IN WHICH THE LAW IS SEEN TO CONFLICT WITH OUR CHERISHED CHIVALRY
WHAT could the woman mean, when on taking leave of me she said, 'you are far richer than me?' questions Maria McArthur to herself, when, finding she is alone and homeless in the street, she opens the packet the woman Anna slipped so mysteriously into her hand, and finds it contains two twenty-dollar gold pieces. And while evolving in her mind whether she shall appropriate them to the relief of her destitute condition, her conscience smites her. It is the gold got of vice. Her heart shares the impulse that prompted the act, but her pure spirit recoils from the acceptance of such charity. "You are far richer than me!" knells in her ears, and reveals to her the heart-burnings of the woman who lives in licentious splendor. "I have no home, no friend near me, and nowhere to lay my head; and yet I am richer than her;" she says, gazing at the moon, and the stars, and the serene heavens. And the contemplation brings to her consolation and strength. She wanders back to the gate of the old prison, resolved to return the gold in the morning, and, was the night not so far spent, ask admittance into the cell her father occupies. But she reflects, and turns away; well knowing how much more painful will be the smart of his troubles does she disclose to him what has befallen her.
She continues sauntering up a narrow by-lane in the outskirts of the city. A light suddenly flashes across her path, glimmers from the window of a little cabin, and inspires her with new hopes. She quickens her steps, reaches the door, meets a welcome reception, and is made comfortable for the night by the mulatto woman who is its solitary tenant. The woman, having given Maria of her humble cheer, seems only too anxious to disclose the fact that she is the slave and cast-off mistress of Judge Sleepyhorn, on whose head she invokes no few curses. It does not touch her pride so much that he has abandoned her, as that he has taken to himself one of another color. She is tall and straight of figure, with prominent features, long, silky black hair, and a rich olive complexion; and though somewhat faded of age, it is clear that she possessed in youth charms of great value in the flesh market.
Maria discloses to her how she came in possession of the money, as also her resolve to return it in the morning. Undine (for such is her name) applauds this with great gusto. "Now, thar!" she says, "that's the spirit I likes." And straightway she volunteers to be the medium of returning the money, adding that she will show the hussy her contempt of her by throwing it at her feet, and "letting her see a slave knows all about it."
Maria fully appreciates the kindness, as well as sympathizes with the wounded pride of this slave daughter; nevertheless, there is an humiliation in being driven to seek shelter in a negro cabin that touches her feelings. For a white female to seek shelter under the roof of a negro's cabin, is a deep disgrace in the eyes of our very refined society; and having subjected herself to the humiliation, she knows full well that it may be used against her-in fine, made a means to defame her character.
Night passes away, and the morning ushers in soft and sunny, but brings with it nothing to relieve her situation. She, however, returns the gold to Anna through a channel less objectionable than that Undine would have supplied, and sallies out to seek lodgings. In a house occupied by a poor German family, she seeks and obtains a little room, wherein she continues plying at her needle.
The day set apart for the trial before a jury of "special bail" arrives. The rosy-faced commissioner is in his seat, a very good-natured jury is impanelled, and the feeble old man is again brought into court. Maria saunters, thoughtful, and anxious for the result, at the outer door. Peter Crimpton rises, addresses the jury at great length, sets forth the evident intention of fraud on the part of the applicant, and the enormity of the crime. He will now prove his objections by competent witnesses. The proceedings being in accordance with what Mr. Snivel facetiously terms the strict rules of special pleading, the old man's lips are closed. Several very respectable witnesses are called, and aver they saw the old Antiquary with a gold watch mounted, at a recent date; witnesses quite as dependable aver they have known him for many years, but never mounted with anything so extravagant as a gold watch. So much for the validity of testimony! It is very clear that the very respectable witnesses have confounded some one else with the prisoner.
The Antiquary openly confesses to the possession of a pin, and the curious skull (neither of which are valuable beyond their associations), but declares it more an over-sight than an intention that they were left out of the schedule. For the virtue of the schedule, Mr. Crimpton is singularly scrupulous; nor does it soften his aspersions that the old man offers to resign them for the benefit of the State. Mr. Crimpton gives his case to the jury, expressing his belief that a verdict will be rendered in his favor. A verdict of guilty (for so it is rendered in our courts) will indeed give the prisoner to him for an indefinite period. In truth, the only drawback is that the plaintiff will be required to pay thirty cents a day to Mr. Hardscrabble, who will starve him rightly soundly.
The jury, very much to Mr. Crimpton's chagrin, remain seated, and declare the prisoner not guilty. Was this sufficient-all the law demanded? No. Although justice might have been satisfied, the law had other ends to serve, and in the hands of an instrument like Crimpton, could be turned to uses delicacy forbids our transcribing here. The old man's persecutors were not satisfied; the verdict of the jury was with him, but the law gave his enemies power to retain him six months longer. Mr. Crimpton demands a writ of appeal to the sessions. The Commissioner has no alternative, notwithstanding the character of the pretext upon which it is demanded is patent on its face. Such is but a feeble description of one of the many laws South Carolina retains on her statute book to oppress the poor and give power to the rich. If we would but purge ourselves of this distemper of chivalry and secession, that so blinds our eyes to the sufferings of the poor, while driving our politicians mad over the country (we verily believe them all coming to the gallows or insane hospital), how much higher and nobler would be our claim to the respect of the world!
Again the old man is separated from his daughter, placed in the hands of a bailiff, and remanded back to prison, there to hope, fear, and while away the time, waiting six, perhaps eight months, for the sitting of the Court of Appeals. The "Appeal Court," you must know, would seem to have inherited the aristocracy of our ancestors, for, having a great aversion to business pursuits, it sits at very long intervals, and gets through very little business.
When the news of her father's remand reaches Maria, it overwhelms her with grief. Varied are her thoughts of how she shall provide for the future; dark and sad are the pictures of trouble that rise up before her. Look whichever way she will, her ruin seems sealed. The health of her aged father is fast breaking-her own is gradually declining under the pressure of her troubles. Rapidly forced from one extreme to another, she appeals to a few acquaintances who have expressed friendship for her father; but their friendship took wings when grim poverty looked in. Southern hospitality, though bountifully bestowed upon the rich, rarely condescends to shed its bright rays over the needy poor.
Maria advertises for a situation, in some of our first families, as private seamstress. Our first families having slaves for such offices, have no need of "poor white trash." She applies personally to several ladies of "eminent standing," and who busy themselves in getting up donations for northern Tract Societies. They have no sympathy to waste upon her. Her appeal only enlists coldness and indifference. The "Church Home" had lent an ear to her story, but that her address is very unsatisfactory, and it is got out that she is living a very suspicious life. The "Church Home," so virtuous and pious, can do nothing for her until she improves her mode of living. Necessity pinches Maria at every turn. "To be poor in a slave atmosphere, is truly a crime," she says to herself, musing over her hard lot, while sitting in her chamber one evening. "But I am the richer! I will rise above all!" She has just prepared to carry some nourishment to her father, when Keepum enters, his face flushed, and his features darkened with a savage scowl. "I have said you were a fool-all women are fools!--and now I know I was not mistaken!" This Mr. Keepum says while throwing his hat sullenly upon the floor. "Well," he pursues, having seated himself in a chair, looked designingly at the candle, then contorted his narrow face, and frisked his fingers through his bright red hair, "as to this here wincing and mincing-its all humbuggery of a woman like you. Affecting such morals! Don't go down here; tell you that, my spunky girl. Loose morals is what takes in poor folks."
Maria answers him only with a look of scorn. She advances to the door to find it locked.
It was me-I locked it. Best to be private about the matter, says Keepum, a forced smile playing over his countenance.
Unresolved whether to give vent to her passion, or make an effort to inspire his better nature, she stands a few moments, as if immersed in deep thought, then suddenly falls upon her knees at his feet, and implores him to save her this last step to her ruin. "Hear me, oh, hear me, and let your heart give out its pity for one who has only her virtue left her in this world;" she appeals to him with earnest voice, and eyes swimming in tears. "Save my father, for you have power. Give him his liberty, that I, his child, his only comfort in his old age, may make him happy. Yes! yes!--he will die where he is. Will you, can you-you have a heart-see me struggle against the rude buffets of an unthinking world! Will you not save me from the Poor-house-from the shame that awaits me with greedy clutches, and receive in return the blessing of a friendless woman! Oh!--you will, you will-release my father!--give him back to me and make me happy. Ah, ha!--I see, I see, you have feelings, better feelings--feelings that are not seared. You will have pity on me; you will forgive, relent-you cannot see a wretch suffer and not be moved to lighten her pain!" The calm, pensive expression that lights up her countenance is indeed enough to inspire the tender impulses of a heart in which every sense of generosity is not dried up.
Her appeal, nevertheless, falls ineffectual. Mr. Keepum has no generous impulses to bestow upon beings so sensitive of their virtue. With him, it is a ware of very little value, inasmuch as the moral standard fixed by a better class of people is quite loose. He rises from his chair with an air of self-confidence, seizes her by the hand, and attempts to drag her upon his knee, saying, "you know I can and will make you a lady. Upon the honor of a gentleman, I love you-always have loved you; but what stands in the way, and is just enough to make any gentleman of my standing mad, is this here squeamishness--"
No! no! go from me. Attempt not again to lay your cruel hands upon me! The goaded woman struggles from his grasp, and shrieks for help at the very top of her voice. And as the neighbors come rushing up stairs, Mr. Keepum valorously betakes himself into the street. Mad- dened with disappointment, and swearing to have revenge, he seeks his home, and there muses over the "curious woman's" unswerving resolution. "Cruelty!" he says to himself--"she charges me with cruelty! Well," (here he sighs) "it's only because she lacks a bringing up that can appreciate a gentleman." (Keepum could never condescend to believe himself less than a very fine gentleman.) "As sure as the world the creature is somewhat out in the head. She fancies all sorts of things-shame, disgrace, and ruin!--only because she don't understand the quality of our morality-that's all! There's no harm, after all, in these little enjoyments-if the girl would only understand them so. Our society is free from pedantry; and there-no damage can result where no one's the wiser. It's like stealing a blush from the cheek of beauty-nobody misses it, and the cheek continues as beautiful as ever." Thus philosophizes the chivalric gentleman, until he falls into a fast sleep.
IN WHICH JUSTICE IS SEEN TO BE VERY ACCOMMODATING
A FEW days have elapsed, Maria has just paid a visit to her father, still in prison, and may be seen looking in at Mr. Keepum's office, in Broad street. "I come not to ask a favor, sir; but, at my father's request, to say to you that, having given up all he has in the world, it can do no good to any one to continue him in durance, and to ask of you-in whom the sole power rests-that you will grant him his release ere he dies?" She addresses Mr. Keepum, who seems not in a very good temper this morning, inasmuch as several of his best negroes, without regard to their value to him, got a passion for freedom into their heads, and have taken themselves away. In addition to this, he is much put out, as he says, at being compelled to forego the pleasure held out on the previous night, of tarring and feathering two northerners suspected of entertaining sentiments not exactly straight on the "peculiar question." A glorious time was expected, and a great deal of very strong patriotism wasted; but the two unfortunate individuals, by some means not yet discovered, got the vigilance committee, to whose care they were entrusted, very much intoxicated, and were not to be found when called for. Free knives, and not free speech, is our motto. And this Mr. Keepum is one of the most zealous in carrying out.
Mr. Keepum sits, his hair fretted back over his lean forehead, before a table covered with papers, all indicating an immense business in lottery and other speculations. Now he deposits his feet upon it; leans back in his chair, puffs his cigar, and says, with an air of indifference to the speaker: "I shall not be able to attend to any business of yours to-day, Madam!" His clerk, a man of sturdy figure, with a broad, red face, and dressed in rather dilapidated broadcloth, is passing in and out of the front office, bearing in his fingers documents that require a signature or mark of approval.
I only come, sir, to tell you that we are destitute-- Maria pauses, and stands trembling in the doorway.
That's a very common cry, interrupts Keepum, relieving his mouth of the cigar. "The affair is entirely out of my hands. Go to my attorney, Peter Crimpton, Esq.,--what he does for you will receive my sanction. I must not be interrupted to-day. I might express a thousand regrets; yes, pass an opinion on your foolish pride, but what good would it do."
And while Maria stands silent and hesitating, there enters the office abrubtly a man in the garb of a mechanic. "I have come," speaks the man, in a tone of no very good humor, "for the last time. I asks of you-you professes to be a gentleman-my honest rights. If the law don't give it to me, I mean to take it with this erehand." (He shakes his hand at Keepum.) "I am a poor man who ain't thought much of because I works for a living; you have got what I had worked hard for, and lain up to make my little family comfortable. I ask a settlement and my own-what is due from one honest man to another!" He now approaches the table, strikes his hand upon it, and pauses for a reply.
Mr. Keepum coolly looks up, and with an insidious leer, says, "There, take yourself into the street. When next you enter a gentleman's office, learn to deport yourself with good manners."
Pshaw! pshaw! interrupts the man. "What mockery! When men like you-yes, I say men like you-that has brought ruin on so many poor families, can claim to be gentlemen, rogues may get a patent for their order." The man turns to take his departure, when the infuriated Keepum, who, as we have before described, gets exceedingly put out if any one doubts his honor, seizes an iron bar, and stealing up behind, fetches him a blow over the head that fells him lifeless to the floor.
Maria shrieks, and vaults into the street. The mass upon the floor fetches a last agonizing shrug, and a low moan, and is dead. The murderer stands over him, exultant, as the blood streams from the deep fracture. In fine, the blood of his victim would seem rather to increase his satisfaction at the deed, than excite a regret.
Call you this murder? Truly, the man has outraged God's law. And the lover of law and order, of social good, and moral honesty, would find reasons for designating the perpetrator an assassin. For has he not first distressed a family, and then left it bereft of its protector? You may think of it and designate it as you please. Nevertheless we, in our fancied mightiness, cannot condescend to such vulgar considerations. We esteem it extremely courageous of Mr. Keepum, to defend himself "to the death" against the insults of one of the common herd. Our first families applaud the act, our sensitive press say it was "an unfortunate affair," and by way of admonition, add that it were better working people be more careful how they approach gentlemen. Mr. Snivel will call this, the sublime quality of our chivalry. What say the jury of inquest?
Duly weighing the high position of Mr. Keepum, and the very low condition of the deceased, the good-natured jury return a verdict that the man met his death in consequence of an accidental blow, administered with an iron instrument, in the hands of one Keepum. From the testimony-Keepum's clerk-it is believed the act was committed in self-defence.
Mr. Keepum, as is customary with our fine gentlemen, and like a hero (we will not content ourselves with making him one jot less), magnanimously surrenders himself to the authorities. The majesty of our laws is not easily offended by gentlemen of standing. Only the poor and the helpless slave can call forth the terrible majesty of the law, and quicken to action its sensitive quality. The city is shocked that Mr. Keepum is subjected to a night in jail, notwithstanding he has the jailer's best parlor, and a barricade of champaign bottles are strewn at his feet by flattering friends, who make night jubilant with their carousal.
Southern society asks no repentance of him whose hands reek with the blood of his poor victim; southern society has no pittance for that family Keepum has made lick the dust in tears and sorrow. Even while we write-while the corpse of the murdered man, followed by a few brother craftsmen, is being borne to its last resting-place, the perpetrator, released on a paltry bail, is being regaled at a festive board. Such is our civilization! How had the case stood with a poor man! Could he have stood up against the chivalry of South Carolina, scoffed at the law, or bid good-natured justice close her eyes? No. He had been dragged to a close cell, and long months had passed ere the tardy movements of the law reached his case. Even then, popular opinion would have turned upon him, pre-judged him, and held him up as dangerous to the peace of the people. Yes, pliant justice would have affected great virtue, and getting on her high throne, never ceased her demands until he had expiated his crime at the gallows.
A few weeks pass: Keepum's reputation for courage is fully endorsed, the Attorney-General finds nothing in the act to justify him in bringing it before a Grand Jury, the law is satisfied (or ought to be satisfied), and the rich murderer sleeps without a pang of remorse.
IN WHICH SOME LIGHT IS THROWN ON THE PLOT OF THIS HISTORY
JUNE, July, and August are past away, and September, with all its autumnal beauties, ushers in, without bringing anything to lighten the cares of that girl whose father yet pines in prison. She looks forward, hoping against hope, to the return of her lover (something tells her he still lives), only to feel more keenly the pangs of hope deferred.
And now, once more, New York, we are in thy busy streets. It is a pleasant evening in early September. The soft rays of an autumn sun are tinging the western sky, and night is fast drawing her sable mantle over the scene. In Washington Square, near where the tiny fountain jets its stream into a round, grassy-bordered basin, there sits a man of middle stature, apparently in deep study. His dress is plain, and might be taken for that of either a working man, or a somewhat faded inspector of customs. Heedless of those passing to and fro, he sits until night fairly sets in, then rises, and faces towards the East. Through the trunks of trees he sees, and seems contemplating the gray walls of the University, and the bold, sombre front of the very aristocratic church of the Reformed Dutch.
Well! he mutters to himself, resuming his seat, and again facing to the west, "this ere business of ourn is a great book of life-'tis that! Finds us in queer places; now and then mixed up curiously." He rises a second time, advances to a gas-light, draws a letter from his pocket, and scans, with an air of evident satisfaction, over the contents. "Umph!" he resumes, and shrugs his shoulders, "I was right on the address-ought to have known it without looking." Having resumed his seat, he returns the letter to his pocket, sits with his elbow upon his knee, and his head rested thoughtfully in his right hand. The picture before him, so calm and soft, has no attractions for him. The dusky hues of night, for slowly the scene darkens, seem lending a softness and calmness to the foliage. The weeping branches of the willow, interspersed here and there, as if to invest the picture with a touching melancholy, sway gently to and fro; the leaves of the silvery poplar tremble and reflect their shadows on the fresh waters; and the flitting gas-lights mingle their gleams, play and sport over the rippled surface, coquet with the tripping star-beams, then throw fantastic lights over the swaying foliage; and from beneath the massive branches of trees, there shines out, in bold relief, the marble porticoes and lintels of stately--looking mansions. Such is the calm grandeur of the scene, that one could imagine some Thalia investing it with a poetic charm the gods might muse over.
It is not quite time yet, says the man, starting suddenly to his feet. He again approaches a gas-light, looks attentively at his watch, then saunters to the corner of Fourth and Thompson streets. An old, dilapidated wooden building, which some friend has whitewashed into respectability, and looking as if it had a strong inclination to tumble either upon the sidewalk, or against the great trunk of a hoary-headed tree at the corner, arrests his attention. "Well," he says, having paused before it, and scanned its crooked front, "this surely is the house where the woman lived when she was given the child. Practice, and putting two things together to find what one means, is the great thing in our profession. Like its old tenant, the house has got down a deal. It's on its last legs." Again he consults his watch, and with a quickened step recrosses the Square, and enters -- Avenue. Now he halts before a spacious mansion, the front of which is high and bold, and deep, and of brown freestone. The fluted columns; the elegantly-chiselled lintels; the broad, scrolled window-frames; the exactly-moulded arches; the massive steps leading to the deep, vaulted entrance, with its doors of sombre and highly-polished walnut; and its bold style of architecture, so grand in its outlines,--all invest it with a regal air. The man casts a glance along the broad avenue, then into the sombre entrance of the mansion. Now he seems questioning within himself whether to enter or retrace his steps. One-half of the outer door, which is in the Italian style, with heavy fluted mouldings, stands ajar; while from out the lace curtains of the inner, there steals a faint light. The man rests his elbow on the great stone scroll of the guard-rail, and here we leave him for a few moments.
The mansion, it may be well to add here, remains closed the greater part of the year; and when opened seems visited by few persons, and those not of the very highest standing in society. A broken-down politician, a seedy hanger-on of some "literary club," presided over by a rich, but very stupid tailor, and now and then a lady about whose skirts something not exactly straight hangs, and who has been elbowed out of fashionable society for her too ardent love of opera-singers, and handsome actors, may be seen dodging in now and then. Otherwise, the mansion would seem very generally deserted by the neighborhood.
Everybody will tell you, and everybody is an individual so extremely busy in other people's affairs, that he ought to know, that there is something that hangs so like a rain-cloud about the magnificent skirts of those who live so secluded "in that fine old pile," (mansion,) that the virtuous satin of the Avenue never can be got to "mix in." Indeed, the Avenue generally seems to have set its face against those who reside in it. They enjoy none of those very grand assemblies, balls, and receptions, for which the Avenue is become celebrated, and yet they luxuriate in wealth and splendor.
Though the head of the house seems banished by society, society makes her the subject of many evil reports and mysterious whisperings. The lady of the mansion, however, as if to retort upon her traducers, makes it known that she is very popular abroad, every now and then during her absence honoring them with mysterious clippings from foreign journals-all setting forth the admiration her appearance called forth at a grand reception given by the Earl and Countess of --.
Society is made of inexorable metal, she thinks, for the prejudices of the neighborhood have not relaxed one iota with time. That she has been presented to kings, queens, and emperors; that she has enjoyed the hospitalities of foreign embassies; that she has (and she makes no little ado that she has) shone in the assemblies of prime ministers; that she has been invited to court concerts, and been the flattered of no end of fashionable coteries, serves her nothing at home. They are events, it must be admitted, much discussed, much wondered at, much regretted by those who wind themselves up in a robe of stern morality. In a few instances they are lamented, lest the morals and manners of those who make it a point to represent us abroad should reflect only the brown side of our society.
As if with regained confidence, the man, whom we left at the door scroll, is seen slowly ascending the broad steps. He enters the vaulted vestibule, and having touched the great, silver bell-knob of the inner door, stands listening to the tinkling chimes within. A pause of several minutes, and the door swings cautiously open. There stands before him the broad figure of a fussy servant man, wedged into a livery quite like that worn by the servants of an English tallow-chandler, but which, it must be said, and said to be regretted, is much in fashion with our aristocracy, who, in consequence of its brightness, belive it the exact style of some celebrated lord. The servant receives a card from the visitor, and with a bow, inquires if he will wait an answer.
I will wait the lady's pleasure-I came by appointment, returns the man. And as the servant disappears up the hall, he takes a seat, uninvited, upon a large settee, in carved walnut. "Something mysterious about this whole affair!" he muses, scanning along the spacious hall, into the conservatory of statuary and rare plants, seen opening away at the extreme end. The high, vaulted roof; the bright, tesselated floor; the taste with which the frescoes decorating the walls are designed; the great winding stairs, so richly carpeted-all enhanced in beauty by the soft light reflected upon them from a massive chandelier of stained glass, inspire him with a feeling of awe. The stillness, and the air of grandeur pervading each object that meets his eye, reminds him of the halls of those medi?val castles he has read of in his youth. The servant returns, and makes his bow. "My leady," he says, in a strong Lincolnshire brogue, "as weated ye an 'our or more."
The visitor, evincing some nervousness, rises quickly to his feet, follows the servant up the hall, and is ushered into a parlor of regal dimensions, on the right. His eye falls upon one solitary occupant, who rises from a lounge of oriental richness, and advances towards him with an air of familiarity their conditions seem not to warrant. Having greeted the visitor, and bid him be seated (he takes his seat, shyly, beside the door), the lady resumes her seat in a magnificent chair. For a moment the visitor scans over the great parlor, as if moved by the taste and elegance of everything that meets his eye. The hand of art has indeed been lavishly laid on the decorations of this chamber, which presents a scene of luxury princes might revel in. And though the soft wind of whispering silks seemed lending its aid to make complete the enjoyment of the occupant, it might be said, in the words of Crabbe:
But oh, what storm was in that mind!
The person of the lady is in harmony with the splendor of the apartment. Rather tall and graceful of figure, her complexion pale, yet soft and delicate, her features as fine and regular as ever sculptor chiselled, her manner gentle and womanly. In her face, nevertheless, there is an expression of thoughtfulness, perhaps melancholy, to which her large, earnest black eyes, and finely-arched brows, fringed with dark lashes, lend a peculiar charm. While over all there plays a shadow of languor, increased perhaps by the tinge of age, or a mind and heart overtaxed with cares.
I received your note, which I hastened to answer. Of course you received my answer. I rejoice that you have persevered, and succeeded in finding the object I have so long sought. Not hearing from you for so many weeks, I had begun to fear she had gone forever, says the lady, in a soft, musical voice, raising her white, delicate hand to her cheek, which is suffused with blushes.
I had myself almost given her over, for she disappeared from the Points, and no clue could be got of her, returns the man, pausing for a moment, then resuming his story. "A week ago yesterday she turned up again, and I got wind that she was in a place we call 'Black-beetle Hole'--"
Black-beetle Hole! ejaculates the lady, whom the reader will have discovered is no less a person than Madame Montford. Mr. Detective Fitzgerald is the visitor.
Yes, there's where she's got, and it isn't much of a place, to say the best. But when a poor creature has no other place to get a stretch down, she stretches down there--
Proceed to how you found her, and what you have got from her concerning the child, the lady interrupts, with a deep sigh.
Well, proceeds the detective, "I meets-havin' an eye out all the while-Sergeant Dobbs one morning-Dobbs knows every roost in the Points better than me!--and says he, 'Fitzgerald, that are woman, that crazy woman, you've been in tow of so long, has turned up. There was a row in Black-beetle Hole last night. I got a force and descended into the place, found it crammed with them half-dead kind of women and men, and three thieves, what wanted to have a fuss with the hag that keeps it. One on 'em was thrashing the poor crazy woman. They had torn all the rags off her back. Howsever, if you wants to fish her out, you'd better be spry about it-'"
The lady interrupts by saying she will disguise, and with his assistance, go bring her from the place-save her! Mr. Fitzgerald begs she will take the matter practically. She could not breathe the air of the place, he says.
'Thank you Dobbs,' says I, he resumes, "and when it got a bit dark I went incog. to Black-beetle's Hole--"
And where is this curious place? she questions, with an air of anxiety.
"
As to that, Madame-well, you wouldn't know it was lived in, because its underground, and one not up to the entrance never would think it led to a place where human beings crawled in at night. I don't wonder so many of 'em does things what get 'em into the Station, and after that treated to a short luxury on the Island. As I was goin' on to say, I got myself fortified, started out into the Points, and walked-we take these things practically-down and up the east sidewalk, then stopped in front of the old rotten house that Black-beetle Hole is under. Then I looks down the wet little stone steps, that ain't wide enough for a big man to get down, and what lead into the cellar. Some call it Black-beetle Hole, and then again some call it the Hole of the Black-beetles. 'Yer after no good, Mr. Fitzgerald,' says Mrs. McQuade, whose husband keeps the junk-shop over the Hole, putting her malicious face out of the window. 'You're the woman I want, Mrs. McQuade,' says I. 'Don't be puttin' your foot in the house,' says she. And when I got her temper a little down by telling her I only wanted to know who lived in the Hole, she swore by all the saints it had niver a soul in it, and was hard closed up. Being well up to the dodges of the Points folks, I descended the steps, and gettin' underground, knocked at the Hole door, and then sent it smash in. 'Well! who's here?' says I. 'It's me,' says Mrs. Lynch, a knot of an old woman, who has kept the Hole for many years, and says she has no fear of the devil.""
"
Madame Montford listens with increasing anxiety; Mr. Detective Fitzgerald proceeds: "'Get a light here, then;' says I. You couldn't see nothing, it was so dark, but you could hear 'em move, and breathe. And then the place was so hot and sickly. Had to stand it best way I could. There was no standing straight in the dismal place, which was wet and nasty under foot, and not more nor twelve by fourteen. The old woman said she had only a dozen lodgers in; when she made out to get a light for me I found she had twenty-three, tucked away here and there, under straw and stuff. Well, it was curious to see 'em (here the detective wipes his forehead with his handkerchief) rise up, one after another, all round you, you know, like fiends that had been buried for a time, then come to life merely to get something to eat."
And did you find the woman-and was she one of them?
That's what I'm comin' at. Well, I caught a sight at the woman; knew her at the glance. I got a sight at her one night in the Pit at the House of the Nine Nations. 'Here! I wants you,' says I, takin' what there was left of her by the arm. She shrieked, and crouched down, and begged me not to hurt her, and looked wilder than a tiger at me. And then the whole den got into a fright, and young women, and boys, and men-they were all huddled together-set up such a screaming. 'Munday!' says I, 'you don't go to the Tombs-here! I've got good news for you.' This quieted her some, and then I picked her up-she was nearly naked-and seeing she wanted scrubbing up, carried her out of the Hole, and made her follow me to my house, where we got her into some clothes, and seeing that she was got right in her mind, I thought it would be a good time to question her.
If you will hasten the result of your search, it will, my good sir, relieve my feelings much! again interposes the lady, drawing her chair nearer the detective.
'You've had,' I says to her, 'a hard enough time in this world, and now here's the man what's going to be a friend to ye-understand that!' says I, and she looked at me bewildered. We gave her something to eat, and a pledge that no one would harm her, and she tamed down, and began to look up a bit. 'Your name wasn't always Munday?' says I, in a way that she couldn't tell what I was after. She said she had taken several names, but Munday was her right name. Then she corrected herself-she was weak and hoarse-and said it was her husband's name. 'You've a good memory, Mrs. Munday,' says I; 'now, just think as far back as you can, and tell us where you lived as long back as you can think.' She shook her head, and began to bury her face in her hands. I tried for several minutes, but could get nothing more out of her. Then she quickened up, shrieked out that she had just got out of the devil's regions, and made a rush for the door.
IN WHICH IS REVEALED THE ONE ERROR THAT BROUGHT SO MUCH SUFFERING UPON MANY
MR. FITZGERALD sees that his last remark is having no very good effect on Madame Montford, and hastens to qualify, ere it overcome her. "That, I may say, Madame, was not the last of her. My wife and me, seeing how her mind was going wrong again, got her in bed for the night, and took what care of her we could. Well, you see, she got rational in the morning, and, thinking it a chance, I 'plied a heap of kindness to her, and got her to tell all she knew of herself. She went on to tell where she lived-I followed your directions in questioning her-at the time you noted down. She described the house exactly. I have been to it to-night; knew it at a sight, from her description. Some few practical questions I put to her about the child you wanted to get at, I found frightened her so that she kept shut-for fear, I take it, that it was a crime she may be punished for at some time. I says, 'You was trusted with a child once, wasn't you?' 'The Lord forgive me,' she says, 'I know I'm guilty-but I've been punished enough in this world haven't I?' And she burst out into tears, and hung down her head, and got into the corner, as if wantin' nobody to see her. She only wanted a little good care, and a little kindness, to bring her to. This we did as well as we could, and made her understand that no one thought of punishing her, but wanted to be her friends. Well, the poor wretch began to pick up, as I said before, and in three days was such another woman that nobody could have told that she was the poor crazy thing that ran about the lanes and alleys of the Points. And now, Madame, doing as you bid me, I thought it more practical to come to you, knowing you could get of her all you wanted. She is made comfortable. Perhaps you wouldn't like to have her brought here-I may say I don't think it would be good policy. If you would condescend to come to our house, you can see her alone. I hope you are satisfied with my services." The detective pauses, and again wipes his face.
My gratitude for your perseverance I can never fully express to you. I owe you a debt I never can repay. To-morrow, at ten o'clock, I will meet you at your house; and then, if you can leave me alone with her--
Certainly, certainly, everything will be at your service, Madame, returns the detective, rising from his seat and thanking the lady, who rewards him bountifully from her purse, and bids him good night. The servant escorts him to the door, while Madame Montford buries her face in her hands, and gives vent to her emotions.
On the morning following, a neatly-caparisoned carriage is seen driving to the door of a little brick house in Crosby street. From it Madame Montford alights, and passes in at the front door, while in another minute it rolls away up the street and is lost to sight. A few moments' consultation, and the detective, who has ushered the lady into his humbly-furnished little parlor, withdraws to give place to the pale and emaciated figure of the woman Munday, who advances with faltering step and downcast countenance. "Oh! forgive me, forgive me! have mercy upon me! forgive me this crime!" she shrieks. Suddenly she raises her eyes, and rushing forward throws herself at Madame Montford's feet, in an imploring attitude. Dark and varied fancies crowd confusedly on Madame Montfort's mind at this moment.
Nay, nay, my poor sufferer, rather I might ask forgiveness of you. She takes the woman by the hand, and, with an air of regained calmness, raises her from the floor. With her, the outer life seems preparing the inner for what is to come. "But I have long sought you-sought you in obedience to the demands of my conscience, which I would the world gave me power to purify; and now I have found you, and with you some rest for my aching heart. Come, sit down; forget what you have suffered; tell me what befell you, and what has become of the child; tell me all, and remember that I will provide for you a comfortable home for the rest of your life." Madame motions her to a chair, struggling the while to suppress her own feelings.
I loved the child you intrusted to my care; yes, God knows I loved it, and watched over it for two years, as carefully as a mother. But I was poor, and the brother, in whose hands you intrusted the amount for its support (this, the reader must here know, was not a brother, but the paramour of Madame Montford), failed, and gave me nothing after the first six months. I never saw him, and when I found you had gone abroad-- The woman hesitates, and, with weeping eyes and trembling voice, again implores forgiveness. "My husband gave himself up to drink, lost his situation, and then he got to hating the child, and abusing me for taking it, and embarrassing our scanty means of living. Night and day, I was harassed and abused, despised and neglected. I was discouraged, and gave up in despair. I clung to the child as long as I could. I struggled, and struggled, and struggled--" Here the woman pauses, and with a submissive look, again hangs down her head and sobs.
Be calm, be calm, says Madame Montford, drawing nearer to her, and making an effort to inspirit her. "Throw off all your fears, forget what you have suffered, for I, too, have suffered. And you parted with the child?"
Necessity forced me, pursues the woman, shaking her head. "I saw only the street before me on one side, and felt only the cold pinchings of poverty on the other. You had gone abroad--"
It was my intention to have adopted the child as my own when I returned, interrupts Madame Montford, still clinging to that flattering hope in which the criminal sees a chance of escape.
And I, resumes the woman, "left the husband who neglected me, and who treated me cruelly, and gave myself,--perhaps I was to blame for it,--up to one who befriended me. He was the only one who seemed to care for me, or to have any sympathy for me. But he, like myself, was poor; and, being compelled to flee from our home, and to live in obscurity, where my husband could not find me out, the child was an incumbrance I had no means of supporting. I parted with her-yes, yes, I parted with her to Mother Bridges, who kept a stand at a corner in West street--"
And then what became of her? again interposes Madame Montford. The woman assumes a sullenness, and it is some time before she can be got to proceed.
My conscience rebuked me, she resumes, as if indifferent about answering the question, "for I loved the child as my own; and the friend I lived with, and who followed the sea, printed on its right arm two hearts and a broken anchor, which remain there now. My husband died of the cholera, and the friend I had taken to, and who treated me kindly, also died, and I soon found myself an abandoned woman, an outcast-yes, ruined forever, and in the streets, leading a life that my own feelings revolted at, but from which starvation only seemed the alternative. My conscience rebuked me again and again, and something--I cannot tell what it was--impelled me with an irresistible force to watch over the fortunes of the child I knew must come to the same degraded life necessity-perhaps it was my own false step-had forced upon me. I watched her a child running neglected about the streets, then I saw her sold to Hag Zogbaum, who lived in Pell street; I never lost sight of her-no, I never lost sight of her, but fear of criminating myself kept me from making myself known to her. When I had got old in vice, and years had gone past, and she was on the first step to the vice she had been educated to, we shared the same roof. Then she was known as Anna Bonard--"
Anna Bonard! exclaims Madame Montford. "Then truly it is she who now lives in Charleston! There is no longer a doubt. I may seek and claim her, and return her to at least a life of comfort."
There you will find her. Ah, many times have I looked upon her, and thought if I could only save her, how happy I could die. I shared the same roof with her in Charleston, and when I got sick she was kind to me, and watched over me, and was full of gentleness, and wept over her condition. She has sighed many a time, and said how she wished she knew how she came into the world, to be forced to live despised by the world. But I got down, down, down, from one step to another, one step to another, as I had gone up from one step to another in the splendor of vice, until I found myself, tortured in mind and body, a poor neglected wretch in the Charleston Poor-house. In it I was treated worse than a slave, left, sick and heart-broken, and uncared-for, to the preying of a fever that destroyed my mind. And as if that were not enough, I was carried into the dungeons-the 'mad cells,'-and chained. And this struck such a feeling of terror into my soul that my reason, as they said, was gone forever. But I got word to Anna, and she came to me, and gave me clothes and many little things to comfort me, and got me out, and gave me money to get back to New York, where I have been ever since, haunted from place to place, with scarce a place to lay my head. Surely I have suffered. Shall I be forgiven? Her voice here falters, she becomes weak, and seems sinking under the burden of her emotions. "If,--if-if," she mutters, incoherently, "you can save me, and forgive me, you will have the prayers of one who has drank deep of the bitter cup." She looks up with a sad, melancholy countenance, again implores forgiveness, and bursts into loud sobs.
Mine is the guilty part-it is me who needs forgiveness! speaks Madame Montford, pressing the hand of the forlorn woman, as the tears stream down her cheeks. She has unburdened her emotions, but such is the irresistible power of a guilty conscience that she finds her crushed heart and smitten frame sinking under the shock-that she feels the very fever of remorse mounting to her brain.
Be calm, be calm-for you have suffered, wandered through the dark abyss; truly you have been chastened enough in this world. But while your heart is only bruised and sore, mine is stung deep and lacerated. The image of that child now rises up before me. I see her looking back over her chequered life, and pining to know her birthright. Mine is the task of seeking her out, reconciling her, saving her from this life of shame. I must sacrifice the secrets of my own heart, go boldly in pursuit of her-- She pauses a moment. There is yet a thin veil between her and society. Society only founds its suspicions upon the mystery involved in the separation from her husband, and the doubtful character of her long residence in Europe. Society knows nothing of the birth of the child. The scandal leveled at her in Charleston, was only the result of her own indiscretion. "Yes," she whispers, attempting at the same time to soothe the feelings of the poor disconsolate woman, "I must go, and go quickly-I must drag her from the terrible life she is leading;--but, ah! I must do it so as to shield myself. Yes, I must shield myself!" And she puts into the woman's hand several pieces of gold, saying: "take this!--to-morrow you will be better provided for. Be silent. Speak to no one of what has passed between us, nor make the acquaintance of any one outside the home I shall provide for you." Thus saying, she recalls Mr. Detective Fitzgerald, rewards him with a nostrum from her purse, and charges him to make the woman comfortable at her expense.
Her mind, now I do believe, says the detective, with an approving toss of the head, "her faculties 'll come right again,--they only wants a little care and kindness, mum." The detective thanks her again and again, then puts the money methodically into his pocket.
The carriage having returned, Madame Montford vaults into it as quickly as she alighted, and is rolled away to her mansion.
IN WHICH IS RECORDED EVENTS THE READER MAY NOT HAVE EXPECTED
WHILE the events we have recorded in the foregoing chapter, confused, hurried, and curious, are being enacted in New York, let us once more turn to Charleston.
You must know that, notwithstanding our high state of civilization, we yet maintain in practice two of the most loathsome relics of barbarism-we lash helpless women, and we scourge, at the public whipping-post, the bare backs of men.
George Mullholland has twice been dragged to the whipping-post, twice stripped before a crowd in the market-place, twice lashed, maddened to desperation, and twice degraded in the eyes of the very negroes we teach to yield entire submission to the white man, however humble his grade. Hate, scorn, remorse-every dark passion his nature can summon-rises up in one torturing tempest, and fills his bosom with a mad longing for revenge. "Death!" he says, while looking out from his cell upon the bright landscape without, "what is death to me? The burnings of an outraged soul subdue the thought of death."
The woman through whom this dread finale was brought upon him, and who now repines, unable to shake off the smarts old associations crowd upon her heart, has a second and third time crept noiselessly to his cell, and sought in vain his forgiveness. Yea, she has opened the door gently, but drew back in terror before his dark frown, his sardonic scorn, his frenzied rush at her. Had he not loved her fondly, his hate had not taken such deep root in his bosom.
Two or three days pass, he has armed himself "to the death," and is resolved to make his escape, and seek revenge of his enemies. It is evening. Dark festoons of clouds hang over the city, lambent lightning plays along the heavens in the south. Now it flashes across the city, the dull panorama lights up, the tall, gaunt steeples gleam out, and the surface of the Bay flashes out in a phosphoric blaze. Patiently and diligently has he filed, and filed, and filed, until he has removed the bar that will give egress to his body. The window of his cell overlooks the ditch, beyond which is the prison wall. Noiselessly he arranges the rope, for he is in the third story, then paces his cell, silent and thoughtful. "Must it be?" he questions within himself, "must I stain these hands with the blood of the woman I love? Revenge, revenge-I will have revenge. I will destroy both of them, for to-morrow I am to be dragged a third time to the whipping-post." Now he casts a glance round the dark cell, now he pauses at the window, now the lightning courses along the high wall, then reflects back the deep ditch. Another moment, and he has commenced his descent. Down, down, down, he lowers himself. Now he holds on tenaciously, the lightning reflects his dangling figure, a prisoner in a lower cell gives the alarm, he hears the watchword of his discovery pass from cell to cell, the clashing of the keeper's door grates upon his ear like thunder-he has reached the end of his rope, and yet hangs suspended in the air. A heavy fall is heard, he has reached the ditch, bounds up its side to the wall, seizes a pole, and places against it, and, with one vault, is over into the open street. Not a moment is to be lost. Uproar and confusion reigns throughout the prison, his keepers have taken the alarm, and will soon be on his track, pursuing him with ferocious hounds. Burning for revenge, and yet bewildered, he sets off at full speed, through back lanes, over fields, passing in his course the astonished guardmen. He looks neither to the right nor the left, but speeds on toward the grove. Now he reaches the bridge that crosses the millpond, pauses for breath, then proceeds on. Suddenly a light from the villa Anna occupies flashes out. He has crossed the bridge, bounds over the little hedge-grown avenue, through the garden, and in another minute stands before her, a pistol pointed at her breast, and all the terrible passions of an enraged fiend darkening his countenance. Her implorings for mercy bring an old servant rushing into the room, the report of a pistol rings out upon the still air, shriek after shriek follows, mingled with piercing moans, and death-struggles. "Ha, ha!" says the avenger, looking on with a sardonic smile upon his face, and a curl of hate upon his lip, "I have taken the life to which I gave my own-yes, I have taken it-I have taken it!" And she writhes her body, and sets her eyes fixedly upon him, as he hastens out of the room.
Quick! quick! he says to himself. "There, then! I am pursued!" He recrosses the millpond over another bridge, and in his confusion turns a short angle into a lane leading to the city. The yelping of dogs, the deep, dull tramp of hoofs, the echoing of voices, the ominous baying and scenting of blood-hounds-all break upon his ear in one terrible chaos. Not a moment is to be lost. The sight at the villa will attract the attention of his pursuers, and give him time to make a distance! The thought of what he has done, and the terrible death that awaits him, crowds upon his mind, and rises up before him like a fierce monster of retribution. He rushes at full speed down the lane, vaults across a field into the main road, only to find his pursuers close upon him. The patrol along the streets have caught the alarm, which he finds spreading with lightning-speed. The clank of side-arms, the scenting and baying of the hounds, coming louder and louder, nearer and nearer, warns him of the approaching danger. A gate at the head of a wharf stands open, the hounds are fast gaining upon him, a few jumps more and they will have him fast in their ferocious grasp. He rushes through the gate, down the wharf, the tumultuous cry of his pursuers striking terror into his very heart. Another instant and the hounds are at his feet, he stands on the capsill at the end, gives one wild, despairing look into the abyss beneath--"I die revenged," he shouts, discharges a pistol into his breast, and with one wild plunge, is buried forever in the water beneath. The dark stream of an unhappy life has run out. Upon whom does the responsibility of this terrible closing rest? In the words of Thomson, the avenger left behind him only "Gaunt Beggary, and Scorn, with many hell-hounds more."
When the gray dawn of morning streamed in through the windows of the little villa, and upon the parlor table, that had so often been adorned with caskets and fresh-plucked flowers, there, in their stead, lay the lifeless form of the unhappy Anna, her features pale as marble, but beautiful even in death. There, rolled in a mystic shroud, calm as a sleeper in repose, she lay, watched over by two faithful slaves.
The Judge and Mr. Snivel have found it convenient to make a trip of pleasure into the country. And though the affair creates some little comment in fashionable society, it would be exceedingly unpopular to pry too deeply into the private affairs of men high in office. We are not encumbered with scrutinizing morality. Being an "unfortunate woman," the law cannot condescend to deal with her case. Indeed, were it brought before a judge, and the judge to find himself sitting in judgment upon a judge, his feelings would find some means of defrauding his judgment, while society would carefully close the shutter of its sanctity.
At high noon there comes a man of the name of Moon, commonly called Mr. Moon, the good-natured Coroner. In truth, a better-humored man than Mr. Moon cannot be found; and what is more, he has the happiest way in the world of disposing of such cases, and getting verdicts of his jury exactly suited to circumstances. Mr. Moon never proceeds to business without regaling his jury with good brandy and high-flavored cigars. In this instance he has bustled about and got together six very solemn and seriously-disposed gentlemen, who proceed to deliberate. "A mystery hangs over the case," says one. A second shakes his head, and views the body as if anxious to get away. A third says, reprovingly, that "such cases are coming too frequent." Mr. Moon explains the attendant circumstances, and puts a changed face on the whole affair. One juryman chalks, and another juryman chalks, and Mr. Moon says, by way of bringing the matter to a settled point, "It is a bad ending to a wretched life." A solemn stillness ensues, and then follows the verdict. The body being identified as that of one Anna Bonard, a woman celebrated for her beauty, but of notorious reputation, the jury are of opinion (having duly weighed the circumstances) that she came to her melancholy death by the hands of one George Mullholland, who was prompted to commit the act for some cause to the jury unknown. And the jury, in passing the case over to the authorities, recommend that the said Mullholland be brought to justice. This done, Mr. Moon orders her burial, and the jury hasten home, fully confident of having performed their duty unswerved.
When night came, when all was hushed without, and the silence within was broken only by the cricket's chirp, when the lone watcher, the faithful old slave, sat beside the cold, shrouded figure, when the dim light of the chamber of death seemed mingling with the shadows of departed souls, there appeared in the room, like a vision, the tall figure of a female, wrapped in a dark mantle. Slowly and noiselessly she stole to the side of the deceased, stood motionless and statue-like for several minutes, her eyes fixed in mute contemplation on the face of the corpse. The watcher looked and started back, still the figure remained motionless. Raising her right hand to her chin, pensively, she lifted her eyes heavenward, and in that silent appeal, in those dewy tears that glistened in her great orbs, in those words that seemed freezing to her quivering lips, the fierce struggle waging in that bosom was told. She heard the words, "You cannot redeem me now!" knelling in her ears, her thoughts flashed back over years of remorse, to the day of her error, and she saw rising up as it were before her, like a spectre from the tomb, seeking retribution, the image of the child she had sacrificed to her vanity. She pressed and pressed the cold hand, so delicate, so like her own; she unbared the round, snowy arm, and there beheld the imprinted hearts, and the broken anchor! Her pent-up grief then burst its bounds, the tears rolled down her cheeks, her lips quivered, her hand trembled, and her very blood seemed as ice in her veins. She cast a hurried glance round the room, a calm and serene smile seemed lighting up the features of the lifeless woman, and she bent over her, and kissed and kissed her cold, marble-like brow, and bathed it with her burning tears. It was a last sad offering; and having bestowed it, she turned slowly away, and disappeared. It was Madame Montford, who came a day too late to save the storm-tossed girl, but returned to think of the hereafter of her own soul.
ANOTHER SHADE OF THE PICTURE
WHILE the earth of Potter's Field is closing over all that remains of Anna Bonard, Maria McArthur may be seen, snatching a moment of rest, as it were, seated under the shade of a tree on the Battery, musing, as is her wont. The ships sail by cheerily, there is a touching beauty about the landscape before her, all nature seems glad. Even the heavens smile serenely; and a genial warmth breathes through the soft air. "Truly the Allwise," she says within herself, "will be my protector, and is chastising me while consecrating something to my good. Mr. Keepum has made my father's release the condition of my ruin. But he is but flesh and blood, and I--no, I am not yet a slave! The virtue of the poor, truly, doth hang by tender threads; but I am resolved to die struggling to preserve it." And a light, as of some future joy, rises up in her fancy, and gives her new strength.
The German family have removed from the house in which she occupies a room, and in its place are come two women of doubtful character. Still, necessity compels her to remain in it; for though it is a means resorted to by Keepum to effect his purpose, she cannot remove without being followed, and harassed by him. Strong in the consciousness of her own purity, and doubly incensed at the proof of what extremes the designer will condescend to, she nerves herself for the struggle she sees before her. True, she was under the same roof with them; she was subjected to many inconveniencies by their presence; but not all their flattering inducements could change her resolution. Nevertheless, the resolution of a helpless female does not protect her from the insults of heartless men. She returns home to find that Mother Rumor, with her thousand tongues, is circulating all kinds of evil reports about her. It is even asserted that she has become an abandoned woman, and is the occupant of a house of doubtful repute. And this, instead of enlisting the sympathies of some kind heart, rather increases the prejudice and coldness of those upon whom she has depended for work. It is seldom the story of suffering innocence finds listeners. The sufferer is too frequently required to qualify in crime, before she becomes an object of sympathy.
She returns, one day, some work just finished for one of our high old families, the lady of which makes it a boast that she is always engaged in "laudable pursuits of a humane kind." The lady sends her servant to the door with the pittance due, and begs to say she is sorry to hear of the life Miss McArthur is leading, and requests she will not show herself at the house again. Mortified in her feelings, Maria begs an interview; but the servant soon returns an answer that her Missus cannot descend to anything of the kind. Our high old families despise working people, and wall themselves up against the poor, whose virtue they regard as an exceedingly cheap commodity. Our high old families choose rather to charge guilt, and deny the right to prove innocence.
With the four shillings, Maria, weeping, turns from the door, procures some bread and coffee, and wends her way to the old prison. But the chords of her resolution are shaken, the cold repulse has gone like poison to her heart. The ray of joy that was lighting up her future, seems passing away; whilst fainter and fainter comes the hope of once more greeting her lover. She sees vice pampered by the rich, and poor virtue begging at their doors. She sees a price set upon her own ruin; she sees men in high places waiting with eager passion the moment when the thread of her resolution will give out. The cloud of her night does, indeed, seem darkening again.
But she gains the prison, and falters as she enters the cell where the old Antiquary, his brow furrowed deep of age, sleeps calmly upon his cot. Near his hand, which he has raised over his head, lays a letter, with the envelope broken. Maria's quick eye flashes over the superscription, and recognizes in it the hand of Tom Swiggs. A transport of joy fills her bosom with emotions she has no power to constrain. She trembles from head to foot; fancies mingled with joys and fears crowd rapidly upon her thoughts. She grasps it with feelings frantic of joy, and holds it in her shaking hand; the shock has nigh overcome her. The hope in which she has so long found comfort and strength-that has so long buoyed her up, and carried her safely through trials, has truly been her beacon light. "Truly," she says within herself, "the dawn of my morning is brightening now." She opens the envelope, and finds a letter enclosed to her. "Oh! yes, yes, yes! it is him-it is from him!" she stammers, in the exuberance of her wild joy. And now the words, "You are richer than me," flash through her thoughts with revealed significance.
Maria grasps the old man's hand. He starts and wakes, as if unconscious of his situation, then fixes his eyes upon her with a steady, vacant gaze. Then, with childlike fervor, he presses her hand to his lips, and kisses it. "It was a pleasant dream--ah! yes, I was dreaming all things went so well!" Again a change comes over his countenance, and he glances round the room, with a wild and confused look. "Am I yet in prison?-well, it was only a dream. If death were like dreaming, I would crave it to take me to its peace, that my mind might no longer be harassed with the troubles of this life. Ah! there, there!"--(the old man starts suddenly, as if a thought has flashed upon him)--" there is the letter, and from poor Tom, too! I only broke the envelope. I have not opened it."
It is safe, father; I have it, resumes Maria, holding it before him, unopened, as the words tremble upon her lips. One moment she fears it may convey bad news, and in the next she is overjoyed with the hope that it brings tidings of the safety and return of him for whose welfare she breathed many a prayer. Pale and agitated, she hesitates a moment, then proceeds to open it.
Father, father! heaven has shielded me-heaven has shielded me! Ha! ha! ha! yes, yes, yes! He is safe! he is safe! And she breaks out into one wild exclamation of joy, presses the letter to her lips, and kisses it, and moistens it with her tears. "It was all a plot-a dark plot set for my ruin!" she mutters, and sinks back, overcome with her emotions. The old man fondles her to his bosom, his white beard flowing over her suffused cheeks, and his tears mingling with hers. And here she remains, until the anguish of her joy runs out, and her mind resumes its wonted calm.
Having broken the spell, she reads the letter to the enraptured old man. Tom has arrived in New York; explains the cause of his long absence; speaks of several letters he has transmitted by post, (which she never received;) and his readiness to proceed to Charleston, by steamer, in a few days. His letter is warm with love and constancy; he recurs to old associations; he recounts his remembrance of the many kindnesses he received at the hands of her father, when homeless; of the care, to which he owes his reform, bestowed upon him by herself, and his burning anxiety to clasp her to his bosom.
A second thought flashes upon her fevered brain. Am I not the subject of slander! Am I not contaminated by associations? Has not society sought to clothe me with shame? Truth bends before falsehood, and virtue withers under the rust of slandering tongues. Again a storm rises up before her, and she feels the poisoned arrow piercing deep into her heart. Am I not living under the very roof that will confirm the slanders of mine enemies? she asks herself. And the answer rings back in confirmation upon her too sensitive ears, and fastens itself in her feelings like a reptile with deadly fangs. No; she is not yet free from her enemies. They have the power of falsifying her to her lover. The thought fills her bosom with sad emotions. Strong in the consciousness of her virtue, she feels how weak she is in the walks of the worldly. Her persecutors are guilty, but being all-powerful may seek in still further damaging her character, a means of shielding themselves from merited retribution. It is the natural expedient of bad men in power to fasten crime upon the weak they have injured.
Only a few days have to elapse, then, and Maria will be face to face with him in whom her fondest hopes have found refuge; but even in those few days it will be our duty to show how much injury may be inflicted upon the weak by the powerful.
The old Antiquary observes the change that has come so suddenly over Maria's feelings, but his entreaties fail to elicit the cause. Shall she return to the house made doubtful by its frail occupants; or shall she crave the jailer's permission to let her remain and share her father's cell? Ah! solicitude for her father settles the question. The alternative may increase his apprehensions, and with them his sufferings. Night comes on; she kisses him, bids him a fond adieu, and with an aching heart returns to the house that has brought so much scandal upon her.
On reaching the door she finds the house turned into a bivouac of revelry; her own chamber is invaded, and young men and women are making night jubilant over Champagne and cigars. Mr. Keepum and the Hon. Mr. Snivel are prominent among the carousers; and both are hectic of dissipation. Shall she flee back to the prison? Shall she go cast herself at the mercy of the keeper? As she is about following the thought with the act, she is seized rudely by the arms, dragged into the scene of carousal, and made the object of coarse jokes. One insists that she must come forward and drink; another holds an effervescing glass to her lips; a third says he regards her modesty out of place, and demands that she drown it with mellowing drinks. The almost helpless girl shrieks, and struggles to free herself from the grasp of her enemies. Mr. Snivel, thinking it highly improper that such cries go free, catches her in his arms, and places his hand over her mouth. "Caught among queer birds at last," he says, throwing an insidious wink at Keepum. "Will flock together, eh?"
As if suddenly invested with herculean strength, Maria hurls the ruffian from her, and lays him prostrate on the floor. In his fall the table is overset, and bottles, decanters and sundry cut glass accompaniments, are spread in a confused mass on the floor. Suddenly Mr. Keepum extinguishes the lights. This is the signal for a scene of uproar and confusion we leave the reader to picture in his imagination. The cry of "murder" is followed quickly by the cry of "watch, watch!" and when the guardmen appear, which they are not long in doing, it is seen that the very chivalric gentlemen have taken themselves off-left, as a prey for the guard, only Maria and three frail females.
Cries, entreaties, and explanations, are all useless with such men as our guard is composed of. Her clothes are torn, and she is found rioting in disreputable company. The sergeant of the guard says, "Being thus disagreeably caught, she must abide the penalty. It may teach you how to model your morals," he adds; and straightway, at midnight, she is dragged to the guard-house, and in spite of her entreaties, locked up in a cell with the outcast women. "Will you not hear me? will you not allow an innocent woman to speak in her own behalf? Do, I beg, I beseech, I implore you-listen but for a minute-render me justice, and save me from this last step of shame and disgrace," she appeals to the sergeant, as the cell door closes upon her.
Mr. Sergeant Stubble, for such is his name, shakes his head in doubt. "Always just so," he says, with a shrug of the shoulders: "every one's innocent what comes here 'specially women of your sort. The worst rioters 'come the greatest sentimentalists, and repents most when they gets locked up-does! You'll find it a righteous place for reflection, in there." Mr. Sergeant Stubble shuts the door, and smothers her cries.
THE SOUL MAY GAIN STRENGTH IN A DREARY CELL
IT is Bulwer, the prince of modern novelists, who says: "There is in calumny a rank poison that, even when the character throws off the slander, the heart remains diseased beneath the effect." And this is the exact condition in which Maria finds herself. The knaves who have sought her ruin would seem to have triumphed; the ears of the charitable are closed to her; her judgment seems sealed. And yet when all is dark and still; when her companions sleep in undisturbed tranquillity; when her agitated feelings become calmed; when there seems speaking to her, through the hushed air of midnight, the voice of a merciful providence-her soul quickens, and she counsels her self-command, which has not yet deserted her. Woman's nature is indeed strung in delicate threads, but her power of endurance not unfrequently puts the sterner sex to the blush. "Slander has truly left my heart diseased, but I am innocent, and to-morrow, perhaps, my star will brighten. These dark struggles cannot last forever!" she muses, as her self-command strengthens, and gives her new hopes. Her betrothed may return to-morrow, and his generous nature will not refuse her an opportunity to assert her innocence.
And while she thus muses in the cell of the guard-house, the steamer in which Tom proceeds to Charleston is dashing through the waves, speeding on, like a thing of life, leaving a long train of phosphoric brine behind her. As might naturally have been expected, Tom learns from a fellow-passenger all that has befallen the old Antiquary. This filled his mind with gloomy forebodings concerning the fate of Maria. There was, too, something evasive in the manner of the man who conveyed to him this intelligence, and this excited his apprehensions, and prompted him to make further inquiries. His confidence in her faith animated and encouraged his heart. But when he remembered that the old man was, even when he left, in the clutches of Snivel and Keepum (men whose wealth and influence gave them power to crush the poor into the dust), an abyss, terrible and dark, opened to him, his whole nature seemed changed, and his emotions became turbulent. He again sought the passenger, and begging him to throw off all restraint, assured him that it would relieve his feelings to know what had become of Maria. The man hesitated for a few moments, then, with reluctant lips, disclosed to him that she had fallen a victim of necessity-more, that she was leading the life of an outcast. Tom listened attentively to the story, which lost nothing in the recital; then, with passions excited to frenzy, sought his state-room. At first it seemed like a sentence of eternal separation ringing through his burning brain. All the dark struggles of his life rose up before him, and seemed hastening him back into that stream of dissipation in which his mind had found relief when his mother forsook him. But no! something-he knew not what-whispered in his ear, "Do not reject her. Faith and hope remains to you; let truth be the judge." He stretched himself in his berth, but not to sleep.
On the following morning Maria, with the frail companions of her cell, is brought into court, and arraigned before His Honor, Judge Sleepyhorn, who, be it said to his credit, though terrible in his dealings with the harder sex, and whose love of hanging negroes is not to be outdone, is exceedingly lenient with female cases, as he is pleased to style them. Though her virtue is as chaste as the falling snow, Maria is compelled to suffer, for nearly an hour, the jeers and ribald insinuations of a coarse crowd, while the fact of her being in the guard-house is winged over the city by exultant scandal-mongers. Nevertheless, she remains calm and resolute. She sees the last struggle of an eventful life before her, and is resolved to meet it with womanly fortitude.
The Judge smiles, casts a glance over his assembly, and takes his seat, as Mr. Sergeant Stubble commences to read over the charges against the accused. "Business," says the Judge, "will proceed."
Now, Judge! speaks up one of the frail women, coming forward in a bold, off-hand manner to speak for her companions, "I don't exactly see what we have done so much out of the way. No ladies of our standing have been up here before. The law's comin' very nice all at once. There's a heap, as you know, Judge--"
No, no, no! I know nothing about such places! quickly interrupts the Judge, his face full of virtuous indignation, and his hands raised in horror.
Then I may be pardoned for not wearing spectacles, resumes the woman, with a curtsy. Finding the judgment-seat becoming a little too warm for his nerves, the Judge very prudently dismisses the damsels, with an admonition to go and do better-in fine, to tighten their tongues as well as their morality.
With the aid of Mr. Sergeant Stubble, Maria is brought forward, pale and trembling, and struggling with the war of grief waging in her heart. Calmly she looks up at the Judge for a moment, then hangs down her head in silence. "There is a Judge above who knows the circumstances, gives me now His hand, and will judge me in the balance of truth and mercy, when my enemies are at my feet," flashes through her thoughts, and strengthens the inner nature. But her tongue has lost its power; her feelings unbend to the thought that she is in a criminal court, arraigned before a Judge. She has no answer to make to the Judge's questions, but gives way to her emotions, and breaks out into loud sobs. Several minutes, during which a sympathizing silence is manifest, pass, when she raises slowly her head, and makes an attempt to mutter a few words in her defence. But her voice chokes, and the words hang, inarticulate, upon her lips. She buries her face in her hands, and shakes her head, as if saying, "I have said all."
His Honor seems moved to mercy by the touching spectacle before him. He whispers in the ear of Mr. Sergeant Stubble, and that functionary brightens up, and with an attempt to be kind, says: "Pray, Miss McArthur--it's a duty we have to perform, you see--where is your father? the Judge says."
Ah! That question has touched the fountain-spring of all her troubles, and the waters come gushing forth, as if to engulph the last faint shadow of hope in darkness. Almost simultaneously she falls to the floor in a fit of violent hysterics. The Judge orders the court-room cleared of its spectators, and if the reader has ever witnessed the painful sight of a female suffering such paroxysms, he may picture more forcibly in his imagination than we can describe, the scene that follows. For some fifteen minutes the sufferer struggles, and when her mind resumes its calm, she casts a wild, despairing look round the room, then fixes her eyes upon those who are gathered about her.
There was a kind impulse yet left in the Judge. He discovers a sympathy for her condition, holds her weak, trembling hand in his own, and bathes her temples with cologne. "You are free to go home-there is no charge against you," he whispers in her ear. "I have ordered a carriage, and will send you to your home-where is it?" This is, indeed, cruel kindness.
If I had a home, responds Maria, in a low voice, as she rises, and rests herself on her elbow, "it would shelter me from this distress. Yes, I would then be happy once more."
A carriage soon arrives, she is put into it, and with a few consoling words from the Judge, is driven back, as hastily as possible, to the house from which she was dragged only last night. She has nowhere else to go to-day, but resolves to-morrow to seek a shelter elsewhere. Through the whisperings of that unaccountable human telegraph, the news of her shame, made great and terrible with a thousand additions, is flown into the family secrets of the city. How strange and yet how true of human nature is it, that we stand ever ready to point the finger of scorn at those we fancy in the downward path, while refusing ourselves to receive the moralist's lessons.
IN WHICH IS A HAPPY MEETING, AND SOMETHING PLEASING
IT is night-Mr. Keepum is seen seated before a table in his drawing-room, finishing a sumptuous supper, and asking himself: "Who dares to question me, the opulent Keepum?" Mr. Snivel enters, joins him over a glass of wine, and says, "this little matter must be settled tonight, Keepum, old fellow-been minced long enough." And the two chivalric gentlemen, after a short conversation, sally into the street. Yonder, in the harbor, just rounding the frowning walls of Fort Sumpter, blazes out the great red light of the steamer, on which the impatient lover fast approaches Charleston city.
She can do nothing at law--against our influence she is powerless! ejaculates Keepum, as the two emerge from the house and stroll along up Broad street.
Maria, pale and exhausted with the fatigues and excitements of the day, sits in her solitary chamber, fearing lest each footstep she hears advancing, may be that of her enemies, or hoping that it may announce the coming of her lover and rescuer.
You are richer than me! still tinkles its silvery music in her ear, and brings comfort to her agitated heart. The clock strikes ten, and suddenly her room is entered by Keepum and Snivel. The former, with an insinuating leer, draws a chair near her, while the latter, doffing his coat, flings himself upon the cot. Neither speak for some minutes; but Maria reads in their looks and actions the studied villany they have at heart.
Inconsistency adorned! exclaims Keepum, drawing his chair a little nearer. "Now, I say, you have stuck stubbornly to this ere folly." Mr. Keepum's sharp, red face, comes redder, and his small, wicked eyes flash like orbs of fire. "Better come down off that high horse-live like a lady. The devil's got Tom, long ago."
So you have said before, Mr. Keepum, rejoins Maria, turning upon him a look of disdain. "You may persecute me to the death; you may continue to trample me into the dust; but only with my death shall your lust be gratified on me!" This declaration is made with an air of firmness Mr. Keepum seems to understand. "D-n it," rejoins Mr. Snivel, with a sardonic laugh, "these folks are affecting to be something."
Maria raises her right hand, and motions Mr. Keepum away. It does indeed seem to her that the moment when nature in her last struggle unbends before the destroyer-when the treasure of a life passes away to give place to dark regrets and future remorse, is come. Let us pause here for a moment, and turn to another part of the city.
The steamer has scarce reached her berth at the wharf, when the impatient lover springs ashore, dashes through the throng of spectators, and, bewildered as it were, and scarce knowing which way he is proceeding, hurries on, meeting no one he knows, and at length reaching Meeting street. Here he pauses, and to his great joy meets an old negro, who kindly offers to escort him to the distant quarter of the city where Maria resides. Again he sets out, his mind hung in suspense, and his emotions agitated to the highest degree. He hurries on into King street, pauses for a moment before the house of the old Antiquary, now fast closed, and as if the eventful past were crowding upon his fancy, he turns away with dizzy eyes, and follows the old negro, step by step-faint, nervous, and sinking with excitement-until they reach the cabin of Undine, the mulatto woman, under whose roof Maria once sought refuge for the night. Ready to exclaim, "Maria, I am here!" his heart is once more doomed to disappointment. The question hangs upon his lips, as his wondering eyes glance round the room of the cabin. Undine tells him she is not here; but points him to a light, nearly half a mile distant, and tells him she is there! there! The faithful old negro sets off again, and at full speed they proceed up the lane in the direction of the light. And while they vault as it were o'er the ground, let us again turn to the chamber of Maria.
With a sudden spring, Keepum, who had been for several minutes keeping his eyes fixedly set upon Maria, and endeavoring to divert her attention, seized her arms, and was about to drag her down, when Snivel put out the light and ran to his assistance. "Never! never!" she shrieks, at the very top of her voice. "Only with my life!" A last struggle, a stifled cry of "never! never!" mingled with the altercation of voices, rang out upon the air, and grated upon the impatient lover's ear like death-knells. "Up stairs, up stairs!" shouts the old negro, and in an instant he has burst the outer door in, mounts the stairs with the nimbleness of a catamount, and is thundering at the door, which gives way before his herculean strength. "I am here! I am here! Maria, I am here!" he shouts, at the top of his voice, and with an air of triumph stands in the door, as the flashing light from without reveals his dilating figure. "Foul villains! fiends in human form! A light! a light! Merciful heavens-a light!" He dashes his hat from his brow, turns a revengeful glance round the room, and grasps Maria in his arms, as the old negro strikes a light and reveals the back of Mr. Snivel escaping out of a window. Keepum, esteeming discretion the better part of valor, has preceded him.
Tightly Tom clasps Maria to his bosom, and with a look of triumph says: "Maria! speak, speak! They have not robbed you?"
She shakes her head, returns a look of sweet innocence, and mutters: "It was the moment of life or death. Thank heaven-merciful heaven, I am yet guiltless. They have not robbed me of my virtue-no, no, no. I am faint, I am weak-set me down-set me down. The dawn of my morning has brightened."
And she seems swooning in his arms. Gently he bears her to the cot, lays her upon it, and with the solicitude of one whose heart she has touched with a recital of her troubles, smooths her pillow and watches over her until her emotions come subdued.
And will you believe me innocent? Will you hear my story, and reject the calumny of those who have sought my ruin? speaks Maria, impressing a kiss upon the fevered lips of her deliverer, and, having regained her self-command, commences to recount some of the ills she has suffered.
Maria! rejoins Tom, returning her embrace, "you, whom I have loved so sincerely, so quietly but passionately, have no need of declaring your innocence. I have loved you-no one but you. My faith in your innocence has never been shaken. I hastened to you, and am here, your protector, as you have been mine. Had I not myself suffered by those who have sought your ruin, my pride might be touched at the evil reports that have already been rung in my ears. Grateful am I to Him who protects the weak, that I have spared you from the dread guilt they would have forced upon you."
Again and again he declares his eternal love, and seals it with a kiss. His, nature is too generous to doubt her innocence. He already knows the condition of her father, hence keeps silent on that point, lest it might overcome her. He raises her gently from the cot and seats her in a chair; and as he does so, Mr. Snivel's coat falls upon the floor, and from the pocket there protrudes four of his (Tom's) letters, addressed to Maria.
Here! here! says Tom, confusedly, "here is the proof of their guilt and your innocence." And he picks up the letters and holds them before her. "I was not silent, though our enemies would have had it so."
And she looks up again, and with a sweet smile says: "There truly seems a divine light watching over me and lightening the burdens of a sorrowing heart."
The excitement of the meeting over, Maria rapidly recounts a few of the trials she has been subjected to.
Tom's first impulse is, that he will seek redress at law. Certainly the law will give an injured woman her rights. But a second thought tells him how calmly justice sits on her throne when the rights of the poor are at stake. Again, Mr. Keepum has proceeded strictly according to law in prosecuting her father, and there is no witness of his attempts upon her virtue. The law, too, has nothing to do with the motives. No! he is in an atmosphere where justice is made of curious metal.
And now, Maria, says Tom, pressing her hand in his own, "I, whom you rescued when homeless-I, who was loathed when a wretched inebriate, am now a man. My manhood I owe to you. I acknowledge it with a grateful heart. You were my friend then-I am your friend now. May I, nay! am I worthy of retaining this hand for life?"
Rather, I might ask, she responds, in a faltering voice, "am I worthy of this forgiveness, this confidence, this pledge of eternal happiness?"
It is now the image of a large and noble heart reflects itself in the emotions of the lovers, whose joys heaven seems to smile upon.
Let us forget the past, and live only for the future-for each other's happiness; and heaven will reward the pure and the good! concludes Tom, again sealing his faith with an ardent embrace. "You are richer than me!" now, for the last time, rings its gladdening music into her very soul.
Tom recompenses the faithful old negro, who has been a silent looker on, and though the night is far spent, he leads Maria from the place that has been a house of torment to her, provides her a comfortable residence for the night, and, as it is our object not to detain the reader longer with any lengthened description of what follows, may say that, ere a few days have passed, leads Maria to the altar and makes her his happy Bride.
A FEW WORDS WITH THE READER
THE abruptness with which we were compelled to conclude this history, may render it necessary to make a few explanations. Indeed, we fancy we hear the reader demanding them.
By some mysterious process, known only to Keepum and Snivel, the old Antiquary was found at large on the day following Tom Swiggs' return, notwithstanding the Appeal Court did not sit for some six weeks. It is some months since Tom returned, and although he has provided a comfortable home for the Antiquary, the queer old man still retains a longing for the old business, and may be seen of a fine morning, his staff in his right hand, his great-bowed spectacles mounted, and his infirm step, casting many an anxious look up at his old shop, and thinking how much more happy he would be if he were installed in business, selling curiosities to his aristocratic customers, and serving the chivalry in general.
As for Keepum, why he lost no time in assuring Tom of his high regard for him, and has several times since offered to lend him a trifle, knowing full well that he stands in no need of it.
Snivel is a type of our low, intriguing politician and justice, a sort of cross between fashionable society and rogues, who, notwithstanding they are a great nuisance to the community, manage to get a sort of windy popularity, which is sure to carry them into high office. He is well thought of by our ignorant crackers, wire-grassmen, and sand-pitters, who imagine him the great medium by which the Union is to be dissolved, and South Carolina set free to start a species of government best suited to her notions of liberty, which are extremely contracted. It may here be as well to add, that he is come rich, but has not yet succeeded in his darling project of dissolving the Union.
Judge Sleepyhorn thinks of withdrawing into private life, of which he regards himself an exquisite ornament. This, some say, is the result of the tragic death of Anna Bonard, as well as his love of hanging negroes having somewhat subsided.
Madame Montford takes her journeys abroad, where she finds herself much more popular than at home. Nevertheless, she suffers the punishment of a guilty heart, and this leaves her no peace in body or mind. It is, however, some relief to her that she has provided a good, comfortable home for the woman Munday. Tenacious of her character, she still finds a refuge for her pride in the hope that the public is ignorant on the score of the child.
Brother Spyke is in Antioch, and writes home that he finds the Jews the most intractable beings he ever had to deal with. He, however, has strong hopes of doing much good. The field is wide, and with a few thousand dollars more-well, a great deal of light may be reflected over Antioch.
Sister Slocum is actively employed in the good cause of dragging up and evangelizing the heathen world generally. She has now on hand fourteen nice couples, young, earnest, and full of the best intentions. She hopes to get them all off to various dark fields of missionary labor as soon as the requisite amount of funds is scraped up.
There came very near being a little misunderstanding between the House of the Foreign Missions and the House of the Tract Society, in reference to the matter of burying Mrs. Swiggs. The Secretary of the Tract Society, notwithstanding he had strong leanings to the South, and would not for the world do aught to offend the dignity of the "peculiar institution," did not see his way so clearly in the matter of contributing to the burial expenses of the sister who had so long labored in the cause of their tracts. However, the case was a peculiar one, and called for peculiar generosity; hence, after consulting "The Board," the matter was compromised by the "Tract Society" paying a third of the amount.
If you would have strong arguments in favor of reform in the Points just look in at the House of the Nine Nations. There you will find Mr. Krone and his satellites making politicians, and deluging your alms-houses and graveyards with his victims, while he himself is one of the happiest fellows in the world. And after you have feasted your eyes on his den, then come out and pay your homage to the man who, like a fearless Hercules, has sacrificed his own comfort, and gone nobly to work to drag up this terrible heathen world at your own door. Give him of your good gifts, whisper an encouraging word in his ear (he has multiplied the joys of the saved inebriate), and bid him God-speed in his labor of love.
A word in reference to the young theologian. He continues his visits to the old jail, and has rendered solace to many a drooping heart. But he is come a serious obstacle to Mr. Sheriff Hardscrabble, who, having an eye to profit, regards a "slim goal" in anything but a favorable light.
Old Spunyarn has made a voyage to the Mediterranean, and returned with a bag full of oranges for Tom Swiggs; but now that he sees him in possession of such a fine craft as Maria, he proposes that she have the oranges, while his hearty good wishes can just as well be expressed over a bumper of wine. He hopes Tom may always have sunshine, a gentle breeze, and a smooth sea. Farther, he pledges that he will hereafter keep clear of the "land-sharks," nor ever again give the fellow with the face like a snatch-block a chance to run him aboard the "Brig Standfast."
As for Mr. Detective Fitzgerald, he still pursues his profession, and is one of the kindest and most efficient officers of his corps.
And now, ere we close our remarks, and let the curtain fall, we must say a word of Tom and Maria. Tom, then, is one of the happiest fellows of the lot. He occupies a nice little villa on the banks of the "mill-dam." And here his friends, who having found wings and returned with his fortunes, look in now and then, rather envy the air of comfort that reigns in his domicil, and are surprised to find Maria really so beautiful. Tom so far gained the confidence of his employer, that he is now a partner in the concern; and, we venture to say, will never forfeit his trust. About Maria there is an air of self-command-a calmness and intelligence of manner, and a truthfulness in her devotion to Tom, that we can only designate with the word "nobleness." And, too, there is a sweetness and earnestness in her face that seems to bespeak the true woman, while leaving nothing that can add to the happiness of him she now looks up to and calls her deliverer.
The End