WHICH A STATE OF SOCIETY IS SLIGHTLY REVEALED
A WEEK has rolled into the past since the event at the Keno den.
Madame Montford, pale, thoughtful, and abstracted, sits musing in her parlor. "Between this hope and fear-this remorse of conscience, this struggle to overcome the suspicions of society, I have no peace. I am weary of this slandering-this unforgiving world. And yet it is my own conscience that refuses to forgive me. Go where I will I see the cold finger of scorn pointed at me: I read in every countenance, 'Madame Montford, you have wronged some one-your guilty conscience betrays you!' I have sought to atone for my error-to render justice to one my heart tells me I have wronged, yet I cannot shake off the dread burden; and there seems rest for me only in the grave. Ah! there it is. The one error of my life, and the means used to conceal it, may have brought misery upon more heads than one." She lays her hand upon her heart, and shakes her head sorrowfully. "Yes! something like a death-knell rings in my ears-'more than one have you sent, unhappy, to the grave.' Rejected by the one I fancy my own; my very touch scorned; my motives misconstrued-all, perhaps, by-a doubt yet hangs between us-an abandoned stranger. Duty to my conscience has driven me to acts that have betrayed me to society. I cannot shake my guilt from me even for a day; and now society coldly cancels all my claims to its attentions. If I could believe her dead; if I but knew this girl was not the object of all my heart's unrest, then the wearying doubt would be buried, and my heart might find peace in some remote corner of the earth. Well, well-perhaps I am wasting all this torture on an unworthy object. I should have thought of this sooner, for now foul slander is upon every tongue, and my misery is made thrice painful by my old flatterers. I will make one more effort, then if I fail of getting a certain clue to her, I will remove to some foreign country, shake off these haunting dreams, and be no longer a victim to my own thoughts." Somewhat relieved, Madame is roused from her reverie by a gentle tap at the door. "I have waited your coming, and am glad to see you;" she says, extending her hand, as a servant, in response to her command, ushers into her presence no less a person than Tom Swiggs. "I have sent for you," she resumes, motioning him gracefully to a chair, in which she begs he will be seated, "because I feel I can confide in you--"
Anything in my power is at your service, Madame, modestly interposes Tom, regaining confidence.
I entrusted something of much importance to me, to Mr. Snivel--
We call him the Hon. Mr. Snivel now, since he has got to be a great politician, interrupts Tom.
And he not only betrayed my confidence, pursues Madame Montford, "but retains the amount I paid him, and forgets to render the promised service. You, I am told, can render me a service--"
As for Mr. Snivel, pursues Tom, hastily, "he has of late had his hands full, getting a poor but good-natured fellow, by the name of George Mullholland, into trouble. His friend, Judge Sleepyhorn, and he, have for some time had a plot on hand to crush this poor fellow. A few nights ago Snivel drove him mad at a gambling den, and in his desperation he robbed a man of his pocket-book. He shared the money with a poor woman he rescued at the den, and that is the way it was discovered that he was the criminal. He is a poor, thoughtless man, and he has been goaded on from one thing to another, until he was driven to commit this act. First, his wife was got away from him--" Tom pauses and blushes, as Madame Montford says: "His wife was got away from him?"
Yes, Madame, returns Tom, with an expression of sincerity. "The Judge got her away from him; and this morning he was arraigned before that same Judge for examination, and Mr. Snivel was a principal witness, and there was enough found against him to commit him for trial at the Sessions." Discovering that this information is exciting her emotions, Tom pauses, and contemplates her with steady gaze. She desires he will be her guide to the Poor-House, and there assist her in searching for Mag Munday, whom, report says, is confined in a cell. Tom having expressed his readiness to serve her, they are soon on their way to that establishment.
A low, squatty building, with a red, moss-covered roof, two lean chimneys peeping out, the windows blockaded with dirt, and situated in one of the by-lanes of the city, is our Poor-House, standing half hid behind a crabbed old wall, and looking very like a much-neglected Quaker church in vegetation. We boast much of our institutions, and this being a sample of them, we hold it in great reverence. You may say that nothing so forcibly illustrates a state of society as the character of its institutions for the care of those unfortunate beings whom a capricious nature has deprived of their reason. We agree with you. We see our Poor-House crumbling to the ground with decay, yet imagine it, or affect to imagine it, a very grand edifice, in every way suited to the wants of such rough ends of humanity as are found in it. Like Satan, we are brilliant believers in ourselves, not bad sophists, and singularly clever in finding apologies for all great crimes.
At the door of the Poor-House stands a dilapidated hearse, to which an old gray horse is attached. A number of buzzards have gathered about him, turn their heads suspiciously now and then, and seem meditating a descent upon his bones at no very distant day. Madame casts a glance at the hearse, and the poor old horse, and the cawing buzzards, then follows Tom, timidly, to the door. He has rung the bell, and soon there stands before them, in the damp doorway, a fussy old man, with a very broad, red face, and a very blunt nose, and two very dull, gray eyes, which he fortifies with a pair of massive-framed spectacles, that have a passion for getting upon the tip-end of his broad blunt nose.
There, you want to see somebody! Always somebody wanted to be seen, when we have dead folks to get rid of, mutters the old man, querulously, then looking inquiringly at the visitors. Tom says they would like to go over the premises. "Yes-know you would. Ain't so dull but I can see what folks want when they look in here." The old man, his countenance wearing an expression of stupidity, runs his dingy fingers over the crown of his bald head, and seems questioning within himself whether to admit them. "I'm not in a very good humor to-day," he rather growls than speaks, "but you can come in--I'm of a good family-and I'll call Glentworthy. I'm old-I can't get about much. We'll all get old." The building seems in a very bad temper generally.
Mr. Glentworthy is called. Mr. Glentworthy, with a profane expletive, pops his head out at the top of the stairs, and inquires who wants him. The visitors have advanced into a little, narrow passage, lumbered with all sorts of rubbish, and swarming with flies. Mr. Saddlerock (for this is the old man's name) seems in a declining mood, the building seems in a declining mood, Mr. Glentworthy seems in a declining mood-everything you look at seems in a declining mood. "As if I hadn't enough to do, gettin' off this dead cribber!" interpolates Mr. Glentworthy, withdrawing his wicked face, and taking himself back into a room on the left.
He's not so bad a man, only it doesn't come out at first; pursues Mr. Saddlerock, continuing to rub his head, and to fuss round on his toes. His mind, Madame Montford verily believes stuck in a fog. "We must wait a bit," says the old man, his face seeming to elongate. "You can look about-there's not much to be seen, and what there is-well, it's not the finest." Mr. Saddlerock shuffles his feet, and then shuffles himself into a small side room. Through the building there breathes a warm, sickly atmosphere; the effect has left its marks upon the sad, waning countenances of its unfortunate inmates.
Tom and Madame Montford set out to explore the establishment. They enter room after room, find them small, dark, and filthy beyond description. Some are crowded with half-naked, flabby females, whose careworn faces, and well-starved aspect, tells a sorrowful tale of the chivalry. An abundant supply of profane works, in yellow and red covers, would indeed seem to have been substituted for food, which, to the shame of our commissioners, be it said, is a scarce article here. Cooped up in another little room, after the fashion of wild beasts in a cage, are seven poor idiots, whose forlorn condition, sad, dull countenances, as they sit round a table, staring vacantly at one another, like mummies in contemplation, form a wild but singularly touching picture. Each countenance pales before the seeming study of its opponent, until, enraptured and amazed, they break out into a wild, hysterical laugh. And thus, poisoned, starved, and left to die, does time with these poor mortals fleet on.
The visitors ascend to the second story. A shuffling of feet in a room at the top of the stairs excites their curiosity. Mr. Glentworthy's voice grates harshly on the ear, in language we cannot insert in this history. "Our high families never look into low places-chance if the commissioner has looked in here for years," says Tom, observing Madame Montford protect her inhaling organs with her perfumed cambric. "There is a principle of economy carried out-and a very nice principle, too, in getting these poor out of the world as quick as possible." Tom pushes open a door, and, heavens! what a sight is here. He stands aghast in the doorway-Madam, on tip-toe, peers anxiously in over his shoulders. Mr. Glentworthy and two negroes-the former slightly inebriated, the latter trembling of fright-are preparing to box up a lifeless mass, lying carelessly upon the floor. The distorted features, the profusion of long, red hair, curling over a scared face, and the stalworth figure, shed some light upon the identity of the deceased. "Who is it?" ejaculates Mr. Glentworthy, in response to an inquiry from Tom. Mr. Glentworthy shrugs his shoulders, and commences whistling a tune. "That cove!" he resumes, having stopped short in his tune, "a man what don't know that cove, never had much to do with politics. Stuffed more ballot boxes, cribbed more voters, and knocked down more slip-shod citizens-that cove has, than, put 'em all together, would make a South Carolina regiment. A mighty man among politicians, he was! Now the devil has cribbed him-he'll know how good it is!" Mr. Glentworthy says this with an air of superlative satisfaction, resuming his tune. The dead man is Milman Mingle, the vote-cribber, who died of a wound he received at the hands of an antagonist, whom he was endeavoring to "block out" while going to the polls to cast his vote. "Big politician, but had no home!" says Madame, with a sigh.
Mr. Glentworthy soon had what remained of the vote-cribber-the man to whom so many were indebted for their high offices-into a deal box, and the deal box into the old hearse, and the old hearse, driven by a mischievous negro, hastening to that great crib to which we must all go. "Visitors," Mr. Glentworthy smiles, "must not question the way we do business here, I get no pay, and there's only old Saddlerock and me to do all the work. Old Saddlerock, you see, is a bit of a miser, and having a large family of small Saddlerocks to provide for, scrapes what he can into his own pocket. No one is the wiser. They can't be-they never come in." Mr. Glentworthy, in reply to a question from Madame Montford, says Mag Munday (he has some faint recollection of her) was twice in the house, which he dignifies with the title of "Institution." She never was in the "mad cells"--to his recollection. "Them what get there, mostly die there." A gift of two dollars secures Mr. Glentworthy's services, and restores him to perfect good nature. "You will remember," says Tom, "that this woman ran neglected about the streets, was much abused, and ended in becoming a maniac." Mr. Glentworthy remembers very well, but adds: "We have so many maniacs on our hands, that we can't distinctly remember them all. The clergymen take good care never to look in here. They couldn't do any good if they did, for nobody cares for the rubbish sent here; and if you tried to Christianize them, you would only get laughed at. I don't like to be laughed at. Munday's not here now, that's settled-but I'll-for curiosity's sake-show you into the 'mad cells.'" Mr. Glentworthy leads the way, down the rickety old stairs, through the lumbered passage, into an open square, and from thence into a small out-building, at the extreme end of which some dozen wet, slippery steps, led into a dark subterranean passage, on each side of which are small, dungeon-like cells. "Heavens!" exclaims Madame Montford, picking her way down the steep, slippery steps. "How chilling! how tomb-like! Can it be that mortals are confined here, and live?" she mutters, incoherently. The stifling atmosphere is redolent of disease.
It straightens 'em down, sublimely-to put 'em in here, says Mr. Glentworthy, laconically, lighting his lamp. "I hope to get old Saddlerock in here. Give him such a mellowing!" He turns his light, and the shadows play, spectre-like, along a low, wet aisle, hung on each side with rusty bolts and locks, revealing the doors of cells. An ominous stillness is broken by the dull clank of chains, the muttering of voices, the shuffling of limbs; then a low wail breaks upon the ear, and rises higher and higher, shriller and shriller, until in piercing shrieks it chills the very heart. Now it ceases, and the echoes, like the murmuring winds, die faintly away. "Look in here, now," says Mr. Glentworthy--"a likely wench-once she was!"
He swings open a door, and there issues from a cell about four feet six inches wide, and nine long, the hideous countenance of a poor, mulatto girl, whose shrunken body, skeleton-like arms, distended and glassy eyes, tell but too forcibly her tale of sorrow. How vivid the picture of wild idiocy is pictured in her sad, sorrowing face. No painter's touch could have added a line more perfect. Now she rushes forward, with a suddenness that makes Madame Montford shrink back, appalled-now she fixes her eyes, hangs down her head, and gives vent to her tears. "My soul is white-yes, yes, yes! I know it is white; God tells me it is white-he knows-he never tortures. He doesn't keep me here to die-no, I can't die here in the dark. I won't get to heaven if I do. Oh! yes, yes, yes, I have a white soul, but my skin is not," she rather murmurs than speaks, continuing to hold down her head, while parting her long, clustering hair over her shoulders. Notwithstanding the spectacle of horror presented in this living skeleton, there is something in her look and action which bespeaks more the abuse of long confinement than the result of natural aberration of mind. "She gets fierce now and then, and yells," says the unmoved Glentworthy, "but she won't hurt ye--"
Can it be possible that such things as are here pictured have an existence among a people laying any claim to a state of civilization? the reader may ask. The author would here say that to the end of fortifying himself against the charge of exaggeration, he submitted the MS. of this chapter to a gentleman of the highest respectability in Charleston, whose unqualified approval it received, as well as enlisting his sympathies in behalf of the unfortunate lunatics found in the cells described. Four years have passed since that time. He subsequently sent the author the following, from the "Charleston Courier," which speaks for itself.
"FROM THE REPORTS OF COUNCIL.
"January 4th, 1843.
"The following communication was received from William M. Lawton, Esq., Chairman of the Commissioners of the Poor-house.
"'Charleston, Dec. 17th, 1852. "'To the Honorable, the City Council of Charleston:
"'By a resolution of the Board of Commissioners of this City, I have been instructed to communicate with your honorable body in relation to the insane paupers now in Poor-house', (the insane in a poorhouse!) 'and to request that you will adopt the necessary provision for sending them to the Lunatic Asylum at Columbia.
* * * *
There are twelve on the list, many of whom, it is feared, have already remained too long in an institution quite unsuited to their unfortunate situation.
"'With great respect, your very obedient servant,
"'(Signed) WM. M. LAWTON, "'Chairman of the Board of Commissioners.'"
How long, inquires Madame Montford, who has been questioning within herself whether any act of her life could have brought a human being into such a place, "has she been confined here?" Mr. Glentworthy says she tells her own tale.
Five years,--five years,--five long, long years, I have waited for him in the dark, but he won't come, she lisps in a faltering voice, as her emotions overwhelm her. Then crouching back upon the floor, she supports her head pensively in her left hand, her elbow resting on her knee, and her right hand poised against the brick wall. "Pencele!" says Mr. Glentworthy, for such is the wretched woman's name, "cannot you sing a song for your friends?" Turning aside to Madame Montford, he adds, "she sings nicely. We shall soon get her out of the way-can't last much longer." Mr. Glentworthy, drawing a small bottle from his pocket, places it to his lips, saying he stole it from old Saddlerock, and gulps down a portion of the contents. His breath is already redolent of whiskey. "Oh, yes, yes, yes! I can sing for them, I can smother them with kisses. Good faces seldom look in here, seldom look in here," she rises to her feet, and extends her bony hand, as the tears steal down Madame Montford's cheeks. Tom stands speechless. He wishes he had power to redress the wrongs of this suffering maniac-his very soul fires up against the coldness and apathy of a people who permit such outrages against humanity. "There!--he comes! he comes! he comes!" the maniac speaks, with faltering voice, then strikes up a plaintive air, which she sings with a voice of much sweetness, to these words: When you find him, speed him to me, And this heart will cease its bleeding, &c.
The history of all this poor maniac's sufferings is told in a few simple words that fall incautiously from Mr. Glentworthy's lips: "Poor fool, she had only been married a couple of weeks, when they sold her husband down South. She thinks if she keeps mad, he'll come back."
There was something touching, something melancholy in the music of her song, as its strains verberated and reverberated through the dread vault, then, like the echo of a lover's lute on some Alpine hill, died softly away.
IN WHICH THERE IS A SINGULAR REVELATION
MADAME MONTFORD returns, unsuccessful, to her parlor. It is conscience that unlocks the guilty heart, that forces mortals to seek relief where there is no chance of finding it. It was this irresistible emotion that found her counciling Tom Swiggs, making of him a confidant in her search for the woman she felt could remove the doubt, in respect to Anna's identity, that hung so painfully in her mind. And yet, such was her position, hesitating as it were between her ambition to move in fashionable society, and her anxiety to atone for a past error, that she dare not disclose the secret of all her troubles even to him. She sought him, not that he could soften her anxiety, but that being an humble person, she could pursue her object through him, unobserved to society-in a word, that he would be a protection against the apprehensions of scandal-mongers. Such are the shifts to which the ambitious guilty have recourse. What she has beheld in the poorhouse, too, only serves to quicken her thoughts of the misery she may have inflicted upon others, and to stimulate her resolution to persevere in her search for the woman. Conscious that wealth and luxury does not always bring happiness, and that without a spotless character, woman is but a feeble creature in this world, she would now sacrifice everything else for that one ennobling charm.
It may be proper here to add, that although Tom Swiggs could not enter into the repentant woman's designs, having arranged with his employer to sail for London in a few days, she learned of him something that reflected a little more light in her path. And that was, that the woman Anna Bonard, repined of her act in leaving George Mullholland, to whom she was anxious to return-that she was now held against her will; that she detested Judge Sleepyhorn, although he had provided lavishly for her comfort. Anna knew George loved her, and that love, even to an abandoned woman (if she could know it sincere), was dearer to her than all else. She learned, too, that high up on Anna's right arm, there was imprinted in blue and red ink, two hearts and a broken anchor. And this tended further to increase her anxiety. And while evolving all these things in her mind, and contemplating the next best course to pursue, her parlor is invaded by Mr. Snivel. He is no longer Mr. Soloman, nor Mr. Snivel. He is the Hon. Mr. Snivel. It is curious to contemplate the character of the men to whose name we attach this mark of distinction. "I know you will pardon my seeming neglect, Madame," he says, grasping her hand warmly, as a smile of exultation lights up his countenance. "The fact is, we public men are so absorbed in the affairs of the nation, that we have scarce a thought to give to affairs of a private nature. We have elected our ticket. I was determined it should be so, if Jericho fell. And, more than all, I am made an honorable, by the popular sentiment of the people--"
To be popular with the people, is truly an honor, interrupts the lady, facetiously.
Thank you-O, thank you, for the compliment, pursues our hero. "Now, as to this unfortunate person you seek, knowing it was of little use to search for her in our institutions of charity-one never can find out anything about the wretches who get into them-I put the matter into the hands of one of our day-police-a plaguey sharp fellow-and he set about scenting her out. I gave him a large sum, and promised him more if successful. Here, then, after a long and tedious search-I have no doubt the fellow earned his money-is what he got from New York, this morning." The Hon. Mr. Snivel, fixing his eye steadily upon her, hands her a letter which reads thus:
"NEW YORK, Dec. 14th, 18-.
"Last night, while making search after a habitant of the Points, a odd old chip what has wandered about here for some years, some think he has bin a better sort of man once, I struck across the woman you want. She is somewhere tucked away in a Cow Bay garret, and is awful crazy; I'll keep me eye out till somethin' further. If her friends wants to give her a lift out of this place, they'd better come and see me at once.
"Yours, as ever,
"M. FITZGERALD."
Mr. Snivel ogles Madame Montford over the page of a book he affects to read. "Guilt! deep and strong," he says within himself, as Madame, with flushed countenance and trembling hand, ponders and ponders over the paper. Then her emotions quicken, her eyes exchange glances with Mr. Snivel, and she whispers, with a sigh, "found-at last! And yet how foolish of me to give way to my feelings? The affair, at best, is none of mine." Mr. Snivel bows, and curls his Saxon mustache. "To do good for others is the natural quality of a generous nature."
Madame, somewhat relieved by this condescension of the Hon. gentleman, says, in reply, "I am curious at solving family affairs."
And I! says our hero, with refreshing coolness--"always ready to do a bit of a good turn."
Madame pauses, as if in doubt whether to proceed or qualify what she has already said. "A relative, whose happiness I make my own," she resumes, and again pauses, while the words tremble upon her lips. She hears the words knelling in her ears: "A guilty conscience needs no betrayer."
You have, pursues our hero, "a certain clue; and of that I may congratulate you."
Madame says she will prepare at once to return to her home in New York, and-and here again the words hang upon her lips. She was going to say, her future proceedings would be governed by the paper she holds so nervously in her fingers.
Snivel here receives a nostrum from the lady's purse. "Truly,!--Madame," he says, in taking leave of her, "the St. Cecilia will regret you-we shall all regret you; you honored and graced our assemblies so. Our first families will part with you reluctantly. It may, however, be some satisfaction to know how many kind things will be said of you in your absence." Mr. Snivel makes his last bow, a sarcastic smile playing over his face, and passes into the street.
On the following day she encloses a present of fifty dollars to Tom Swiggs, enjoins the necessity of his keeping her visit to the poor-house a secret, and takes leave of Charleston.
And here our scene changes, and we must transport the reader to New York. It is the day following the night Mr. Detective Fitzgerald discovered what remained of poor Toddleworth, in the garret of the House of the Nine Nations. The City Hall clock strikes twelve. The goodly are gathered into the House of the Foreign Missions, in which peace and respectability would seem to preside. The good-natured fat man is in his seat, pondering over letters lately received from the "dark regions" of Arabia; the somewhat lean, but very respectable-looking Secretary, is got nicely into his spectacles, and sits pondering over lusty folios of reports from Hindostan, and various other fields of missionary labor, all setting forth the various large amounts of money expended, how much more could be expended, and what a blessing it is to be enabled to announce the fact that there is now a hope of something being done. The same anxious-faced bevy of females we described in a previous chapter, are here, seated at a table, deeply interested in certain periodicals and papers; while here and there about the room, are several contemplative gentlemen in black. Brother Spyke, having deeply interested Brothers Phills and Prim with an account of his visit to the Bottomless Pit, paces up and down the room, thinking of Antioch, and the evangelization of the heathen world. "Truly, brother," speaks the good-natured fat man, "his coming seemeth long." "Eleven was the hour; but why he tarryeth I know not," returns Brother Spyke, with calm demeanor. "There is something more alarming in Sister Slocum's absence," interposes one of the ladies. The house seems in a waiting mood, when suddenly Mr. Detective Fitzgerald enters, and changes it to one of anxiety. Several voices inquire if he was successful. He shakes his head, and having recounted his adventures, the discovery of where the money went to, and the utter hopelessness of an effort to recover it; "as for the man, Toddleworth," he says, methodically, "he was found with a broken skull. The Coroner has had an inquest over him; but murders are so common. The verdict was, that he died of a broken skull, by the hands of some one to the jury unknown. Suspicions were strong against one Tom Downey, who is very like a heathen, and is mistrusted of several murders. The affair disturbed the neighborhood a little, and the Coroner tried to get something out concerning the man's history; but it all went to the wind, for the people were all so ignorant. They all knew everything about him, which turned out to be just nothing, which they were ready to swear to. One believed Father Flaherty made the Bible, another believed the Devil still chained in Columbia College-a third believed the stars were lanterns to guide priests-the only angels they know-on their way to heaven."
Truly! exclaims the man of the spectacles, in a moment of abstraction.
Brother Spyke says: "the Lord be merciful."
On the body of the poor man we found this document. It was rolled carefully up in a rag, and is supposed to throw some light on his history. Mr. Fitzgerald draws leisurely from his pocket a distained and much-crumpled paper, written over in a bold, business-like hand, and passes it to the man in the spectacles, as a dozen or more anxious faces gather round, eager to explore the contents.
He went out of the Points as mysteriously as he came in. We buried him a bit ago, and have got Downey in the Tombs: he'll be hanged, no doubt, concludes the detective, laying aside his cap, and setting himself, uninvited, into a chair. The man in the spectacles commences reading the paper, which runs as follows:
I have been to you an unknown, and had died such an unknown, but that my conscience tells me I have a duty to perform. I have wronged no one, owe no one a penny, harbor no malice against any one; I am a victim of a broken heart, and my own melancholy. Many years ago I pursued an honorable business in this city, and was respected and esteemed. Many knew me, and fortune seemed to shed upon me her smiles. I married a lady of wealth and affluence, one I loved and doted on. Our affections seemed formed for our bond; we lived for one another; our happiness seemed complete. But alas! an evil hour came. Ambitious of admiration, she gradually became a slave to fashionable society, and then gave herself up to those flatterers who hang about it, and whose chief occupation it is to make weak-minded women vain of their own charms. Coldness, and indifference to home, soon followed. My house was invaded, my home-that home I regarded so sacredly-became the resort of men in whose society I found no pleasure, with whom I had no feeling in common. I could not remonstrate, for that would have betrayed in me a want of confidence in the fidelity of one I loved too blindly. I was not one of those who make life miserable in seeing a little and suspecting much. No! I forgave many things that wounded my feelings; and my love for her would not permit a thought to invade the sanctity of her fidelity. Business called me into a foreign country, where I remained several months, then returned-not, alas! to a home made happy by the purity of one I esteemed an angel;--not to the arms of a pure, fond wife, but to find my confidence betrayed, my home invaded-she, in whom I had treasured up my love, polluted; and slander, like a desert wind, pouring its desolating breath into my very heart. In my blindness I would have forgiven her, taken her back to my distracted bosom, and fled with her to some distant land, there still to have lived and loved her. But she sought rather to conceal her guilt than ask forgiveness. My reason fled me, my passion rose above my judgment, I sank under the burden of my sorrow, attempted to put an end to her life, and to my own misery. Failing in this, for my hand was stayed by a voice I heard calling to me, I fled the country and sought relief for my feelings in the wilds of Chili. I left nearly all to my wife, took but little with me, for my object was to bury myself from the world that had known me, and respected me. Destitution followed me; whither I went there seemed no rest, no peace of mind for me. The past floated uppermost in my mind. I was ever recurring to home, to those with whom I had associated, to an hundred things that had endeared me to my own country. Years passed-years of suffering and sorrow, and I found myself a lone wanderer, without friend or money. During this time it was reported at home, as well as chronicled in the newspapers, that I was dead. The inventor of this report had ends, I will not name them here, to serve. I was indeed dead to all who had known me happy in this world. Disguised, a mere shadow of what I was once, I wandered back to New York, heart-sick and discouraged, and buried myself among those whose destitution, worse, perhaps, than my own, afforded me a means of consolation. My life has long been a burden to me; I have many times prayed God, in his mercy, to take me away, to close the account of my misery. Do you ask my name? Ah! that is what pains me most. To live unknown, a wretched outcast, in a city where I once enjoyed a name that was respected, is what has haunted my thoughts, and tortured my feelings. But I cannot withhold it, even though it has gone down, tainted and dishonored. It is Henry Montford. And with this short record I close my history, leaving the rest for those to search out who find this paper, at my death, which cannot be long hence. HENRY MONTFORD. "New York, Nov. -, 184-."
A few sighs follow the reading of the paper, but no very deep interest, no very tender emotion, is awakened in the hearts of the goodly. Nevertheless, it throws a flood of light upon the morals of a class of society vulgarly termed fashionable. The meek females hold their tears and shake their heads. Brother Spyke elongates his lean figure, draws near, and says the whole thing is very unsatisfactory. Not one word is let drop about the lost money.
Brother Phills will say this-that the romance is very cleverly got up, as the theatre people say.
The good-natured fat man, breathing somewhat freer, says: "Truly! these people have a pleasant way of passing out of the world. They die of their artful practices-seeking to devour the good and the generous."
There's more suffers than imposes-an' there's more than's written meant in that same bit of paper. Toddleworth was as inoffensive a creature as you'd meet in a day. May God forgive him all his faults; interposes Mr. Detective Fitzgerald, gathering up his cap and passing slowly out of the room.
And this colloquy is put an end to by the sudden appearance of Sister Slocum. A rustling silk dress, of quiet color, and set off with three modest flounces; an India shawl, loosely thrown over her shoulders; a dainty little collar, of honiton, drawn neatly about her neck, and a bonnet of buff-colored silk, tastefully set off with tart-pie work without, and lined with virtuous white satin within, so saucily poised on her head, suggests the idea that she has an eye to fashion as well as the heathen world. Her face, too, always so broad, bright, and benevolent in its changes-is chastely framed in a crape border, so nicely crimped, so nicely tucked under her benevolent chin at one end, and so nicely pinned under the virtuous white lining at the other. Goodness itself radiates from those large, earnest blue eyes, those soft, white cheeks, that large forehead, with those dashes of silvery hair crossing it so smoothly and so exactly-that well-developed, but rather broad nose, and that mouth so expressive of gentleness.
Sister Slocum, it requires no very acute observer to discover, has got something more than the heathen world at heart, for all those soft, congenial features are shadowed with sadness. Silently she takes her seat, sits abstracted for a few minutes-the house is thrown into a wondering mood-then looks wisely through her spectacles, and having folded her hands with an air of great resignation, shakes, and shakes, and shakes her head. Her eyes sud- denly fill with tears, her thoughts wander, or seem to wander, she attempts to speak, her voice choaks, and the words hang upon her lips. All is consternation and excitement. Anxious faces gather round, and whispering voices inquire the cause. The lean man in the spectacles having applied his hartshorn bottle, Sister Slocum, to the great joy of all present, is so far restored as to be able to announce the singular, but no less melancholy fact, that our dear guest, Sister Swiggs, has passed from this world to a better. She retired full of sorrow, but came not in the morning. And this so troubled Sister Scudder that there was no peace until she entered her room. But she found the angel had been there before her, smoothed the pillow of the stranger, and left her to sleep in death. On earth her work was well done, and in the arms of the angel, her pure spirit now beareth witness in heaven. Sister Slocum's emotions forbid her saying more. She concludes, and buries her face in her cambric. Then an outpouring of consoling words follow. "He cometh like a thief in the night: His works are full of mystery; truly, He chasteneth; He giveth and taketh away." Such are a few of the sentiments lisped, regrettingly, for the departed.
How vain are the hopes with which we build castles in the air; how strange the motives that impel us to ill-advised acts. We leave untouched the things that call loudest for our energies, and treasure up our little that we may serve that which least concerns us. In this instance it is seen how that which came of evil went in evil; how disapointment stepped in and blew the castle down at a breath.
There could not be a doubt that the disease of which Sister Smiggs died, and which it is feared the State to which she belongs will one day die, was little dignity. Leaving her then in the arms of the House of the Foreign Mission, and her burial to the Secretary of the very excellent "Tract Society" she struggled so faithfully to serve, we close this chapter of events, the reader having, no doubt, discovered the husband of Madame Montford in the wretched man, Mr. Toddleworth.
THE TWO PICTURES
WE come now to another stage of this history. Six months have glided into the past since the events recorded in the foregoing chapter. The political world of Charleston is resolved to remain in the Union a few months longer. It is a pleasant evening in early May. The western sky is golden with the setting sun, and the heavens are filled with battlements of refulgent clouds, now softening away into night. Yonder to the East, reposes a dark grove. A gentle breeze fans through its foliage, the leaves laugh and whisper, the perfumes of flowers are diffusing through the air birds make melodious with their songs, the trilling stream mingles its murmurs, and nature would seem gathering her beauties into one enchanting harmony. In the foreground of the grove, and looking as if it borrowed solitude of the deep foliage, in which it is half buried, rises a pretty villa, wherein may be seen, surrounded by luxuries the common herd might well envy, the fair, the beautiful siren, Anna Bonard. In the dingy little back parlor of the old antiquary, grim poverty looking in through every crevasse, sits the artless and pure-minded Maria McArthur. How different are the thoughts, the hopes, the emotions of these two women. Comfort would seem smiling on the one, while destitution threatens the other. To the eye that looks only upon the surface, how deceptive is the picture. The one with every wish gratified, an expression of sorrow shadowing her countenance, and that freshness and sweetness for which she was distinguished passing away, contemplates herself a submissive captive, at the mercy of one for whom she has no love, whose gold she cannot inherit, and whose roof she must some day leave for the street. The other feels poverty grasping at her, but is proud in the possession of her virtue; and though trouble would seem tracing its lines upon her features, her heart remains untouched by remorse;--she is strong in the consciousness that when all else is gone, her virtue will remain her beacon light to happiness. Anna, in the loss of that virtue, sees herself shut out from that very world that points her to the yawning chasm of her future; she feels how like a slave in the hands of one whose heart is as cold as his smiles are false, she is. Maria owes the world no hate, nor are her thougnts disturbed by such contemplations. Anna, with embittered and remorseful feelings-with dark and terrible passions agitating her bosom, looks back over her eventful life, to a period when even her own history is shut to her, only to find the tortures of her soul heightened. Maria looks back upon a life of fond attachment to her father, to her humble efforts to serve others, and to know that she has borne with Christian fortitude those ills which are incident to humble life. With her, an emotion of joy repays the contemplation. To Anna, the future is hung in dark forebodings. She recalls to mind the interview with Madame Montford, but that only tends to deepen the storm of anguish the contemplation of her parentage naturally gives rise to. With Maria, the present hangs dark and the future brightens. She thinks of the absent one she loves-of how she can best serve her aged father, and how she can make their little home cheerful until the return of Tom Swiggs, who is gone abroad. It must be here disclosed that the old man had joined their hands, and invoked a blessing on their heads, ere Tom took his departure. Maria looks forward to the day of his return with joyous emotions. That return is the day dream of her heart; in it she sees her future brightening. Such are the cherished thoughts of a pure mind. Poverty may gnaw away at the hearthstone, cares and sorrow may fall thick in your path, the rich may frown upon you, and the vicious sport with your misfortunes, but virtue gives you power to overcome them all. In Maria's ear something whispers: Woman! hold fast to thy virtue, for if once it go neither gold nor false tongues can buy it back.
Anna sees the companion of her early life, and the sharer of her sufferings, shut up in a prison, a robber, doomed to the lash. "He was sincere to me, and my only true friend--am I the cause of this?" she muses. Her heart answers, and her bosom fills with dark and stormy emotions. One small boon is now all she asks. She could bow down and worship before the throne of virgin innocence, for now its worth towers, majestic, before her. It discovers to her the falsity of her day-dream; it tells her what an empty vessel is this life of ours without it. She knows George Mullholland loves her passionately; she knows how deep will be his grief, how revengeful his feelings. It is poverty that fastens the poison in the heart of the rejected lover. The thought of this flashes through her mind. His hopeless condition, crushed out as it were to gratify him in whose company her pleasures are but transitory, and may any day end, darkens as she contemplates it. How can she acquit her conscience of having deliberately and faithlessly renounced one who was so true to her? She repines, her womanly nature revolts at the thought-the destiny her superstition pictured so dark and terrible, stares her in the face. She resolves a plan for his release, and, relieved with a hope that she can accomplish it while propitiating the friendship of the Judge, the next day seeks him in his prison cell, and with all that vehemence woman, in the outpouring of her generous impulses, can call to her aid, implores his forgiveness. But the rust of disappointment has dried up his better nature; his heart is wrung with the shafts of ingratitude--all the fierce passions of his nature, hate, scorn and revenge, rise up in the one stormy outburst of his soul. He casts upon her a look of withering scorn, the past of that life so chequered flashes vividly through his thoughts, his hate deepens, he hurls her from him, invokes a curse upon her head, and shuts her from his sight. "Mine will be the retribution!" he says, knitting his dark brow.
How is it with the Judge-that high functionary who provides thus sumptuously for his mistress? His morals, like his judgments, are excused, in the cheap quality of our social morality.
Such is gilded vice; such is humble virtue.
A few days more and the term of the Sessions commences. George is arraigned, and the honorable Mr. Snivel, who laid the plot, and furthered the crime, now appears as a principal witness. He procures the man's conviction, and listens with guilty heart to the sentence, for he is rearrainged on sentence day, and Mr. Snivel is present. And while the culprit is sentenced to two years imprisonment, and to receive eighty lashes, laid on his bare back, while at the public whipping-post, at four stated times, the man who stimulated the hand of the criminal, is honored and flattered by society. Such is the majesty of the law.
IN WHICH A LITTLE LIGHT IS SHED UPON THE CHARACTER OF OUR CHIVALRY
MR. MCARTHUR has jogged on, in the good old way but his worldly store seems not to increase. The time, nevertheless, is arrived when he is expected to return the little amount borrowed of Keepum, through the agency of Mr. Snivel. Again and again has he been notified that he must pay or go to that place in which we lock up all our very estimable "first families," whose money has taken wings and flown away. Not content with this, the two worthy gentlemen have more than once invaded the Antiquary's back parlor, and offered, as we have described in a former chapter, improper advances to his daughter.
Mr. Keepum, dressed in a flashy coat, his sharp, mercenary face, hectic of night revels, and his small but wicked eyes wandering over Mr. McArthur's stock in trade, is seen in pursuit of his darling object. "I don't mind so much about the pay, old man! I'm up well in the world. The fact is, I am esteemed-and I am!--a public benefactor. I never forget how much we owe to the chivalric spirit of our ancestors, and in dealing with the poor-money matters and politics are different from anything else-I am too generous. I don't mind my own interests enough. There it is!" Mr. Keepum says this with an evident relief to himself. Indeed it must here be acknowledged that this very excellent member of the St. Cecilia Society, and profound dealer in lottery tickets, like our fine gentlemen who are so scrupulous of their chivalry while stabbing men behind their backs, fancies himself one of the most disinterested beings known to generous nature.
Bent and tottering, the old man recounts the value of his curiosities; which, like our chivalry, is much talked of but hard to get at. He offers in apology for the nonpayment of the debt his knowledge of the old continentals, just as we offer our chivalry in excuse for every disgraceful act-every savage law. In fine, he follows the maxims of our politicians, recapitulating a dozen or more things (wiping the sweat from his brow the while) that have no earthly connection with the subject. "They are all very well," Mr. Keepum rejoins, with an air of self-importance, dusting the ashes from his cigar. He only wishes to impress the old man with the fact that he is his very best friend.
And having somewhat relieved the Antiquary's mind of its apprehensions, for McArthur stood in great fear of duns, Mr. Keepum pops, uninvited, into the "back parlor," where he has not long been when Maria's screams for assistance break forth.
Ah! I am old-there is not much left me now. Yes, I am old, my infirmities are upon me. Pray, good man, spare me my daughter. Nay, you must not break the peace of my house; mutters the old man, advancing into the room, with infirm step, and looking wistfully at his daughter, as if eager to clasp her in his arms. Maria stands in a defiant attitude, her left hand poised on a chair, and her right pointing scornfully in the face of Keepum, who recoils under the look of withering scorn that darkens her countenance. "A gentleman! begone, knave! for your looks betray you. You cannot buy my ruin with your gold; you cannot deceive me with your false tongue. If hate were a noble passion, I would not vent that which now agitates my bosom on you. Nay, I would reserve it for a better purpose--"
Indeed, indeed-now I say honestly, your daughter mistakes me. I was only being a little friendly to her, interrupts the chopfallen man. He did not think her capable of summoning so much passion to her aid.
Maria, it must be said, was one of those seemingly calm natures in which resentment takes deepest root, in which the passions are most violent when roused. Solitude does, indeed, tend to invest the passionate nature with a calm surface. A less penetrating observer than the chivalrous Keepum, might have discovered in Maria a spirit he could not so easily humble to his uses. It is the modest, thoughtful woman, you cannot make lick the dust in sorrow and tears. "Coward! you laid ruffian hands on me!" says Maria, again towering to her height, and giving vent to her feelings.
Madam, Madam, pursues Keepum, trembling and crouching, "you asperse my honor,--my sacred honor, Madam. You see-let me say a word, now-you are leting your temper get the better of you. I never, and the public know I never did-I never did a dishonorable thing in my life." Turning to the bewildered old man, he continues: "to be called a knave, and upbraided in this manner by your daughter, when I have befriended you all these days!" His wicked eyes fall guilty to the floor.
Out man!--out! Let your sense of right, if you have it, teach you what is friendship. Know that, like mercy, it is not poured out with hands reeking of female dishonor.
Mr. Keepum, like many more of our very fine gentlemen, had so trained his thoughts to look upon the poor as slaves created for a base use, that he neither could bring his mind to believe in the existence of such things as noble spirits under humble roofs, nor to imagine himself-even while committing the grossest outrages-doing aught to sully the high chivalric spirit he fancied he possessed. The old Antiquary, on the other hand, was not a little surprised to find his daughter displaying such extraordinary means of repulsing an enemy.
Trembling, and child-like he stands, conscious of being in the grasp of a knave, whose object was more the ruin of his daughter than the recovery of a small amount of money, the tears glistening in his eyes, and the finger of old age marked on his furrowed brow.
Father, father! says Maria, and the words hang upon her quivering lips, her face becomes pale as marble, her strength deserts her,--she trembles from head to foot, and sinks upon the old man's bosom, struggling to smother her sobs. Her passion has left her; her calmer nature has risen up to rebuke it. The old man leads her tenderly to the sofa, and there seeks to sooth her troubled spirit.
As if this hub bub was always to last! a voice speaks suddenly. It is the Hon. Mr. Snivel, who looks in at the eleventh hour, as he says, to find affairs always in a fuss. "Being a man of legal knowledge-always ready to do a bit of a good turn-especially in putting a disordered house to rights-I thought it well to look in, having a leisure minute or two (we have had a convention for dissolving the Union, and passed a vote to that end!) to give to my old friends," Mr. Snivel says, in a voice at once conciliating and insinuating. "I always think of a border feud when I come here-things that find no favor with me." Mr. Snivel, having first patted the old man on the shoulder, exchanges a significant wink with his friend Keepum, and then bestows upon him what he is pleased to call a little wholesome advice. "People misunderstand Mr. Keepum," he says, "who is one of the most generous of men, but lacks discretion, and in trying to be polite to everybody, lets his feelings have too much latitude now and then." Maria buries her face in her handkerchief, as if indifferent to the reconciliation offered.
Now let this all be forgotten-let friendship reign among friends: that's my motto. But! I say,--this is a bad piece of news we have this morning. Clipped this from an English paper, resumes the Hon. gentleman, drawing coolly from his pocket a bit of paper, having the appearance of an extract.
You are never without some kind of news-mostly bad! says Keepum, flinging himself into a chair, with an air of restored confidence. Mr. Snivel bows, thanks the gentleman for the compliment, and commences to read. "This news," he adds, "may be relied upon, having come from Lloyd's List: 'Intelligence was received here (this is, you must remember, from a London paper, he says, in parentheses) this morning, of the total loss of the American ship--, bound from this port for Charleston, U.S., near the Needles. Every soul on board, except the Captain and second mate, perished. The gale was one of the worst ever known on this coast-'"
The worst ever known on this coast! ejaculates Mr. Keepum, his wicked eyes steadily fixed upon Maria. "One of Trueman's ships," Mr. Snivel adds. "Unlucky fellow, that Trueman--second ship he has lost."
By-the-bye, rejoins Keepum, as if a thought has just flashed upon him, "your old friend, Tom Swiggs, was supercargo, clerk, or whatever you may call it, aboard that ship, eh?"
It is the knave who can most naturally affect surprise and regret when it suits his purposes, and Mr. Snivel is well learned in the art. "True!" he says, "as I'm a Christian. Well, I had made a man of him-I don't regret it, for I always liked him-and this is the end of the poor fellow, eh?" Turning to McArthur, he adds, rather unconcernedly: "You know somewhat of him?" The old man sits motionless beside his daughter, the changes of whose countenance discover the inward emotions that agitate her bosom. Her eyes fill with tears; she exchanges inquiring glances, first with Keepum, then with Snivel; then a thought strikes her that she received a letter from Tom, setting forth his prospects, and his intention to return in the ship above named. It was very natural that news thus artfully manufactured, and revealed with such apparent truthfulness, should produce a deep impression in the mind of an unsuspecting girl. Indeed, it was with some effort that she bore up under it. Expressions of grief she would fain suppress before the enemy gain a mastery over her-and ere they are gone the cup flows over, and she sinks exhausted upon the sofa.
There! good as far as it goes. You have now another mode of gaining the victory, Mr. Snivel whispers in the ear of his friend, Keepum; and the two gentlemen pass into the street.
IN WHICH A LAW IS SEEN TO SERVE BASE PURPOSES
MARIA has passed a night of unhappiness. Hopes and fears are knelling in the morning, which brings nothing to relieve her anxiety for the absent one; and Mr. Snivel has taken the precaution to have the news of the lost ship find its way into the papers.
And while our city seems in a state of very general excitement; while great placards on every street corner inform the wondering stranger that a mighty Convention (presided over by the Hon. S. Snivel) for dissolving the Union, is shortly to be holden; while our political world has got the Union on its shoulders, and threatens to throw it into the nearest ditch; while our streets swarm with long, lean, and very hairy-faced delegates (all lusty of war and secession), who have dragged themselves into the city to drink no end of whiskey, and say all sorts of foolish things their savage and half-civilized constituents are expected to applaud; while our more material and conservative citizens are thinking what asses we make of ourselves; while the ship-of-war we built to fight the rest of the Union, lies an ugly lump in the harbor, and "won't go over the bar;" while the "shoe-factory" we established to supply niggerdom with soles, is snuffed out for want of energy and capacity to manage it; while some of our non-slaveholding, but most active secession merchants, are moving seriously in the great project of establishing a "SOUTHERN CANDLE-FACTORY"--a thing much needed in the "up-country;" while our graver statesmen (who don't get the State out of the Union fast enough for the ignorant rabble, who have nothing but their folly at stake) are pondering over the policy of spending five hundred thousand dollars for the building of another war-ship-one that "will go over the bar;" and while curiously-written letters from Generals Commander and Quattlebum, offering to bring their allied forces into the field-to blow this confederation down at a breath whenever called upon, are being published, to the great joy of all secessiondom; while saltpetre, broadswords, and the muskets made for us by Yankees to fight Yankees, and which were found to have wood instead of flint in their hammers, (and which trick of the Yankees we said was just like the Yankees,) are in great demand-and a few of our mob-politicians, who are all "Kern'ls" of regiments that never muster, prove conclusively our necessity for keeping a fighting-man in Congress; while, we assert, many of our first and best known families have sunk the assemblies of the St. Cecilia in the more important question of what order of government will best suit-in the event of our getting happily out of the Union!--our refined and very exacting state of society;--whether an Empire or a Monarchy, and whether we ought to set up a Quattlebum or Commander dynasty?-whether the Bungle family or the Jungle family (both fighting families) will have a place nearest the throne; what sort of orders will be bestowed, who will get them, and what colored liveries will best become us (all of which grave questions threaten us with a very extensive war of families)?--while all these great matters find us in a sea of trouble, there enters the curiosity-shop of the old Antiquary a suspicious-looking individual in green spectacles.
Mr. Hardscrabble! says the man, bowing and taking a seat, leisurely, upon the decrepid sofa. Mr. McArthur returns his salutation, contemplates him doubtingly for a minute, then resumes his fussing and brushing.
The small, lean figure; the somewhat seedy broadcloth in which it is enveloped; the well-browned and very sharp features; the straight, dark-gray hair, and the absent manner of Mr. Hardscrabble, might, with the uninitiated, cause him to be mistaken for an "up-country" clergyman of the Methodist denomination.
Mr. Hardscrabble? Mr. Hardscrabble? Mr. Hardscrabble? muses the Antiquary, canting his head wisely, "the Sheriff, as I'm a man of years!"
Mr. Hardscrabble comforts his eyes with his spectacles, and having glanced vacantly over the little shop, as if to take an inventory of its contents, draws from his breast-pocket a paper containing very ominous seals and scrawls.
I'm reluctant about doing these things with an old man like you, Mr. Hardscrabble condescends to say, in a sharp, grating voice; "but I have to obey the demands of my office." Here he commences reading the paper to the trembling old man, who, having adjusted his broad-bowed spectacles, and arrayed them against the spectacles of Mr. Hardscrabble, says he thinks it contains a great many useless recapitulations.
Mr. Hardscrabble, his eyes peering eagerly through his glasses, and his lower jaw falling and exposing the inner domain of his mouth, replies with an--"Umph." The old Antiquary was never before called upon to examine a document so confusing to his mind. Not content with a surrender of his property, it demands his body into the bargain-all at the suit of one Keepum. He makes several motions to go show it to his daughter; but that, Mr. Hardscrabble thinks, is scarce worth while. "I sympathize with you-knowing how frugal you have been through life. A list of your effects-if you have one-will save a deal of trouble. I fear (Mr. Hardscrabble works his quid) my costs will hardly come out of them."
There's a fortune in them-if the love of things of yore-- The old man hesitates, and shakes his head dolefully.
Yore!--a thing that would starve out our profession.
A little time to turn, you know. There's my stock of uniforms.
Well-I-know, Mr. Hardscrabble rejoins, with a drawl; "but I must lock up the traps. Yes, I must lock you up, and sell you out-unless you redeem before sale day; that you can't do, I suppose?"
And while the old man totters into the little back parlor, and, giving way to his emotions, throws himself upon the bosom of his fond daughter, to whom he discloses his troubles, Mr. Hardscrabble puts locks and bolts upon his curiosity-shop. This important business done, he leads the old man away, and gives him a lodging in the old jail.
A SHORT CHAPTER OF ORDINARY EVENTS
TO bear up against the malice of inexorable enemies is at once the gift and the shield of a noble nature. And here it will be enough to say, that Maria bore the burden of her ills with fortitude and resignation, trusting in Him who rights the wronged, to be her deliverer. What took place when she saw her aged father led away, a prisoner; what thoughts invaded that father's mind when the prison bolt grated on his ear, and he found himself shut from all that had been dear to him through life, regard for the feelings of the reader forbids us recounting here.
Naturally intelligent, Maria had, by close application to books, acquired some knowledge of the world. Nor was she entirely ignorant of those arts designing men call to their aid when seeking to effect the ruin of the unwary female. Thus fortified, she fancied she saw in the story of the lost ship a plot against herself, while the persecution of her father was only a means to effect the object. Launched between hope and fear, then-hope that her lover still lived, and that with his return her day would brighten-fear lest the report might be founded in truth, she nerves herself for the struggle. She knew full well that to give up in despair-to cast herself upon the cold charities of a busy world, would only be to hasten her downfall. Indeed, she had already felt how cold, and how far apart were the lines that separated our rich from our poor.
The little back parlor is yet spared to Maria, and in it she may now be seen plying at her needle, early and late. It is the only means left her of succoring the parent from whom she has been so ruthlessly separated. Hoping, fearing, bright to-day and dark to-morrow, willing to work and wait-here she sits. A few days pass, and the odds and ends of the Antiquary's little shop, like the "shirts" of the gallant Fremont, whom we oppressed while poor, and essayed to flatter when a hero, are gazetted under the head of "sheriff's sale." Hope, alas! brings no comfort to Maria. Time rolls on, the month's rent falls due, her father pines and sinks in confinement, and her needle is found inadequate to the task undertaken. Necessity demands, and one by one she parts with her few cherished mementos of the past, that she may save an aged father from starvation.
The "prisoner" has given notice that he will take the benefit of the act-commonly called "an act for the relief of poor debtors." But before he can reach this boon, ten days must elapse. Generous-minded legislators, no doubt, intended well when they constructed this act, but so complex are its provisions that any legal gentleman may make it a very convenient means of oppression. And in a community where laws not only have their origin in the passions of men, but are made to serve popular prejudices-where the quality of justice obtained depends upon the position and sentiments of him who seeks it,--the weak have no chance against the powerful.
The multiplicity of notices, citations, and schedules, necessary to the setting free of this "poor debtor" (for these fussy officials must be paid), Maria finds making a heavy drain on her lean purse.
The Court is in session, and the ten days having glided away, the old man is brought into "open Court" by two officials with long tipstaffs, and faces looking as if they had been carefully pickled in strong drinks. "Surely, now, they'll set me free-I can give them no more-I am old and infirm-they have got all-and my daughter!" he muses within himself. Ah! he little knows how uncertain a thing is the law.
The Judge is engaged over a case in which two very fine old families are disputing for the blood and bones of a little "nigger" girl. The possession of this helpless slave, the Judge (he sits in easy dignity) very naturally regards of superior importance when compared with the freedom of a "poor debtor." He cannot listen to the story of destitution-precisely what was sought by Keepum-to-day, and to-morrow the Court adjourns for six months.
The Antiquary is remanded back to his cell. No one in Court cares for him; no one has a thought for the achings of that heart his release would unburden; the sorrows of that lone girl are known only to herself and the One in whom she puts her trust. She, nevertheless, seeks the old man in his prison, and there comforts him as best she can.
Five days more, and the "prisoner" is brought before the Commissioner for Special Bail, who is no less a personage than the rosy-faced Clerk of the Court, just adjourned. And here we cannot forbear to say, that however despicable the object sought, however barren of right the plea, however adverse to common humanity the spirit of the action, there is always to be found some legal gentleman, true to the lower instincts of the profession, ready to lend himself to his client's motives. And in this instance, the cunning Keepum finds an excellent instrument of furthering his ends, in one Peter Crimpton, a somewhat faded and rather disreputable member of the learned profession. It is said of Crimpton, that he is clever at managing cases where oppression rather than justice is sought, and that his present client furnishes the larger half of his practice.
And while Maria, too sensitive to face the gaze of the coarse crowd, pauses without, silent and anxious, listening one moment and hoping the next will see her old father restored to her, the adroit Crimpton rises to object to "the Schedule." To the end that he may substantiate his objections, he proposes to examine the prisoner. Having no alternative, the Commissioner grants the request.
The old Antiquary made out his schedule with the aid of the good-hearted jailer, who inserted as his effects, "Necessary wearing apparel." It was all he had. Like the gallant Fremont, when he offered to resign his shirts to his chivalric creditor, he could give them no more. A few questions are put; the old man answers them with childlike simplicity, then sits down, his trembling fingers wandering into his beard. Mr. Crimpton produces his paper, sets forth his objections, and asks permission to file them, that the case may come before a jury of "Special Bail."
Permission is granted. The reader will not fail to discover the object of this procedure. Keepum hopes to continue the old man in prison, that he may succeed in breaking down the proud spirit of his daughter.
The Commissioner listens attentively to the reading of the objections. The first sets forth that Mr. McArthur has a gold watch;
Our Charleston readers will recognize the case here described, without any further key. the second, that he has a valuable breast-pin, said to have been worn by Lord Cornwallis; and the third, that he has one Yorick's skull. All of these, Mr. Crimpton regrets to say, are withheld from the schedule, which virtually constitutes fraud. The facile Commissioner bows; the assembled crowd look on unmoved; but the old man shakes his head and listens. He is surprised to find himself accused of fraud; but the law gives him no power to show his own innocence. The Judge of the Sessions was competent to decide the question now raised, and to have prevented this reverting to a "special jury"--this giving the vindictive plaintiff a means of torturing his infirm victim. Had he but listened to the old man's tale of poverty, he might have saved the heart of that forlorn girl many a bitter pang.
The motion granted, a day is appointed-ten days must elapse-for a hearing before the Commissioner of "Special Bail," and his special jury. The rosy-faced functionary, being a jolly and somewhat flexible sort of man, must needs give his health an airing in the country. What is the liberty of a poor white with us? Our Governor, whom we esteem singularly sagacious, said it were better all our poor were enslaved, and this opinion finds high favor with our first families. The worthy Commissioner, in addition to taking care of his health, is expected to make any number of speeches, full of wind and war, to several recently called Secession Conventions. He will find time (being a General by courtesy) to review the up-country militia, and the right and left divisions of the South Carolina army. He will be feted by some few of our most distinguished Generals, and lecture before the people of Beaufort (a very noisy town of forty-two inhabitants, all heroes), to whom he will prove the necessity of our State providing itself with an independent steam navy.
The old Antiquary is remanded back to jail-to wait the coming day. Maria, almost breathless with anxiety, runs to him as he comes tottering out of Court in advance of the official, lays her trembling hand upon his arm, and looks inquiringly in his face. "Oh! my father, my father!--released? released?" she inquires, with quivering lips and throbbing heart. A forced smile plays over his time-worn face, he looks upward, shakes his head in sorrow, and having patted her affectionately on the shoulder, throws his arms about her neck and kisses her. That mute appeal, that melancholy voucher of his sorrows, knells the painful answer in her ears, "Then you are not free to come with me? Oh, father, father!" and she wrings her hands and gives vent to her tears.
The time will come, my daughter, when my Judge will hear me-will judge me right. My time will come soon-- And here the old man pauses, and chokes with his emotions. Maria returns the old man's kiss, and being satisfied that he is yet in the hands of his oppressors, sets about cheering up his drooping spirits. "Don't think of me, father," she says--"don't think of me! Let us put our trust in Him who can shorten the days of our tribulation." She takes the old man's arm, and like one who would forget her own troubles in her anxiety to relieve another, supports him on his way back to prison.
It is high noon. She stands before the prison gate, now glancing at the serene sky, then at the cold, frowning walls, and again at the old pile, as if contemplating the wearying hours he must pass within it. "Don't repine-nerve yourself with resolution, and all will be well!" Having said this with an air of confidence in herself, she throws her arms about the old man's neck, presses him to her bosom, kisses and kisses his wrinkled cheek, then grasps his hand warmly in her own. "Forget those who persecute you, for it is good. Look above, father-to Him who tempers the winds, who watches over the weak, and gives the victory to the right!" She pauses, as the old man holds her hand in silence. "This life is but a transient sojourn at best; full of hopes and fears, that, like a soldier's dream, pass away when the battle is ended." Again she fondly shakes his hand, lisps a sorrowing "good-bye," watches him, in silence, out of sight, then turns away in tears, and seeks her home. There is something so pure, so earnest in her solicitude for the old man, that it seems more of heaven than earth.
A STORY WITHOUT WHICH THIS HISTORY WOULD BE FOUND WANTING
ON taking leave of her father, Maria, her heart overburdened with grief, and her mind abstracted, turned towards the Battery, and continued, slowly and sadly, until she found herself seated beneath a tree, looking out upon the calm bay. Here, scarce conscious of those who were observing her in their sallies, she mused until dusky evening, when the air seemed hushed, and the busy hum of day was dying away in the distance. The dark woodland on the opposite bank gave a bold border to the soft picture; the ships rode sluggishly upon the polished waters; the negro's touching song echoed and re-echoed along the shore; and the boatman's chorus broke upon the stilly air in strains so dulcet. And as the mellow shadows of night stole over the scene-as the heavens looked down in all their sereneness, and the stars shone out, and twinkled, and laughed, and danced upon the blue waters, and coquetted with the moonbeams--for the moon was up, and shedding a halo of mystic light over the scene-making night merry, nature seemed speaking to Maria in words of condolence. Her heart was touched, her spirits gained strength, her soul seemed in a loftier and purer atmosphere.
Poor, but virtuous-virtue ennobles the poor. Once gone, the world never gives it back! she muses, and is awakened from her reverie by a sweet, sympathizing voice, whispering in her ear. "Woman! you are in trouble,--linger no longer here, or you will fall into the hands of your enemies." She looks up, and there stands at her side a young female, whose beauty the angels might envy. The figure came upon her so suddenly that she hesitates for a reply to the admonition.
Take this, it will do something toward relieving your wants (do not open it now), and with this (she places a stiletto in her hand) you can strike down the one who attempts your virtue. Nay, remember that while you cling to that, you are safe-lose it, and you are gone forever. Your troubles will soon end; mine are for a life-time. Yours find a relaxation in your innocence; mine is seared into my heart with my own shame. It is guilt-shame! that infuses into the heart that poison, for which years of rectitude afford no antidote. Go quickly-get from this lone place! You are richer than me. She slips something into Maria's hand, and suddenly disappears.
Maria rises from her seat, intending to follow the stranger, but she is out of sight. Who can this mysterious messenger, this beautiful stranger be? Maria muses. A thought flashes across her mind; it is she who sought our house at midnight, when my father revealed her dark future! "Yes," she says to herself, "it is the same lovely face; how oft it has flitted in my fancy!"
She reaches her home only to find its doors closed against her. A ruthless landlord has taken her all, and forced her into the street.
You may shut out the sterner sex without involving character or inviting insult; but with woman the case is very different. However pure her character, to turn her into the street, is to subject her to a stigma, if not to fasten upon her a disgrace. You may paint, in your imagination, the picture of a woman in distress, but you can know little of the heart-achings of the sufferer. The surface only reflects the faint gleams, standing out here and there like the lesser objects upon a dark canvas.
Maria turns reluctantly from that home of so many happy associations, to wander about the streets and by-ways of the city. The houses of the rich seem frowning upon her; her timid nature tells her they have no doors open to her. The haunts of the poor, at this moment, infuse a sanguine joyousness into her soul. How glad would she be, if they did but open to her. Is not the Allwise, through the beauties of His works, holding her up, while man only is struggling to pull her down?
And while Maria wanders homeless about the streets of Charleston, we must beg you, gentle reader, to accompany us into one of the great thoroughfares of London, where is being enacted a scene appertaining to this history.
It is well-nigh midnight, the hour when young London is most astir in his favorite haunts; when ragged and well-starved flower-girls, issuing from no one knows where, beset your path through Trafalgar and Liecester squares, and pierce your heart with their pleadings; when the Casinoes of the Haymarket and Picadilly are vomiting into the streets their frail but richly-dressed women; when gaudy supper-rooms, reeking of lobster and bad liquor, are made noisy with the demands of their flauntily-dressed customers; when little girls of thirteen are dodging in and out of mysterious courts and passages leading to and from Liecester square; when wily cabmen, ranged around the "great globe," importune you for a last fare; and when the aristocratic swell, with hectic face and maudlin laugh, saunters from his club-room to seek excitement in the revels at Vauxhall.
A brown mist hangs over the dull area of Trafalgar square. The bells of old St. Martin's church have chimed merrily out their last night peal; the sharp voice of the omnibus conductor no longer offends the ear; the tiny little fountains have ceased to give out their green water, and the lights of the Union Club on one side, and Morley's hotel on the other, throw pale shadows into the open square.
The solitary figure of a man, dressed in the garb of a gentleman, is seen sauntering past Northumberland house, then up the east side of the square. Now he halts at the corner of old St. Martin's church, turns and contemplates the scene before him. On his right is that squatty mass of freestone and smoke, Englishmen exultingly call the Royal Academy, but which Frenchmen affect contempt for, and uninitiated Americans mistake for a tomb. An equestrian statue of one of the Georges rises at the east corner; Morley's Hotel, where Americans get poor fare and enormous charges, with the privilege of fancying themselves quite as good as the queen, on the left; the dead walls of Northumberland House, with their prisonlike aspect, and the mounted lion, his tail high in air, and quite as rigid as the Duke's dignity, in front; the opening that terminates the Strand, and gives place to Parliament street, at the head of which an equestrian statue of Charles the First, much admired by Englishmen, stands, his back, on Westminster; the dingy shops of Spring Garden, and the Union Club to the right; and, towering high over all, Nelson's Column, the statue looking as if it had turned its back in pity on the little fountains, to look with contempt, first upon the bronze face of the unfortunate Charles, then upon Parliament, whose parsimony in withholding justice from his daughter, he would rebuke-and the picture is complete.
The stranger turns, walks slowly past the steps of St. Martin's church, crosses to the opposite side of the street, and enters a narrow, wet, and dimly-lighted court, on the left. Having passed up a few paces, he finds himself hemmed in between the dead walls of St. Martin's "Work-house" on one side, and the Royal Academy on the other. He hesitates between fear and curiosity. The dull, sombre aspect of the court is indeed enough to excite the fears of the timid; but curiosity being the stronger impulse, he proceeds, resolved to explore it-to see whence it leads.
A short turn to the right, and he has reached the front wall of the Queen's Barracks, on his left, and the entrance to the "Work-house," on his right; the one overlooking the other, and separated by a narrow street. Leave men are seen reluctantly returning in at the night-gate; the dull tramp of the sentinel within sounds ominously on the still air; and the chilly atmosphere steals into the system. Again the stranger pauses, as if questioning the safety of his position. Suddenly a low moan grates upon his ear, he starts back, then listens. Again it rises, in a sad wail, and pierces his very heart. His first thought is, that some tortured mortal is bemoaning his bruises in a cell of the "Work-house," which he mistakes for a prison. But his eyes fall to the ground, and his apprehensions are dispelled.
The doors of the "Work-house" are fast closed; but there, huddled along the cold pavement, and lying crouched upon its doorsteps, in heaps that resemble the gatherings of a rag-seller, are four-and- thirty shivering, famishing, and homeless human beings--
An institution for the relief of the destitute. (mostly young girls and aged women), who have sought at this "institutution of charity" shelter for the night, and bread to appease their hunger.
This sight may be seen at any time. Alas! its ruthless keepers have refused them bread, shut them into the street, and left them in rags scarce sufficient to cover their nakedness, to sleep upon the cold stones, a mute but terrible rebuke to those hearts that bleed over the sorrows of Africa, but have no blood to give out when the object of pity is a poor, heart-sick girl, forced to make the cold pavement her bed. The stranger shudders. "Are these heaps of human beings?" he questions within himself, doubting the reality before him. As if counting and hesitating what course to pursue for their relief, he paces up and down the grotesque mass, touching one, and gazing upon the haggard features of another, who looks up to see what it is that disturbs her. Again the low moan breaks on his ear, as the sentinel cries the first hour of morning. The figure of a female, her head resting on one of the steps, moves, a trembling hand steals from under her shawl, makes an effort to reach her head, and falls numb at her side. "Her hand is cold-her breathing like one in death--oh! God!--how terrible-what, what am I to do?" he says, taking the sufferer's hand in his own. Now he rubs it, now raises her head, makes an effort to wake a few of the miserable sleepers, and calls aloud for help. "Help! help! help!" he shouts, and the shout re-echoes through the air and along the hollow court. "A woman is dying,--dying here on the cold stones-with no one to raise a hand for her!" He seizes the exhausted woman in his arms, and with herculean strength rushes up the narrow street, in the hope of finding relief at the Gin Palace he sees at its head, in a blaze of light. But the body is seized with spasms, an hollow, hysteric wail follows, his strength gives way under the burden, and he sets the sufferer down in the shadow of a gas light. Her dress, although worn threadbare, still bears evidence of having belonged to one who has enjoyed comfort, and, perhaps, luxury. Indeed, there is something about the woman which bespeaks her not of the class generally found sleeping on the steps of St. Martin's Work-house.
What's here to do? gruffly inquires a policeman, coming up with an air of indifference. The stranger says the woman is dying. The policeman stoops down, lays his hand upon her temples, then mechanically feels her arms and hands.
And I-must die-die-die in the street, whispers the woman, her head falling carelessly from the policeman's hand, in which it had rested.
Got her a bit below, at the Work'ouse door, among them wot sleeps there, eh?
The stranger says he did.
A common enough thing, pursues the policeman; "this a bad lot. Anyhow, we must give her a tow to the station." He rubs his hands, and prepares to raise her from the ground.
Hold! hold, interrupts the other, "she will die ere you get her there."
Die,--ah! yes, yes, whispers the woman. The mention of death seems to have wrung like poison into her very soul. "Don't-don't move me-the spell is almost broken. Oh! how can I die here, a wretch. Yes, I am going now-let me rest, rest, rest," the moaning supplicant mutters in a guttural voice, grasps spasmodically at the policeman's hand, heaves a deep sigh, and sets her eyes fixedly upon the stranger. She seems recognizing in his features something that gives her strength.
There-there-there! she continues, incoherently, as a fit of hysterics seize upon her; "you, you, you, have-yes, you have come at the last hour, when my sufferings close. I see devils all about me-haunting me-torturing my very soul-burning me up! See them! see them!--here they come-tearing, worrying me-in a cloud of flame!" She clutches with her hands, her countenance fills with despair, and her body writhes in agony.
Bring brandy! warm,--stimulant! anything to give her strength! Quick! quick!--go fetch it, or she is gone! stammers out the stranger.
In another minute she calms away, and sinks exhausted upon the pavement. Policeman shakes his head, and says, "It 'ont do no good-she's done for."
The light of the "Trumpeter's Arms" still blazes into the street, while a few greasy ale-bibbers sit moody about the tap room.
The two men raise the exhausted woman from the ground and carry her to the door. Mine host of the Trumpeter's Arms shrugs his shoulders and says, "She can't come in here." He fears she will damage the respectability of his house. "The Work-house is the place for her," he continues, gruffly.
A sight at the stranger's well-filled purse, however, and a few shillings slipped into the host's hand, secures his generosity and the woman's admittance. "Indeed," says the host, bowing most servilely, "gentlemen, the whole Trumpeter's Arms is at your service." The woman is carried into a lonely, little back room, and laid upon a cot, which, with two wooden chairs, constitutes its furniture. And while the policeman goes in search of medical aid, the host of the Trumpeter's bestirs himself right manfully in the forthcoming of a stimulant. The stranger, meanwhile, lends himself to the care of the forlorn sufferer with the gentleness of a woman. He smoothes her pillow, arranges her dress tenderly, and administers the stimulant with a hand accustomed to the sick.
A few minutes pass, and the woman seems to revive and brighten up. Mine host has set a light on the chair, at the side of the cot, and left her alone with the stranger. Slowly she opens her eyes, and with increasing anxiety sets them full upon him. Their recognition is mutual. "Madame Flamingo!" ejaculates the man, grasping her hand.
Tom Swiggs! exclaims the woman, burying her face for a second, then pressing his hand to her lips, and kissing it with the fondness of a child, as her eyes swim in tears. "How strange to find you thus--" continues Tom, for truly it is he who sits by the forlorn woman.
More strange, mutters the woman, shaking her head sorrowfully, "that I should be brought to this terrible end. I am dying-I cannot last long-the fever has left me only to die a neglected wretch. Hear me-hear me, while I tell you the tale of my troubles, that others may take warning. And may God give me strength. And you,--if I have wronged you, forgive me-it is all I can ask in this world." Here Tom administers another draught of warm brandy and water, the influence of which is soon perceptible in the regaining strength of the patient.
A STORY WITH MANY COUNTERPARTS
A VERY common story is this of Madame Flamingo's troubles. It has counterparts enough, and though they may be traced to a class of society less notorious than that with which she moved, are generally kept in the dark chamber of hidden thoughts. We are indeed fast gaining an unenviable fame for snobbery, for affecting to be what we never can be, and for our sad imitation of foreign flunkydom, which, finding us rivals in the realm of its tinsil, begins to button up its coat and look contemptuously at us over the left shoulder. If, albeit, the result of that passion for titles and plush (things which the empty-headed of the old world would seem to have consigned to the empty-headed of the new), which has of late so singularly discovered itself among our "best-known families," could be told, it would unfold many a tale of misery and betrayal. Pardon this digression, generous reader, and proceed with us to the story of Madame Flamingo.
And now, says the forlorn woman, in a faint, hollow voice, "when my ambition seemed served-I was ambitious, perhaps vain-I found myself the victim of an intrigue. I ask forgiveness of Him who only can forgive the wicked; but how can I expect to gain it?" She presses Tom's hand, and pauses for a second. "Yes, I was ambitious," she continues, "and there was something I wanted. I had money enough to live in comfort, but the thought that it was got of vice and the ruin of others, weighed me down. I wanted the respect of the world. To die a forgotten wretch; to have the grave close over me, and if remembered at all, only with execration, caused me many a dark thought." Here she struggles to suppress her emotions. "I sought to change my condition; that, you see, has brought me here. I married one to whom I intrusted my all, in whose rank, as represented to me by Mr. Snivel, and confirmed by his friend, the Judge, I confided. I hoped to move with him to a foreign country, where the past would all be wiped out, and where the associations of respectable society would be the reward of future virtue.
"
In London, where I now reap the fruits of my vanity, we enjoyed good society for a time, were sought after, and heaped with attentions. But I met those who had known me; it got out who I was; I was represented much worse than I was, and even those who had flattered me in one sphere, did not know me. In Paris it was the same. And there my husband said it would not do to be known by his titles, for, being an exile, it might be the means of his being recognized and kidnapped, and carried back a prisoner to his own dear Poland. In this I acquiesced, as I did in everything else that lightened his cares. Gradually he grew cold and morose towards me, left me for days at a time, and returned only to abuse and treat me cruelly. He had possession of all my money, which I soon found he was gambling away, without gaining an entrée for me into society. From Paris we travelled, as if without any settled purpose, into Italy, and from thence to Vienna, where I discovered that instead of being a prince, my husband was an impostor, and I his dupe. He had formerly been a crafty shoemaker; was known to the police as a notorious character, who, instead of having been engaged in the political struggles of his countrymen, had fled the country to escape the penalty of being the confederate of a desperate gang of coiners and counterfeiters. We had only been two days in Vienna when I found he had disappeared, and left me destitute of money or friends. My connection with him only rendered my condition more deplorable, for the police would not credit my story; and while he eluded its vigilance, I was suspected of being a spy in the confidence of a felon, and ruthlessly ordered to leave the country.""
"
Did not your passport protect you? interrupts Tom, with evident feeling.
No one paid it the least regard, resumes Madame Flamingo, becoming weaker and weaker. "No one at our legations evinced sympathy for me. Indeed, they all refused to believe my story. I wandered back from city to city, selling my wardrobe and the few jewels I had left, and confidently expecting to find in each place I entered, some one I had known, who would listen to my story, and supply me with means to reach my home. I could soon have repaid it, but my friends had gone with my money; no one dare venture to trust me-no one had confidence in me-every one to whom I appealed had an excuse that betrayed their suspicion of me. Almost destitute, I found myself back in London-how I got here, I scarce know-where I could make myself understood. My hopes now brightened, I felt that some generous-hearted captain would give me a passage to New York, and once home, my troubles would end. But being worn down with fatigue, and my strength prostrated, a fever set in, and I was forced to seek refuge in a miserable garret in Drury-Lane, and where I parted with all but what now remains on my back, to procure nourishment. I had begun to recover somewhat, but the malady left me broken down, and when all was gone, I was turned into the street. Yes, yes, yes, (she whispers,) they gave me to the streets; for twenty-four hours I have wandered without nourishment, or a place to lay my head. I sought shelter in a dark court, and there laid down to die; and when my eyes were dim, and all before me seemed mysterious and dark with curious visions, a hand touched me, and I felt myself borne away." Here her voice chokes, she sinks back upon the pillow, and closes her eyes as her hands fall careless at her side. "She breathes! she breathes yet!" says Tom, advancing his ear to the pale, quivering lips of the wretched woman. Now he bathes her temples with the vinegar from a bottle in the hand of the host, who is just entered, and stands looking on, his countenance full of alarm.
If she deys in my 'ouse, good sir, w'oat then?
You mean the expense?
Just so-it 'll be nae trifle, ye kno'! The host shakes his head, doubtingly. Tom begs he will not be troubled about that, and gives another assurance from his purse that quite relieves the host's apprehensions. A low, heavy breathing, followed by a return of spasms, bespeaks the sinking condition of the sufferer. The policeman returns, preceded by a physician-the only one to be got at, he says-in very dilapidated broadcloth, and whose breath is rather strong of gin. "An' whereabutes did ye pick the woman up,--an, an, wha's teu stond the bill?" he inquires, in a deep Scotch brogue, then ordering the little window opened, feels clumsily the almost pulseless hand. Encouraged on the matter of his bill, he turns first to the host, then to Tom, and says, "the wuman's nae much, for she's amast dede wi' exhaustion." And while he is ordering a nostrum he knows can do no good, the woman makes a violent struggle, opens her eyes, and seems casting a last glance round the dark room. Now she sets them fixedly upon the ceiling, her lips pale, and her countenance becomes spectre-like-a low, gurgling sound is heard, the messenger of retribution is come-Madame Flamingo is dead!