be thinking of Daulias Galsworthy? Was it Galsworthy?” Then feeling quite touched by the soft austerity of her companion’s face, she caressed the gaudy and pugnacious bird with one finger and said, “It’s a dear little thing.”

The quadruped intimately called Quoodle did not approve of all this at all. Like most dogs, he liked to be with human beings when they were silent, and he extended a magnificent toleration to them as long as they were talking to each other. But conversational attention paid to any other animal at all remote from a mongrel bull-terrier wounded Mr. Quoodle in his most sensitive and gentlemanly feelings. He emitted a faint growl. Joan, with all the instincts that were in her, bent down and pulled his hair about once more, and felt the instant necessity of diverting the general admiration from Pycnonotus Hæmorrhous. She turned it to the decoration at the end of the refurnished wing; for they had already come to the last of the long suite of rooms, which ended in some unfinished but exquisite panelling in white and coloured woods, inlaid in the oriental manner. At one corner the whole corridor ended by curving into a round turret chamber overlooking the landscape; and which Joan, who had known the house in childhood, was sure was an innovation. On the other hand a black gap, still left in the lower left-hand corner of the oriental woodwork, suddenly reminded her of something she had forgotten.

“Surely,” she said (after much mere æsthetic ecstasy), “there used to be a staircase there, leading to the old kitchen garden, or the old chapel or something.”

Ivywood nodded gravely. “Yes,” he said, “it did lead to the ruins of a Mediæval Chapel, as you say. The truth is it led to several things that I cannot altogether consider a credit to the family in these days. All that scandal and joking about the unsuccessful tunnel (your mother may have told you of it), well, it did us no good in the County, I’m afraid; so as it’s a mere scrap of land bordering on the sea, I’ve fenced it off and let it grow wild. But I’m boarding up the end of the room here for quite another reason. I want you to come and see it.”

He led her into the round corner turret in which the new architecture ended, and Joan, with her thirst for the beautiful, could not stifle a certain thrill of beatitude at the prospect. Five open windows of a light and exquisite Saracenic outline looked out over the bronze and copper and purple of the Autumn parks and forests to the peacock colours of the sea. There was neither house nor living thing in sight, and, familiar as she had been with that coast, she knew she was looking out from a new angle of vision on a new landscape of Ivywood.

“You can write sonnets?” said Ivywood with something more like emotion in his voice than she had ever heard in it. “What comes first into your mind with these open windows?”

“I know what you mean,” said Joan after a silence. “The same hath oft....”

“Yes,” he said. “That is how I felt ... of perilous seas in fairy lands forlorn.”

There was another silence and the dog sniffed round and round the circular turret chamber.

“I want it to be like that,” said Ivywood in a low and singularly moved intonation. “I want this to be the end of the house. I want this to be the end of the world. Don’t you feel that is the real beauty of all this eastern art; that it is coloured like the edges of things, like the little clouds of morning and the islands of the blest? Do you know,” and he lowered his voice yet more, “it has the power over me of making me feel as if I were myself absent and distant; some oriental traveller who was lost and for whom men were looking. When I see that greenish lemon yellow enamel there let into the white, I feel that I am standing thousands of leagues from where I stand.”

“You are right,” said Joan, looking at him with some wonder, “I have felt like that myself.”

“This art,” went on Ivywood as in a dream, “does indeed take the wings of the morning and abide in the uttermost parts of the sea. They say it contains no form of life, but surely we can read its alphabet as easily as the red hieroglyphics of sunrise and sunset which are on the fringes of the robe of God.”

“I never heard you talk like that before,” said the lady, and again stroked the vivid violet feathers of the small eastern bird.

Mr. Quoodle could stand it no longer. He had evidently formed a very low opinion of the turret chamber and of oriental art generally, but seeing Joan’s attention once more transferred to his rival, he trotted out into the longer room, and finding the gap in the woodwork which was soon to be boarded up, but which still opened on an old dark staircase, he went “galumphing” down the stairs.

Lord Ivywood gently placed the bird on the girl’s own finger, and went to one of the open windows, leaning out a little.

“Look here,” he said, “doesn’t this express what we both feel? Isn’t this the sort of fairy-tale house that ought to hang on the last wall of the world?”

And he motioned her to the window-sill, just outside which hung the bird’s empty cage, beautifully wrought in brass or some of the yellow metals.

“Why that is the best of all!” cried Lady Joan. “It makes one feel as if it really were the Arabian Nights. As if this were a tower of the gigantic Genii with turrets up to the moon; and this were an enchanted Prince caged in a golden palace suspended by the evening star.”

Something stirred in her dim but teeming subconsciousness, something like a chill or change like that by which we half know that weather has altered, or distant and unnoticed music suddenly ceased.

“Where is the dog?” she asked suddenly.

Ivywood turned with a mild, grey eye.

“Was there a dog here?” he asked.

“Yes,” said Lady Joan Brett, and gave him back the bird, which he restored carefully to its cage.

The dog after whom she inquired had in truth trundled down a dark, winding staircase and turned into the daylight, into a part of the garden he had never seen before; nor, indeed, had anybody else for some time past. It was altogether tangled and overgrown with weeds, and the only trace of human handiwork, the wreck of an old Gothic Chapel, stood waist high in numberless nettles and soiled with crawling fungoids. Most of these merely discoloured the grey crumbling stone with shades of bronze or brown; but some of them, particularly on the side farthest from the house, were of orange or purple tints almost bright enough for Lord Ivywood’s oriental decoration. Some fanciful eyes that fell on the place afterward found something like an allegory in those graven and broken saints or archangels feeding such fiery and ephemeral parasites as those toadstools like blood or gold. But Mr. Quoodle had never set himself up as an allegorist, and he merely trotted deeper and deeper into the grey-green English jungle. He grumbled very much at the thistles and nettles, much as a city man will grumble at the jostling of a crowd. But he continued to press forward, with his nose near the ground, as if he had already smelt something that interested him. And, indeed, he had smelt something in which a dog, except on special occasions, is much more interested than he is in dogs. Breaking through a last barrier of high and hoary purple thistles he came out on a semicircle of somewhat clearer ground, dotted with slender trees, and having, by way of back scene, the brown brick arch of an old tunnel. The tunnel was boarded up with a very irregular fence or mask made of motley wooden lathes, and looked, somehow, rather like a pantomime cottage. In front of this a sturdy man in very shabby shooting clothes was standing attending to a battered old frying-pan which he held over a rather irregular flame which, small as it was, smelt strongly of burnt rum. In the frying-pan, and also on the top of a cask or barrel that served for a table hard by, were a number of the grey, brown, and even orange fungi which were plastered over the stone angels and dragons of the fallen chapel.

“Hullo, old man,” said the person in the shooting jacket with tranquillity and without looking up from his cooking. “Come to pay us a visit? Come along then.” He flashed one glance at the dog and returned to the frying pan. “If your tail were two inches shorter, you’d be worth a hundred pounds. Had any breakfast?”

The dog trotted across to him and began nosing and sniffing round his dilapidated leather gaiters. The man did not interrupt his cookery, on which his eyes were fixed and both his hands were busy; but he crooked his knee and foot so as to caress the quadruped in a nerve under the angle of the jaw, the stimulation of which (as some men of science have held) is for a dog what a good cigar is for a man. At the same moment a huge voice like on ogre’s came from within the masked tunnel, calling out, “And who are ye talking to?”

A very crooked kind of window in the upper part of the pantomime cottage burst open and an enormous head, with erect, startling, and almost scarlet hair and blue eyes as big as a bullfrog’s, was thrust out above the scene.

“Hump,” cried the ogre. “Me moral counsels have been thrown away. In the last week I’ve sung you fourteen and a half songs of me own composition; instead of which you go about stealing dogs. You’re following in the path of Parson Whats-his-name in every way, I’m afraid.”

“No,” said the man with the frying pan, impartially, “Parson Whitelady struck a very good path for doubling on Pebblewick, that I was glad to follow. But I think he was quite silly to steal dogs. He was young and brought up pious. I know too much about dogs to steal one.”

“Well,” asked the large red-haired man, “and how do you get a dog like that?”

“I let him steal me,” said the person stirring the pan. And indeed the dog was sitting erect and even arrogant at his feet, as if he was a watch-dog at a high salary, and had been there before the building of the tunnel.

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