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What is the Difference Between Imagination [Greek Omitted], The Imaginable [GREEK OMITTED], Fancy [GREEK OMITTED], and Phantom [Greek Omitted]?
Chrysippus affirms, these four are different one from another. Imagination is that passion raised in the soul which discovers itself and that which was the efficient of it; to use example, after the eye hath looked upon a thing that is white, the sight of which produceth in the mind a certain impression, this gives us reason to conclude that the object of this impression is white, which affecteth us. So with touching and smelling Phantasy or imagination is denominated from [Greek omitted] which denotes light; for as light discovers itself and all other things which it illuminates, so this imagination discovers itself and that which is the cause of it. The imaginable is the efficient cause of imagination; as anything that is white, or anything that is cold, or everything that may make an impression upon the imagination. Fancy is a vain impulse upon the mind of man, proceeding from nothing which is really conceivable; this is experienced in those that whirl about their idle hand and fight with shadows; for to the imagination there is always some real imaginable thing presented, which is the efficient cause of it; but to the fancy nothing. A phantom is that to which we are brought by such a fanciful and vain attraction; this is to be seen in melancholy and distracted persons. Of this sort was Orestes in the tragedy, pronouncing these words:
Mother, these maids with horror me affright;
Oh bring them not, I pray, into my sight!
They’re smeared with blood, and cruel, dragon-like,
Skipping about with deadly fury strike.
These rave as frantic persons, they see nothing, and yet imagine they see. Thence Electra thus returns to him:
0 wretched man, securely sleep in bed;
Nothing thou seest, thy fancy’s vainly led.
(Euripides, “Orestes”, 255.)
After the same manner Theoclymenus in Homer.
Of Our Sight, and by what Means We See.
Democritus and Epicurus suppose that sight is caused by the insertion of little images into the visive organ, and by the reception of certain rays which return to the eye after meeting the object. Empedocles supposes that images are mixed with the rays of the eye; these he styles the rays of images. Hipparchus, that the visual rays extend from both the eyes to the superficies of bodies, and give to the sight the apprehension of those same bodies, after the same manner in which the hand touching the extremity of bodies gives the sense of feeling. Plato, that the sight is the splendor of united rays; there is a light which reaches some distance from the eyes into a cognate air, and there is likewise a light shed from bodies, which meets and joins with the fiery visual light in the intermediate air (which is liquid and mutable); and the union of these rays gives the sense of seeing. This is Plato’s corradiancy, or splendor of united rays.
Of Those Images which are Presented to Our Eyes in Mirrors.
Empedocles says that these images are caused by certain effluxes which, meeting together and resting upon the superficies of the mirror, are perfected by that fiery element emitted by the said mirror, which transforms withal the air that surrounds it. Democritus and Epicurus, that the specular appearances are made by the subsistence of the images which flow from our eyes; these fall upon the mirror and remain, while the light returns to the eye. The followers of Pythagoras explain it by the reflection of the sight; for our sight being extended (as it were) to the brass, and meeting with the smooth dense surface thereof it is forced back, and caused to return upon itself: the same takes place in the hand, when it is stretched out and then brought back again to the shoulder. Any one may use these instances to explain the manner of seeing.
Whether Darkness Can be Visible to Us.
The Stoics say that darkness is seen by us, for out of our eyes there issues out some light into it; and our eyes do not impose upon us, for they really perceive there is darkness. Chrysippus says that we see darkness by the striking of the intermediate air; for the visual spirits which proceed from the principal part of the soul and reach to the ball of the eye pierce this air, which, after they have made those strokes upon it, extend conically on the surrounding air, where this is homogeneous in quality. For from the eyes those rays are poured forth which are neither black nor cloudy. Upon this. account darkness is visible to us.
Of Hearing.
Empedocles says that hearing is formed by the insidency of the air upon the cochlea, which it is said hangs within the ear as a bell, and is beat upon by the air. Alcmaeon, that the vacuity that is within the ear makes us to have the sense of hearing, for the air forcing a vacuum gives the sound; every inanity affords a ringing. Diogenes the air which exists in the head, being struck upon by the voice gives the hearing. Plato and his followers, the air which exists in the head being struck upon, is reflected to the principal part of the soul, and this causeth the sense of hearing.
Of Smelling.
Alcmaeon believes that the principal part of the soul, residing in the brain, draws to itself odors by respiration. Empedocles, that scents insert themselves into the breathing of the lungs; for, when there is a great difficulty in breathing, odors are not perceived by reason of the sharpness; and this we experience in those who have the defluxion of rheum.
Of Taste.
Alcmaeon says that a moist warmth in the tongue, joined with the softness of it, gives the difference of taste. Diogenes, that by the softness and sponginess of the tongue, and because the veins of the body are joined in it, tastes are diffused by the tongue; for they are attracted from it to that sense and to the commanding part of the soul, as from a sponge.
Of the Voice.
Plato thus defines a voice — that it is a breath drawn by the mind through the mouth, and a blow impressed on the air and through the ear, brain, and blood transmitted to the soul. Voice is abusively attributed to irrational and inanimate beings; thus we improperly call the neighing of horses or any other sound by the name of voice. But properly a voice [Greek omitted] is an articulate sound, which illustrates [Greek omitted] the understanding of man. Epicurus says that it is an efflux emitted from things that are vocal, or that give sounds or great noises; this is broken into those fragments which are after the same configuration. Like figures are round figures with round, and irregular and triangular with those of the same kind. These falling upon the ears produce the sense of hearing. This is seen in leaking vessels, and in fullers when they fan or blow their cloths. Democritus, that the air is broken into bodies of similar configuration, and these are rolled up and down with the fragments of the voice; as it is proverbially said, One daw lights with another, or, God always brings like to like. Thus we see upon the seashore, that stones like to one another are found in the same place, in one place the long-shaped, in another the round are seen. So in sieves, things of the same form meet together, but those that are different are divided; as pulse and beans falling from the same sieve are separated one from another. To this it may be objected: How can some fragments of air fill a theatre in which there is an infinite company of persons. The Stoics, that the air is not composed of small fragments, but is a continued body and nowhere admits a vacuum; and being struck with the air, it is infinitely moved in waves and in right circles, until it fill that air which surrounds it; as we see in a fish-pool which we smite by a falling stone cast upon it; yet the air is moved spherically, the water orbicularly. Anaxagoras says a voice is then formed when upon a solid air the breath is incident, which being repercussed is carried to the ears; after the same manner the echo is produced.
Whether the Voice is Incorporeal. what is it that the Gives Echo?
Pythagoras, Plato, and Aristotle declare that the voice is incorporeal; for it is not the air that causes the voice, but the figure which compasseth the air and its superficies having received a stroke, give the voice. But every superficies of itself is incorporeal. It is true that it move with the body but itself it hath no body; as we observe in a staff that is bended, the matter only admits of an inflection, while the superficies doth not. According to the Stoics a voice is corporeal since everything that is an agent or operates is a body; a voice acts and operates, for we hear it and are sensible of it; for it falls and makes an impression on the ear, as a seal of a ring gives its similitude upon the wax. Besides, everything that creates a delight or injury is a body; harmonious music affects with delight, but discord is tiresome. And everything that moved is a body; and the voice moves, and having its illapse upon smooth places is reflected, as when a ball is cast against a wall it rebounds. A voice spoken in the Egyptian pyramids is so broken, that it gives four or five echoes.
By what Means the Soul is Sensible, and what is the Principal and Commanding Part of It.
The Stoics say that the highest part of the soul is the commanding part of it: this is the cause of sense, fancy, consents, and desires; and this we call the rational part. From this principal and commander there are produced seven parts of the soul, which are spread through the body, as the seven arms in a polypus. Of these seven parts, five are assigned to the senses, seeing, hearing, smelling, tasting, touching. Sight is a spirit which is extended from the commanding part of the eyes; hearing is that spirit which from the principle reacheth to the ears; smelling a spirit drawn from the principal to the nostrils; tasting a spirit extended from the principle to the tongue; touching is a spirit which from the principal is drawn to the extremity of those bodies which are obnoxious to a sensible touch. Of the rest, the one called the spermatical is a spirit which reacheth from the principal to the generating vessels; the other, which is the vocal and termed the voice, is a spirit extended from the principal to the throat, tongue, and other proper organs of speaking. And this principal part itself hath that place in our spherical head which God hath in the world.
Of Respiration or Breathing.
Empedocles thinks, that the first breath the first animal drew was when the moisture in the embryo was separated, and by that means an entrance was given to the external air into the gaping vessels, the moisture in them being evacuated. After this the natural heat, in a violent force pressing upon the external air for a passage, begets an expiration; but this heat returning to the inward parts, and the air giving way to it, causeth a respiration. The respiration that now is arises when the blood is borne to the exterior surface, and by this movement drives the airy substance through the nostrils; thus in its recess it causeth expiration, but the air being again forced into those places which are emptied of blood, it causeth an inspiration. To explain which, he proposeth the instance of a water-clock, which gives the account of time by the running of water.
Asclepiades supposeth the lungs to be in the manner of a funnel, and the cause of breathing to be the fineness of the inward parts of the breast; for thither the outward air which is more gross hastens, but is forced backward, the breast not being capable either to receive or want it. But there being always some of the more tenuous parts of the air left, so that all of it is not exploded, to that which there remains the more ponderous external air with equal violence is forced; and this he compares to cupping-glasses. All spontaneous breathings are formed by the contracting of the smaller pores of the lungs, and to the closing of the pipe in the neck; for these are at our command.
Herophilus attributes a moving faculty to the nerves, arteries, and muscles, but thinks that the lungs are affected only with a natural desire of enlarging and contracting themselves. Farther, there is the first operation of the lungs by attraction of the outward air, which is drawn in because of the abundance of the external air. Next to this, there is a second natural appetite of the lungs; the breast, pouring in upon itself the breath, and being filled, is no longer able to make an attraction, and throws the superfluity of it upon the lungs, whereby it is then sent forth in expiration; the parts of the body mutually concurring to this function by the alternate participation of fulness and emptiness. So that to lungs pertain four motions — first, when the lungs receive the outward air; secondly, when the outward air thus entertained is transmitted to the breast; thirdly, when the lungs again receive that air which they imparted to the breast; fourthly, when this air then received from the breast is thrown outwards. Of these four processes two are dilatations, one when the lungs attract the air, another when the breast dischargeth itself of it upon the lungs; two are contractions, one when the breast draws into itself the air, the second when it expels this which was insinuated into it. The breast admits only of two motions — of dilatation, when it draws from the lungs the breath, and of contraction, when it returns what it did receive.